|
gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:2000
|
|
gptkbp:author
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gptkb:Miroslav_Krleža
|
|
gptkbp:cast
|
gptkb:Goran_Marković
Vladimir Tadej
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|
gptkbp:character_development
|
Philip's journey
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|
gptkbp:character_relationships
|
internal conflict
societal conflict
artistic conflict
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|
gptkbp:critical_reception
|
well-received
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|
gptkbp:cultural_aspect
|
Croatian society
|
|
gptkbp:cultural_impact
|
reflected societal changes
explored existential themes
influenced Croatian identity
examined artistic integrity
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|
gptkbp:followed_by
|
The Banquet in Blitva
|
|
gptkbp:genre
|
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Return of Philip Latinowicz
|
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gptkbp:influenced
|
Croatian literature
|
|
gptkbp:influenced_artists
|
gptkb:Slavenka_Drakulić
gptkb:Vladimir_Arsenijević
Miljenko Jergović
Dubravka Ugrešić
Zoran Ferić
|
|
gptkbp:influences
|
gptkb:Modernism
|
|
gptkbp:isbn
|
978-953-150-000-0
|
|
gptkbp:language
|
Croatian
|
|
gptkbp:literary_significance
|
important work in Croatian literature
|
|
gptkbp:main_character
|
Philip Latinowicz
|
|
gptkbp:motif
|
gptkb:memory
disillusionment
return
|
|
gptkbp:narrative
|
first-person
omniscient
|
|
gptkbp:narrative_style
|
lyrical
stream of consciousness
realistic
satirical
philosophical
|
|
gptkbp:page_count
|
gptkb:300
|
|
gptkbp:published
|
gptkb:1932
|
|
gptkbp:publisher
|
Nakladni zavod Matice hrvatske
|
|
gptkbp:setting
|
gptkb:Croatia
|
|
gptkbp:setting_time
|
early 20th century
|
|
gptkbp:symbolism
|
artistic struggle
|
|
gptkbp:theme
|
gptkb:art
gptkb:existentialism
gptkb:identity
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:won_award
|
gptkb:Best_Director
|
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gptkbp:bfsParent
|
gptkb:Miroslav_Krleža
|
|
gptkbp:bfsLayer
|
5
|