|
gptkbp:instance_of
|
gptkb:painting
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:television_series
gptkb:stage_adaptation
gptkb:drama
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:2012
|
|
gptkbp:artist
|
gptkb:William_Holman_Hunt
|
|
gptkbp:artistic_influence
|
influenced later artists
|
|
gptkbp:artistic_legacy
|
considered a classic
influenced modern thrillers
|
|
gptkbp:author
|
gptkb:Daphne_du_Maurier
Daphne du Maurier's heritage
Daphne du Maurier's other works
|
|
gptkbp:available_at
|
Tate website
|
|
gptkbp:cast
|
gptkb:Charles_Sturridge
gptkb:Matthew_Rhys
|
|
gptkbp:character
|
self-discovery
with identity
|
|
gptkbp:character_arc
|
gptkb:transformation
self-discovery
|
|
gptkbp:character_development
|
gptkb:complex
John Standing's transformation
|
|
gptkbp:character_motivation
|
desire for escape
understanding self
|
|
gptkbp:character_relationships
|
naivety
John and his family
John and his doppelgänger
|
|
gptkbp:character_traits
|
introspection
|
|
gptkbp:character's_challenge
|
facing the past
|
|
gptkbp:character's_decision
|
to confront the doppelgänger
|
|
gptkbp:character's_realization
|
acceptance of duality
|
|
gptkbp:climax
|
identity revelation
confrontation with doppelgänger
|
|
gptkbp:collection
|
gptkb:Tate_collection
|
|
gptkbp:color_palette
|
vibrant colors
|
|
gptkbp:conflict
|
internal conflict
personal crisis
external vs internal
|
|
gptkbp:contains
|
natural elements
|
|
gptkbp:created_by
|
gptkb:William_Holman_Hunt
|
|
gptkbp:critical_analysis
|
examines societal expectations
explores psychological themes
discusses themes of alienation
|
|
gptkbp:critical_reception
|
generally positive
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced later works
exploration of duality
discussion of identity
|
|
gptkbp:cultural_significance
|
depicts themes of sacrifice
|
|
gptkbp:depicts
|
a goat
|
|
gptkbp:dimensions
|
36.5 in × 24.5 in
|
|
gptkbp:exhibited_at
|
gptkb:Royal_Academy_of_Arts
galleries worldwide
|
|
gptkbp:exhibition_history
|
gptkb:Royal_Academy_of_Arts
|
|
gptkbp:features
|
landscape background
|
|
gptkbp:genre
|
psychological thriller
|
|
gptkbp:has_been_restored
|
gptkb:multiple_times
|
|
gptkbp:has_influenced
|
modern artists
|
|
gptkbp:has_reception
|
well-received at the time of unveiling
|
|
gptkbp:historical_context
|
gptkb:Victorian_England
post-war Europe
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Scapegoat
|
|
gptkbp:influence
|
Daphne du Maurier's life experiences
|
|
gptkbp:influenced_artists
|
inspired psychological thrillers
|
|
gptkbp:influenced_by
|
Biblical themes
|
|
gptkbp:influences
|
gptkb:existentialism
gptkb:Christian_iconography
gptkb:French_literature
|
|
gptkbp:inspiration
|
the author's travels
Leviticus 16:10
the author's travels in France
|
|
gptkbp:inspired_by
|
Leviticus 16:10
|
|
gptkbp:is_acclaimed_for
|
art enthusiasts
|
|
gptkbp:is_analyzed_in
|
art history studies
|
|
gptkbp:is_associated_with
|
cultural discussions
|
|
gptkbp:is_cited_in
|
academic papers
|
|
gptkbp:is_considered
|
a significant work
a reflection of its time
|
|
gptkbp:is_considered_by
|
gptkb:art_historians
|
|
gptkbp:is_discussed_in
|
art critiques
|
|
gptkbp:is_displayed_in
|
art exhibitions
|
|
gptkbp:is_explored_in
|
gptkb:documentaries
|
|
gptkbp:is_famous_for
|
its narrative quality
|
|
gptkbp:is_featured_in
|
art books
|
|
gptkbp:is_motivated_by
|
exploration of human psyche
|
|
gptkbp:is_notable_for
|
detailed realism
|
|
gptkbp:is_noted_for
|
its composition
|
|
gptkbp:is_part_of
|
gptkb:Tate_collection
art collections
art movements
Victorian art
British art heritage
|
|
gptkbp:is_recognized_as
|
a masterpiece
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_related_to
|
gptkb:Christian_iconography
|
|
gptkbp:is_subject_to
|
interpretation
|
|
gptkbp:is_symbolic_of
|
innocence
the scapegoat as a societal critique
|
|
gptkbp:is_used_in
|
educational contexts
|
|
gptkbp:isbn
|
978-0-00-720000-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_context
|
post-war literature
|
|
gptkbp:literary_devices
|
foreshadowing
flashback
|
|
gptkbp:literary_significance
|
explores themes of self and other
|
|
gptkbp:location
|
gptkb:Tate_Britain
|
|
gptkbp:main_character
|
gptkb:John_Standing
John Maler
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:motif
|
gptkb:betrayal
family secrets
the past haunting the present
the double
|
|
gptkbp:movement
|
gptkb:Pre-Raphaelite_Brotherhood
|
|
gptkbp:narrative
|
subjective
man vs self
|
|
gptkbp:narrative_style
|
first-person
third-person
unreliable narrator
|
|
gptkbp:narrative_theme
|
the search for belonging
the nature of evil
self vs society
|
|
gptkbp:notable_features
|
goat on a cliff
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot_twist
|
identity switch
|
|
gptkbp:protagonist
|
a man who meets his doppelgänger
|
|
gptkbp:published
|
gptkb:1957
|
|
gptkbp:published_in
|
gptkb:1957
|
|
gptkbp:publisher
|
gptkb:Victor_Gollancz_Ltd
gptkb:Victor_Gollancz_Ltd.
|
|
gptkbp:reader_demographic
|
varied
varied interpretations
thought-provoking
|
|
gptkbp:related_works
|
gptkb:The_Light_of_the_World
|
|
gptkbp:release_year
|
gptkb:2012
|
|
gptkbp:represents
|
gptkb:sacrifice
|
|
gptkbp:resolution
|
acceptance of identity
acceptance of self
|
|
gptkbp:setting
|
gptkb:France
|
|
gptkbp:setting_time
|
mid-20th century
|
|
gptkbp:significance
|
reflects character's state of mind
|
|
gptkbp:style
|
gptkb:Pre-Raphaelite
lyrical
Victorian art
descriptive prose
|
|
gptkbp:subject
|
scapegoat
|
|
gptkbp:symbol
|
the mirror
|
|
gptkbp:symbolism
|
atonement
the scapegoat
the scapegoat concept
|
|
gptkbp:symbolizes
|
atonement
|
|
gptkbp:technique
|
detailed realism
|
|
gptkbp:thematic_element
|
the nature of evil
|
|
gptkbp:theme
|
gptkb:duality
gptkb:identity
|
|
gptkbp:themes
|
gptkb:duality
gptkb:identity
|
|
gptkbp:viewpoint
|
omniscient narrator
|
|
gptkbp:writings
|
examines societal norms
|
|
gptkbp:year_created
|
1854
|
|
gptkbp:bfsParent
|
gptkb:Molière
gptkb:J._M._Barrie
|
|
gptkbp:bfsLayer
|
4
|