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gptkbp:instance_of
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gptkb:play
|
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:The_Screwtape_Letters
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:novel
|
|
gptkbp:audience
|
adults
interactive elements
reflective
thought-provoking
|
|
gptkbp:based_on
|
gptkb:The_Screwtape_Letters
|
|
gptkbp:character
|
gptkb:Wormwood
gptkb:The_Patient
gptkb:Screwtape
|
|
gptkbp:character_appearance
|
period costumes
|
|
gptkbp:character_development
|
Screwtape's manipulation
The Patient's struggles
|
|
gptkbp:choreography
|
gptkb:none
|
|
gptkbp:conflict
|
good vs evil
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
inspired adaptations
discussions on morality
influenced Christian drama
|
|
gptkbp:design
|
minimalist
|
|
gptkbp:director
|
gptkb:John_Doe
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:first_performance
|
gptkb:2019
|
|
gptkbp:genre
|
gptkb:church
|
|
gptkbp:influences
|
C. S. Lewis's beliefs
|
|
gptkbp:inspiration
|
gptkb:philosopher
|
|
gptkbp:language
|
English
|
|
gptkbp:lighting
|
dramatic lighting
|
|
gptkbp:merchandise
|
gptkb:award
gptkb:DJ
gptkb:software
|
|
gptkbp:message
|
moral choices
|
|
gptkbp:moral
|
consequences of sin
importance of faith
value of virtue
|
|
gptkbp:notable_quote
|
“ The greatest trick the devil ever pulled was convincing the world he didn't exist.”
|
|
gptkbp:performance
|
gptkb:theatre
gptkb:language
|
|
gptkbp:production_company
|
gptkb:theatre
|
|
gptkbp:production_years
|
gptkb:2019
|
|
gptkbp:published_by
|
gptkb:2019
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:set_in
|
abstract set
|
|
gptkbp:setting
|
various locations
|
|
gptkbp:sound
|
thematic music
|
|
gptkbp:style
|
dramatic
|
|
gptkbp:symbolism
|
letters as communication
Screwtape as tempter
Wormwood as apprentice
|
|
gptkbp:themes
|
morality
temptation
spiritual warfare
|
|
gptkbp:ticket_sales
|
varies
|
|
gptkbp:written_by
|
gptkb:C._S._Lewis
|