The Return of Judith to Bethulia
GPTKB entity
Statements (42)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
painting
|
| gptkbp:artist |
Giorgio Vasari
|
| gptkbp:artMovement |
gptkb:Italian_Renaissance
|
| gptkbp:artwork |
Layering
Oil painting Glazing Theatrical productions Impasto Influence on modern art Cultural references in literature Continued study in art history Underpainting Artistic reproductions Inspiration for feminist interpretations Cinematic_adaptations |
| gptkbp:colors |
warm_tones
|
| gptkbp:culturalImpact |
Influence on later artists
|
| gptkbp:depicts |
gptkb:Holofernes
Judith |
| gptkbp:dimensions |
200 cm × 150 cm
|
| gptkbp:exhibitedAt |
gptkb:Florence
|
| gptkbp:historicalContext |
Biblical story
|
| gptkbp:historicalSignificance |
Religious themes
Political symbolism Representation of female strength |
| https://www.w3.org/2000/01/rdf-schema#label |
The Return of Judith to Bethulia
|
| gptkbp:influencedBy |
gptkb:Michelangelo
gptkb:Raphael Renaissance_art |
| gptkbp:inspiration |
Book of Judith
|
| gptkbp:isUsedFor |
Duke Cosimo I de' Medici
|
| gptkbp:location |
Museo Nazionale di Capodimonte
|
| gptkbp:medium |
oil on canvas
|
| gptkbp:notableFeature |
Dramatic lighting
Dynamic composition Emotional expressions |
| gptkbp:relatedPatent |
gptkb:Judith_Slaying_Holofernes
gptkb:Judith_and_Her_Maidservant |
| gptkbp:significance |
Symbol of virtue
|
| gptkbp:style |
gptkb:Mannerism
|
| gptkbp:technique |
chiaroscuro
|
| gptkbp:yearEstablished |
1540
|