Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poet
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Thomas_Hardy
|
| gptkbp:adaptation |
gptkb:theatre
|
| gptkbp:analysis |
gptkb:historical_event
class struggle social commentary gender roles feminist interpretation |
| gptkbp:author |
gptkb:Thomas_Hardy
|
| gptkbp:character |
gptkb:Melia
the speaker |
| gptkbp:contains_track |
ABAB
|
| gptkbp:critical_reception |
well-received
|
| gptkbp:cultural_impact |
influenced feminist literature
inspired discussions on morality referenced in popular culture studied in literature courses analyzed in academic papers influenced discussions on sexuality influenced discussions on women's rights influenced discussions on poverty featured in anthologies influenced discussions on social justice quoted in literary critiques |
| gptkbp:form |
dramatic monologue
|
| gptkbp:genre |
gptkb:poet
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Ruined Maid
|
| gptkbp:influence |
modern poetry
|
| gptkbp:inspiration |
real-life experiences
|
| gptkbp:involved_units |
iambic pentameter
|
| gptkbp:language |
English
|
| gptkbp:literary_devices |
gptkb:language
symbolism imagery irony |
| gptkbp:product_line |
“ O Melia, my dear, this does everything crown!”
“ And I’m sure I’m not sorry I’m ruined.” |
| gptkbp:published_by |
1901
|
| gptkbp:related_works |
gptkb:Jude_the_Obscure
gptkb:The_Return_of_the_Native gptkb:Far_from_the_Madding_Crowd gptkb:Tess_of_the_d'_Urbervilles |
| gptkbp:setting |
gptkb:Victorian_England
|
| gptkbp:social_structure |
stanzas
|
| gptkbp:sound |
ironic
|
| gptkbp:theme |
gptkb:class
|
| gptkbp:voice_actor |
a ruined maid
|