|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:Rebecca_West's_novel
gptkb:television_series
gptkb:theatre
gptkb:1976
gptkb:1977
gptkb:1982
gptkb:2014
gptkb:radio_station
gptkb:film
|
|
gptkbp:art_style
|
period-accurate costumes
|
|
gptkbp:audience
|
cult following
emotional engagement
|
|
gptkbp:author
|
gptkb:Rebecca_West
|
|
gptkbp:available_formats
|
gptkb:printer
gptkb:book
ebook
|
|
gptkbp:awards
|
gptkb:none
nominated for BAFTA
|
|
gptkbp:based_on
|
novel by Rebecca West
|
|
gptkbp:box_office
|
$1.5 million
$2 million
$1 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Chris_Baldry
gptkb:Dr._William_Rivers
gptkb:Margaret_Grey
gptkb:Dr._Edward_Bradshaw
gptkb:William_Baldry
the soldier's wife
Jenny Baldry
Mrs. Baldry
|
|
gptkbp:character_arc
|
Chris's recovery
Chris's journey
|
|
gptkbp:character_development
|
psychological depth
Chris Baldry's transformation
Jenny Baldry's struggle
Margaret Grey's role
Chris Baldry's journey
|
|
gptkbp:character_relationships
|
complex dynamics
Chris and Jenny's marriage
Chris and Margaret's friendship
Jenny and Margaret's rivalry
|
|
gptkbp:cinematography
|
gptkb:David_Watkin
gptkb:James_Wong_Howe
|
|
gptkbp:color
|
gptkb:color
black and white
color film
|
|
gptkbp:composer
|
gptkb:Richard_Rodney_Bennett
|
|
gptkbp:conflict
|
psychological conflict
personal vs. societal expectations
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
referenced in popular culture
studied in literature courses
feminist readings
influenced other authors
discussed in literary studies
discussions on PTSD
exploration of mental health
featured in academic courses
analyzed in feminist critiques
part of feminist literary canon
influenced discussions on PTSD
historical context of WWI
exploration of PTSD
|
|
gptkbp:director
|
gptkb:John_Frankenheimer
gptkb:Alan_Bridges
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:John_Bloom
|
|
gptkbp:editor
|
gptkb:John_Glen
gptkb:David_Bretherton
|
|
gptkbp:ends_at
|
ambiguous
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Cannes_Film_Festival_1982
|
|
gptkbp:film_score
|
orchestral
not rated
Richard Rodney Bennett's score
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:England
|
|
gptkbp:filmography
|
100 minutes
realism
flashbacks
|
|
gptkbp:genre
|
gptkb:High_School
war novel
|
|
gptkbp:historical_context
|
post-war Britain
post-World War I era
|
|
gptkbp:historical_significance
|
depiction of PTSD
|
|
gptkbp:home_media_release
|
gptkb:2001
gptkb:DJ
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Return of the Soldier
|
|
gptkbp:influence
|
British literature
feminist literature
war literature
modernist literature
subsequent war literature
|
|
gptkbp:influenced_artists
|
influenced feminist writers
inspired later war literature
shaped modernist narratives
|
|
gptkbp:influenced_by
|
literary modernism
World War I literature
|
|
gptkbp:influences
|
gptkb:post-traumatic_stress_disorder
modernist literature
post-war literature
|
|
gptkbp:inspiration
|
Rebecca West's experiences
|
|
gptkbp:inspired_by
|
Rebecca West's experiences
|
|
gptkbp:is_critical_for
|
feminist perspectives
psychological realism
analyzed for its narrative structure
examined for its historical context
themes of nostalgia
depiction of women
discussed in feminist theory
|
|
gptkbp:is_motivated_by
|
personal trauma
|
|
gptkbp:language
|
English
introspective
poetic and introspective
|
|
gptkbp:legacy
|
influenced later war films
influence on war films
|
|
gptkbp:main_character
|
gptkb:Chris_Baldry
gptkb:Margaret_Grey
Jenny Baldry
|
|
gptkbp:motif
|
gptkb:TV_series
gptkb:loss
gptkb:war
memory loss
recovery
|
|
gptkbp:music_by
|
gptkb:John_Barry
gptkb:Richard_Rodney_Bennett
|
|
gptkbp:narrative_style
|
first-person
third-person
non-linear
limited omniscient
|
|
gptkbp:plot
|
gptkb:archaeological_site
gptkb:poet
flashbacks
|
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:1970_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Cineplex-Odeon_Films
gptkb:Columbia_Pictures
|
|
gptkbp:published_by
|
1918
|
|
gptkbp:publisher
|
gptkb:G._Bell_&_Sons
gptkb:G._P._Putnam's_Sons
G. Bell and Sons
|
|
gptkbp:release_date
|
1982-09-10
1960-12-01
1970-12-01
|
|
gptkbp:release_format
|
theatrical
theatrical release
|
|
gptkbp:release_year
|
gptkb:1960
gptkb:1970
gptkb:1982
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenings
|
gptkb:Cannes_Film_Festival_1970
film festivals
35mm
|
|
gptkbp:screenplay_by
|
gptkb:Christopher_Hampton
gptkb:Christopher_Isherwood
gptkb:John_Bowen
|
|
gptkbp:setting
|
gptkb:World_War_I
|
|
gptkbp:significance
|
explores gender roles
examines gender roles
depicts the impact of war
examines class distinctions
depicts the effects of trauma
explores the impact of war
depicts psychological effects of war
|
|
gptkbp:sound
|
mono
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Julie_Harris
gptkb:Angela_Lansbury
gptkb:Alan_Bates
gptkb:Julie_Christie
gptkb:Ian_Holm
gptkb:Glenda_Jackson
gptkb:Roddy_Mc_Dowall
|
|
gptkbp:style
|
lyrical prose
emotional depth
symbolic imagery
|
|
gptkbp:symbolism
|
gptkb:TV_series
gptkb:war
memory loss
memory and loss
the garden
the past
the soldier's return
|
|
gptkbp:thematic_element
|
identity crisis
|
|
gptkbp:theme
|
gptkb:class
gptkb:Magic:_The_Gathering_set
love
mental health
trauma
nostalgia
love and sacrifice
family dynamics
identity crisis
female agency
trauma and memory
war and trauma
recovery and healing
|
|
gptkbp:themes
|
love and sacrifice
|
|
gptkbp:bfsParent
|
gptkb:Robert_Shaw
gptkb:Joseph_Kessel
gptkb:The_Father
gptkb:John_Buchan
gptkb:Antonio_Muñoz_Molina
gptkb:Charles_Vanel
gptkb:Leonora_Carrington
gptkb:Marcello_Mastroianni
gptkb:Anouk_Aimée
gptkb:Terence_Young
|
|
gptkbp:bfsLayer
|
4
|