gptkbp:instanceOf
|
play
|
gptkbp:adaptation
|
television adaptation
radio adaptation
|
gptkbp:awards
|
gptkb:Scottish_Arts_Council_Award
Best Actor
Best Actress
Best Director
Best New Play
|
gptkbp:criticalReception
|
well-received
|
gptkbp:culturalSignificance
|
social issues
community values
Scottish_identity
|
gptkbp:filmingLocation
|
gptkb:Glasgow
|
gptkbp:genre
|
drama
|
gptkbp:hasPerformance
|
1948
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Rose Rent
|
gptkbp:influencedBy
|
Scottish_literature
Scottish_playwrights
|
gptkbp:influences
|
Scottish_culture
Scottish_history
|
gptkbp:inspiration
|
gptkb:Scottish_folklore
|
gptkbp:language
|
English
|
gptkbp:notableEvent
|
gptkb:Edinburgh_Festival_Fringe
gptkb:Royal_Lyceum_Theatre
gptkb:Scottish_Opera
Glasgow_Citizens_Theatre
|
gptkbp:notableFeature
|
Duncan
Maggie
The Provost
The_Laird
|
gptkbp:officialLanguage
|
English
|
gptkbp:performances
|
performed in various theaters
|
gptkbp:publishedIn
|
1948
|
gptkbp:relatedPatent
|
gptkb:The_Last_of_Mrs._Cheyney
gptkb:The_Cheviot,_the_Stag,_and_the_Black,_Black_Oil
The Weir
The Slab Boys
The_Steamie
|
gptkbp:setting
|
gptkb:Scotland
|
gptkbp:style
|
comedy
realism
tragedy
|
gptkbp:symbolism
|
rent
rose
|
gptkbp:theme
|
love
community
sacrifice
|
gptkbp:wrote
|
gptkb:James_Bridie
|