|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:audience
|
gptkb:unknown
low.
|
|
gptkbp:based_on
|
original concept by David A. Prior
|
|
gptkbp:box_office
|
gptkb:unknown
limited.
|
|
gptkbp:budget
|
gptkb:unknown
|
|
gptkbp:challenges
|
budget constraints.
|
|
gptkbp:character
|
gptkb:The_Rifleman
gptkb:The_Villain
The Sidekick
The Love Interest
|
|
gptkbp:character_arc
|
redemption.
|
|
gptkbp:character_development
|
limited.
focused on revenge.
|
|
gptkbp:character_motivation
|
revenge.
|
|
gptkbp:character_relationships
|
internal and external.
complex.
dynamic.
|
|
gptkbp:cinematography
|
gptkb:David_A._Prior
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
not widely analyzed.
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:criticism
|
divided opinions.
|
|
gptkbp:cultural_impact
|
limited.
|
|
gptkbp:cultural_significance
|
minimal.
|
|
gptkbp:demographics
|
adult.
|
|
gptkbp:director
|
gptkb:David_A._Prior
|
|
gptkbp:distributor
|
gptkb:Uncork'd_Entertainment
|
|
gptkbp:edited_by
|
gptkb:David_A._Prior
|
|
gptkbp:film
|
open-ended.
social media.
|
|
gptkbp:film_awards
|
none.
|
|
gptkbp:film_festival
|
gptkb:none
|
|
gptkbp:film_length
|
90 minutes
|
|
gptkbp:film_pacing
|
moderate.
|
|
gptkbp:film_technique
|
independent.
action-oriented.
practical effects.
serious.
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:genre
|
gptkb:action
|
|
gptkbp:has_backstory
|
developed.
|
|
gptkbp:has_produced
|
low budget.
|
|
gptkbp:home_media_release
|
gptkb:unknown
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Rifleman (2019 film)
|
|
gptkbp:influenced_by
|
spaghetti westerns.
|
|
gptkbp:influences
|
Western genre
American cinema.
modern action films.
|
|
gptkbp:inspiration
|
classic Western films.
|
|
gptkbp:is_portrayed_as
|
realistic.
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
minimalistic.
|
|
gptkbp:legacy
|
unknown.
|
|
gptkbp:marketing_strategy
|
digital marketing.
|
|
gptkbp:merchandising
|
none.
|
|
gptkbp:motif
|
redemption.
|
|
gptkbp:music_by
|
gptkb:David_A._Prior
|
|
gptkbp:narrative
|
linear.
straightforward.
|
|
gptkbp:plot
|
A former soldier seeks revenge.
|
|
gptkbp:premiere
|
gptkb:unknown
|
|
gptkbp:produces
|
completed.
|
|
gptkbp:production_company
|
gptkb:Prior_Entertainment
|
|
gptkbp:production_status
|
completed
|
|
gptkbp:rating
|
not rated
|
|
gptkbp:release_date
|
gptkb:2019
|
|
gptkbp:release_format
|
digital
|
|
gptkbp:release_region
|
gptkb:North_America
|
|
gptkbp:resolution
|
satisfying.
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
none.
|
|
gptkbp:screenplay_by
|
gptkb:David_A._Prior
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:soundtrack
|
original score by David A. Prior
|
|
gptkbp:starring
|
gptkb:Kirk_Taylor
gptkb:Michael_Paré
gptkb:Cynthia_Kaye_Mc_Williams
|
|
gptkbp:symbolism
|
representative of justice.
|
|
gptkbp:theme
|
gptkb:revenge
|
|
gptkbp:themes
|
revenge and justice.
|
|
gptkbp:trivia
|
Michael Paré's character is a nod to classic Westerns.
|
|
gptkbp:viewership
|
limited.
|
|
gptkbp:viewing_platform
|
streaming services.
|
|
gptkbp:visual_effects
|
minimal
|
|
gptkbp:bfsParent
|
gptkb:The_Rifleman
|
|
gptkbp:bfsLayer
|
5
|