gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
gptkbp:adaptation
|
gptkb:film
|
gptkbp:aspect_ratio
|
1.37:1
|
gptkbp:audience
|
challenging
thought-provoking
divisive opinions
|
gptkbp:author
|
gptkb:Julio_Cortázar
|
gptkbp:awards
|
gptkb:none
gptkb:Cannes_Film_Festival_Best_Director
gptkb:FIPRESCI_Prize
Best Director at Cannes
FIPRESCI Prize at Cannes
|
gptkbp:based_on
|
novel by Julio Cortázar
|
gptkbp:box_office
|
gptkb:Unknown
|
gptkbp:cast
|
gptkb:Gholamreza_Takhti
gptkb:Nasser_Malek_Motiee
gptkb:Shahram_Nazeri
gptkb:Faramarz_Gharibian
gptkb:Ali_Nassirian
|
gptkbp:character_development
|
complex characters
|
gptkbp:character_relationships
|
interpersonal conflicts
mysterious connections
existential dilemmas
|
gptkbp:cinematography
|
gptkb:Abbas_Kiarostami
|
gptkbp:color
|
Black and white
|
gptkbp:country
|
gptkb:Politician
|
gptkbp:critical_reception
|
Positive reviews
mixed reviews
|
gptkbp:cultural_impact
|
Cited in film studies
influenced contemporary playwrights
Influenced Iranian cinema
|
gptkbp:cultural_references
|
Spanish culture
political commentary
European theatre
|
gptkbp:director
|
gptkb:Abbas_Kiarostami
|
gptkbp:distributor
|
Kiarostami Productions
|
gptkbp:editor
|
gptkb:Abbas_Kiarostami
|
gptkbp:filming_location
|
gptkb:Politician
|
gptkbp:follows
|
gptkb:The_Traveler
|
gptkbp:genre
|
gptkb:mythological_figure
surrealism
absurdist theatre
|
gptkbp:historical_context
|
post-war Europe
political tensions
cultural upheaval
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ruined Map
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:French_New_Wave
avant-garde movements
personal experiences of the author
|
gptkbp:influences
|
gptkb:Film_noir
gptkb:Monarch
gptkb:literary_work
gptkb:theatre_of_the_absurd
|
gptkbp:inspired_by
|
gptkb:Artist
existential philosophy
surrealism
|
gptkbp:language
|
gptkb:Persian
gptkb:Spanish
|
gptkbp:music
|
gptkb:Mohammad_Reza_Shajarian
|
gptkbp:music_style
|
unexpected plot twists
absurd dialogue
disjointed scenes
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:notable_character
|
the protagonist
the woman
the detective
|
gptkbp:notable_production
|
international tours
original production in Paris
revival in New York
|
gptkbp:performance
|
symbolic imagery
non-linear narrative
metatheatre
|
gptkbp:performed_by
|
theatres worldwide
|
gptkbp:plot
|
A detective investigates the disappearance of a man.
|
gptkbp:precedes
|
The Report
|
gptkbp:premiere
|
gptkb:film_festival
|
gptkbp:premiered_on
|
gptkb:1967
|
gptkbp:production_company
|
Kiarostami Productions
|
gptkbp:published_by
|
gptkb:1973
book form
|
gptkbp:release_year
|
gptkb:1978
|
gptkbp:remake
|
gptkb:None
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplay_by
|
gptkb:Abbas_Kiarostami
|
gptkbp:sequel
|
gptkb:None
|
gptkbp:setting
|
gptkb:Argentina
a surreal landscape
|
gptkbp:sound
|
gptkb:Mono
|
gptkbp:themes
|
gptkb:TV_series
gptkb:existentialism
Existentialism
reality
the nature of reality
disillusionment
absurdity
Reality vs. illusion
search for meaning
|
gptkbp:translated_into
|
gptkb:French
gptkb:Native_American_tribe
English
|
gptkbp:written_by
|
gptkb:Fernando_Arrabal_Jr.
|
gptkbp:bfsParent
|
gptkb:Hiroshi_Teshigahara
|
gptkbp:bfsLayer
|
3
|