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gptkbp:instance_of
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gptkb:novel
gptkb:film
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gptkbp:adaptation
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gptkb:French
gptkb:drama
gptkb:film
novel by Janet Lewis
The Return of Martin Guerre (novel)
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gptkbp:adaptation_year
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gptkb:1982
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gptkbp:author
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gptkb:Janet_Lewis
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gptkbp:awards
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César Award nominations
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gptkbp:based_on
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gptkb:historical_events
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gptkbp:box_office
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$1.5 million
successful
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gptkbp:cast
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gptkb:Daniel_Vigne
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gptkbp:character
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gptkb:Bertrande_de_Rols
gptkb:Martin_Guerre
the judge
Père Guerre
the impostor
the village community
Pere Guerre
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gptkbp:character_development
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gptkb:complex
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gptkbp:cinematography
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gptkb:Benoît_Lamy
Bernard Zitzermann
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gptkbp:color
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color film
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gptkbp:conflict
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gptkb:court_cases
theft of identity
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gptkbp:country
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gptkb:France
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gptkbp:critical_reception
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positive reviews
well-received
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gptkbp:cultural_impact
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inspired adaptations
influenced literature
referenced in popular culture
inspired discussions on identity
adapted into stage plays
inspired other adaptations
featured in academic studies
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gptkbp:cultural_significance
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explores themes of identity
addresses gender roles
examines social norms
explores themes of authenticity
reflects on personal identity
questions the nature of truth
highlights community dynamics
depicts rural life in France
influences later films about identity
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gptkbp:director
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gptkb:Daniel_Vigne
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gptkbp:distributor
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gptkb:CIC
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gptkbp:edited_by
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Yvonne Martin
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gptkbp:film_editing
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gptkb:Le_Retour_de_Martin_Guerre
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gptkbp:film_festival
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gptkb:Cannes_Film_Festival
gptkb:Cannes_Film_Festival_1982
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gptkbp:filming_location
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gptkb:France
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gptkbp:genre
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gptkb:drama
gptkb:historical_fiction
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gptkbp:historical_context
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gptkb:French_Reformation
gptkb:French_Wars_of_Religion
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gptkbp:historical_figure
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gptkb:Martin_Guerre
gptkb:Arnaud_du_Tilh
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Return of Martin Guerre
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gptkbp:influence
|
inspired scholarly research
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gptkbp:influences
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gptkb:historical_narratives
French cinema
modern storytelling
identity politics
historical drama genre
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gptkbp:inspiration
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gptkb:Fiction
real-life events
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gptkbp:isbn
|
978-0156182003
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gptkbp:language
|
gptkb:French
English
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|
gptkbp:literary_significance
|
examines social norms
explores themes of authenticity
questions the nature of truth
|
|
gptkbp:main_character
|
gptkb:Martin_Guerre
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:loyalty
gptkb:deception
|
|
gptkbp:music
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gptkb:Giorgio_Moroder
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|
gptkbp:music_by
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gptkb:Giorgio_Moroder
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gptkbp:narrative_focus
|
personal relationships
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|
gptkbp:narrative_style
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gptkb:historical_fiction
third-person
non-linear storytelling
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|
gptkbp:page_count
|
256
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gptkbp:performance
|
based on true events
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|
gptkbp:plot
|
identity crisis
identity and deception
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|
gptkbp:premiere
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gptkb:Cannes_Film_Festival
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|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
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|
gptkbp:published
|
1941
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|
gptkbp:publisher
|
gptkb:Harcourt_Brace
|
|
gptkbp:release_date
|
1982-05-12
May 1982
|
|
gptkbp:release_year
|
gptkb:1982
|
|
gptkbp:remake
|
gptkb:Somersby
|
|
gptkbp:runtime
|
122 minutes
|
|
gptkbp:screenings
|
international film festivals
|
|
gptkbp:screenplay
|
gptkb:Jean-Claude_Carrière
|
|
gptkbp:screenplay_by
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gptkb:Jean-Claude_Carrière
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gptkbp:setting
|
16th century France
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|
gptkbp:starring
|
gptkb:Maurice_Barrier
gptkb:Natalie_Baye
gptkb:Gérard_Depardieu
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gptkbp:style
|
lyrical
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|
gptkbp:symbolism
|
the past
the self
the return
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|
gptkbp:theme
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gptkb:identity
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|
gptkbp:themes
|
gptkb:betrayal
gptkb:identity
gptkb:community
love
social norms
|
|
gptkbp:viewership
|
cult following
|
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gptkbp:bfsParent
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gptkb:Gérard_Depardieu
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gptkbp:bfsLayer
|
4
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