gptkbp:instance_of
|
gptkb:play
|
gptkbp:adaptation
|
gptkb:film
|
gptkbp:adaptation_year
|
gptkb:1935
|
gptkbp:adaptations
|
gptkb:film_adaptation
|
gptkbp:audience
|
emotional response
thought-provoking questions
|
gptkbp:author
|
gptkb:David_Belasco
|
gptkbp:cast
|
gptkb:George_Cukor
|
gptkbp:character_arc
|
redemption arc
|
gptkbp:character_development
|
Peter Grimm's journey
|
gptkbp:character_motivation
|
to protect his family
|
gptkbp:character_relationships
|
family dynamics
life vs. death
|
gptkbp:conflict
|
personal vs. societal expectations
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
inspired other works
|
gptkbp:cultural_significance
|
exploration of mortality
|
gptkbp:famous_quote
|
" I am not dead, I am just gone."
|
gptkbp:film_editing
|
gptkb:Lionel_Barrymore
|
gptkbp:first_performance
|
gptkb:New_York_City
|
gptkbp:genre
|
gptkb:fantasy
|
gptkbp:historical_context
|
early 20th century theater
|
gptkbp:historical_legacy
|
American realism
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Return of Peter Grimm
|
gptkbp:influenced_artists
|
gptkb:David_Belasco
fantasy drama
|
gptkbp:influenced_by
|
gptkb:American_theater
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Peter_Grimm
|
gptkbp:music_style
|
three-act structure
life and death stakes
|
gptkbp:notable_performance
|
gptkb:Broadway
|
gptkbp:notable_themes
|
family and love
|
gptkbp:number_of_acts
|
gptkb:3
|
gptkbp:number_of_stages
|
symbolic elements
|
gptkbp:original_language
|
English
|
gptkbp:performance
|
multiple revivals
|
gptkbp:performance_style
|
realism
|
gptkbp:plot_summary
|
A man returns from the dead to resolve unfinished business.
|
gptkbp:premiere_date
|
1911
|
gptkbp:published_year
|
1911
|
gptkbp:role
|
Grimm's family
|
gptkbp:setting
|
gptkb:New_York
|
gptkbp:symbolism
|
the return of the dead
Peter Grimm as a symbol of hope.
|
gptkbp:thematic_element
|
redemption
the meaning of life
|
gptkbp:theme
|
life after death
|
gptkbp:bfsParent
|
gptkb:David_Belasco
|
gptkbp:bfsLayer
|
5
|