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gptkbp:instance_of
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gptkb:novel
gptkb:film
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gptkbp:bfsLayer
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6
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gptkbp:bfsParent
|
gptkb:The_Scapegoat_(2019)
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gptkbp:adaptation
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gptkb:film
film and television
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|
gptkbp:artistic_legacy
|
enduring popularity
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gptkbp:author
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gptkb:Daphne_du_Maurier
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gptkbp:available_formats
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gptkb:book
hardcover
paperback
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gptkbp:awards
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gptkb:none
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gptkbp:based_on
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The Scapegoat (novel)
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gptkbp:box_office
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$1 million
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gptkbp:character
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gptkb:The_Duke
gptkb:The_Inspector
gptkb:John_Barratt
gptkb:Miss_Mabel
gptkb:The_Countess
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|
gptkbp:character_arc
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gptkb:Transformation
redemption
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gptkbp:character_development
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gptkb:launch_complex
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|
gptkbp:character_relationships
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self-doubt
internal struggle
interpersonal tension
conflicted relationships
familial ties
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gptkbp:character_traits
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resilience
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gptkbp:cinematography
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Desmond Dickinson
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gptkbp:conflict
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self-discovery
personal and social identity
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|
gptkbp:country
|
gptkb:United_Kingdom
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|
gptkbp:critical_reception
|
Mixed reviews
generally positive
|
|
gptkbp:cultural_impact
|
influenced discussions on identity
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|
gptkbp:cultural_references
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French aristocracy
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|
gptkbp:directed_by
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gptkb:Robert_Hamer
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gptkbp:distributor
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gptkb:20th_Century_Fox
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gptkbp:edited_by
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gptkb:John_D._Guthridge
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|
gptkbp:ends_at
|
ambiguous
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Monarch
gptkb:Paris
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|
gptkbp:genre
|
gptkb:Thriller
gptkb:High_School
psychological thriller
|
|
gptkbp:has_backstory
|
complex family history
|
|
gptkbp:has_gameplay_element
|
the mirror
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gptkbp:historical_context
|
post-war Europe
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Scapegoat (1957)
|
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gptkbp:impact
|
deeply affecting
|
|
gptkbp:influenced_artists
|
inspired psychological thrillers
|
|
gptkbp:influenced_by
|
The Scapegoat (novel) by Daphne du Maurier
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|
gptkbp:influences
|
French culture
|
|
gptkbp:inspiration
|
Daphne du Maurier's travels
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|
gptkbp:is_critical_for
|
examines moral dilemmas
|
|
gptkbp:is_motivated_by
|
gptkb:survival
|
|
gptkbp:isbn
|
978-0-00-720000-0
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|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:literary_work
|
|
gptkbp:main_character
|
gptkb:John_Standing
|
|
gptkbp:motif
|
gptkb:Educational_Institution
the outsider
|
|
gptkbp:music_by
|
gptkb:Malcolm_Arnold
|
|
gptkbp:narrative_style
|
third-person
foreshadowing
omniscient narrator
|
|
gptkbp:notable_quote
|
" You have to be careful who you trust."
" Life is a game of chance."
" I am you, and you are me."
" We are all scapegoats in our own way."
" What would you do if you were me?"
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|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
non-linear
identity swap
|
|
gptkbp:plot_twist
|
identity revelation
|
|
gptkbp:premiere
|
gptkb:1957_Cannes_Film_Festival
|
|
gptkbp:published_by
|
gptkb:1957
|
|
gptkbp:publisher
|
gptkb:Victor_Gollancz_Ltd.
|
|
gptkbp:reader_demographic
|
varied interpretations
thought-provoking
highly engaging
|
|
gptkbp:release_date
|
gptkb:1957
|
|
gptkbp:release_region
|
gptkb:United_Kingdom
|
|
gptkbp:release_year
|
gptkb:2012
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Hamer
|
|
gptkbp:setting
|
gptkb:Monarch
mid-20th century
|
|
gptkbp:significance
|
explores themes of self and other
|
|
gptkbp:starring
|
gptkb:Alec_Guinness
gptkb:Balthazar_Getty
gptkb:Andrew_Ray
|
|
gptkbp:style
|
descriptive
|
|
gptkbp:symbolism
|
the doppelgänger
the scapegoat
|
|
gptkbp:thematic_element
|
the nature of evil
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:class
gptkb:Deception
gptkb:Duality
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:existentialism
|