Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:television
gptkb:film |
| gptkbp:author |
gptkb:Aphra_Behn
|
| gptkbp:character |
gptkb:The_Captain
gptkb:The_Duke gptkb:Don_Pedro The Widow Blunt Don Antonio Florinda Lucetta |
| gptkbp:critical_reception |
well-received in its time
performed in various adaptations studied in feminist literature |
| gptkbp:cultural_significance |
early feminist themes
critique of societal norms celebration of female agency depiction of libertinism exploration of sexual politics |
| gptkbp:first_performance |
1677
|
| gptkbp:genre |
gptkb:comedy
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Rover
|
| gptkbp:influence |
gptkb:Restoration_comedy
|
| gptkbp:inspiration |
gptkb:Italian_commedia_dell'arte
Aphra Behn's experiences Restoration era society |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Angellica_Bianca
Hellena Willmore |
| gptkbp:notable_production |
The Old Vic production
The Shaw Festival production National Theatre production Royal Shakespeare Company production The Oregon Shakespeare Festival production The Royal Exchange Theatre production Bristol Old Vic production The American Conservatory Theater production The Globe Theatre production The Sydney Theatre Company production |
| gptkbp:notable_quote |
“ I am a woman, and I will not be ruled.”
“ I will be a mistress of my own.” |
| gptkbp:performance |
revived in 20th century
|
| gptkbp:published |
1681
|
| gptkbp:setting |
gptkb:Naples
|
| gptkbp:theme |
love
freedom gender roles |
| gptkbp:bfsParent |
gptkb:Guy_Pearce
gptkb:Led_Zeppelin gptkb:Joseph_Conrad gptkb:Robert_Pattinson |
| gptkbp:bfsLayer |
4
|