|
gptkbp:instance_of
|
gptkb:musical
gptkb:ballet
gptkb:theatre
gptkb:opera
gptkb:video_game
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Georges_Auric
gptkb:Sigmar_Polke
gptkb:Stendhal
gptkb:Gordon_Parks
gptkb:Asger_Jorn
gptkb:Jackson_Pollock
gptkb:Paul_Klee
gptkb:Tarsila_do_Amaral
gptkb:Charles_Vanel
gptkb:Rufino_Tamayo
gptkb:C._K._Scott_Moncrieff
gptkb:The_Girl_on_a_Motorcycle
gptkb:Hans_Hofmann
gptkb:Blue_Öyster_Cult
gptkb:Mlle_de_Rénal
gptkb:Fernand_Léger
gptkb:František_Kupka
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:ballet
gptkb:television_series
gptkb:theatre
gptkb:1954
gptkb:1997
gptkb:2010
gptkb:2016
gptkb:radio_station
gptkb:graphic_novel
gptkb:opera
gptkb:video_game
gptkb:The_Red_and_the_Black_(1954_film)
gptkb:The_Red_and_the_Black_(1983_miniseries)
gptkb:The_Red_and_the_Black_(1997_film)
gptkb:The_Red_and_the_Black_(2016_film)
gptkb:The_Red_and_the_Black_(TV_series)
gptkb:The_Red_and_the_Black_(animated_film)
gptkb:The_Red_and_the_Black_(graphic_novel)
gptkb:The_Red_and_the_Black_(radio_drama)
gptkb:film
television adaptations
The Red and the Black (ballet)
The Red and the Black (documentary)
The Red and the Black (musical)
The Red and the Black (theatrical play)
The Red and the Black (video game)
The Red and the Black (novel)
The Red and the Black film
|
|
gptkbp:adapted_into
|
gptkb:theatre
gptkb:opera
gptkb:film
various films
multiple playwrights
|
|
gptkbp:antagonist
|
gptkb:Monsieur_de_Rênal
gptkb:Mathilde_de_la_Mole
|
|
gptkbp:arrondissements
|
his identity
|
|
gptkbp:art_movement
|
gptkb:award
|
|
gptkbp:art_style
|
unique style
2 D hand-drawn
|
|
gptkbp:associated_act
|
gptkb:3
2
two
|
|
gptkbp:author
|
gptkb:Stendhal
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Award
multiple awards
nominated for several
|
|
gptkbp:based_on
|
The Red and the Black (novel)
The Red and the Black novel
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Mademoiselle_de_la_Mole
gptkb:Monsieur_de_Rênal
gptkb:Abbé_Chélan
gptkb:Count_de_la_Mole
gptkb:Madame_de_Rênal
gptkb:Monsieur_de_la_Mole
gptkb:Bourgeoise
gptkb:Mademoiselle_de_Rênal
gptkb:Julien_Sorel
gptkb:Mathilde_de_la_Mole
Bishop de Frilair
|
|
gptkbp:character_appearance
|
gptkb:Yves_Saint_Laurent
|
|
gptkbp:character_customization
|
limited
|
|
gptkbp:character_development
|
dynamic
Julien Sorel's ambition
Julien Sorel's journey
Mathilde de la Mole's character
Julien's moral dilemmas
Mathilde de la Mole's role
Mathilde de la Mole's complexity
Julien Sorel's growth
Madame de Rênal's conflict
Mathilde's struggle
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
Julien and Madame de Rênal
Julien and Mathilde
Julien and his father
Julien and the church
|
|
gptkbp:choreography
|
gptkb:collaboration
gptkb:church
gptkb:historical_event
gptkb:Jean-Pierre_Frohlich
gptkb:book
gptkb:artwork
not applicable
cultural significance
audience engagement
emotional depth
technical skill
solo performances
theatrical elements
visual storytelling
stage presence
emotional resonance
cultural commentary
dramatic expression
interpretation of music
artistic integrity
ensemble work
partnering
Redha
dance vocabulary
movement quality
Frohlich's style
|
|
gptkbp:cinematography
|
Jean Boffety
|
|
gptkbp:color
|
black and white
|
|
gptkbp:community
|
active
|
|
gptkbp:composer
|
gptkb:Gérard_Presgurvic
gptkb:Marius_Constant
gptkb:Olivier_Derivière
Julien Leherpeur
|
|
gptkbp:conflict
|
class struggle
internal conflict
social conflict
external conflict
personal vs societal
personal vs societal expectations
personal ambition
love vs ambition
personal vs society
Julien's fate
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive
generally positive
mixed reviews
well-received
widely regarded as a classic
|
|
gptkbp:cultural_impact
|
inspired literature
inspired films
inspired art
inspired various artworks
influenced later authors
inspired adaptations
translated into multiple languages
inspired other works
performed internationally
inspired fashion
inspired music
referenced in popular culture
inspired academic studies
inspired other authors
influenced writers
studied in literature courses
discussed in academic papers
influenced filmmakers
inspired plays
adapted into various media
adapted into other media
reference in popular culture
influenced playwrights
adapted into various languages
analyzed in film studies
inspired other adaptations
influenced musicians
influenced other musicals
featured in literary criticism
influenced other operas
included in literary anthologies
influenced novelists
inspired discussions on class
included in literary canon
|
|
gptkbp:cultural_references
|
inspired literature
inspired films
inspired art
|
|
gptkbp:design
|
gptkb:Richard_Hudson
|
|
gptkbp:developer
|
gptkb:Yves_Guillemot
|
|
gptkbp:difficulty
|
moderate
|
|
gptkbp:directed_by
|
gptkb:Bernard_Tavernier
|
|
gptkbp:director
|
gptkb:Robert_Hossein
gptkb:Jean-Pierre_Ponnelle
gptkb:Claude_Autant-Lara
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:duration
|
approximately 2 hours
approximately 90 minutes
|
|
gptkbp:economy
|
not applicable
|
|
gptkbp:editor
|
Louisette Hautecoeur
|
|
gptkbp:ends_at
|
tragic
tragic ending
|
|
gptkbp:fan_base
|
dedicated
|
|
gptkbp:features
|
gptkb:Isabelle_Adjani
gptkb:Mathieu_Kassovitz
gptkb:museum
gptkb:collection
live orchestra
romantic desires and social expectations
|
|
gptkbp:film_score
|
Joseph Kosma's score
|
|
gptkbp:filming_location
|
gptkb:Monarch
|
|
gptkbp:filmography
|
gptkb:The_Red_and_the_Black_(1947_film)
gptkb:The_Red_and_the_Black_(1986_film)
gptkb:The_Red_and_the_Black_(1993_film)
gptkb:The_Red_and_the_Black_(1954_film)
gptkb:The_Red_and_the_Black_(1997_film)
|
|
gptkbp:first_performance
|
gptkb:Paris
gptkb:Théâtre_du_Châtelet
|
|
gptkbp:followed_by
|
gptkb:The_Red_and_the_Black_(2004_film)
gptkb:The_Charterhouse_of_Parma
|
|
gptkbp:game_engine
|
gptkb:aircraft
|
|
gptkbp:game_features
|
gptkb:historical_event
|
|
gptkbp:game_length
|
approximately 6 hours
based on player choices
|
|
gptkbp:game_modes
|
single-player
|
|
gptkbp:gameplay
|
narrative-driven
|
|
gptkbp:genre
|
gptkb:theatre
gptkb:amusement_park
gptkb:High_School
gptkb:opera
gptkb:archaeological_site
|
|
gptkbp:graphics
|
stylized graphics
|
|
gptkbp:highlights
|
gptkb:education
|
|
gptkbp:historical_context
|
gptkb:Restoration_France
political turmoil
rise of bourgeoisie
restoration period
post-Napoleonic France
|
|
gptkbp:home_media_release
|
gptkb:DJ
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Red and the Black
|
|
gptkbp:impact
|
social mobility
|
|
gptkbp:influence
|
gptkb:existentialism
gptkb:modernism
gptkb:French_Revolution
gptkb:Politician
gptkb:literary_work
realism
modern literature
psychological realism
psychological novels
|
|
gptkbp:influenced
|
French cinema
naturalism
modern literature
psychological novel
psychological novels
theater adaptations of novels
|
|
gptkbp:influenced_by
|
gptkb:Stendhal
gptkb:painting
gptkb:award
gptkb:Napoleon_Bonaparte
gptkb:Realism
gptkb:French_Revolution
gptkb:Politician
gptkb:French_Romanticism
19th century France
Romantic writers
|
|
gptkbp:influences
|
gptkb:award
Stendhal's novel
|
|
gptkbp:inspiration
|
gptkb:Stendhal
gptkb:Napoleonic_Wars
gptkb:Politician
real-life events
Stendhal's own life
The Red and the Black (opera)
Stendhal's novel
Stendhal's life experiences
|
|
gptkbp:inspired
|
gptkb:The_Red_and_the_Black_(film)
modern literature
psychological novels
|
|
gptkbp:inspired_by
|
gptkb:historical_event
|
|
gptkbp:is_a_venue_for
|
gptkb:Opéra_de_Lyon
|
|
gptkbp:is_analyzed_in
|
its narrative style
|
|
gptkbp:is_characterized_by
|
irony
|
|
gptkbp:is_cited_in
|
literary critiques
|
|
gptkbp:is_considered_as
|
a critique of society
a classic novel
a precursor to modern literature
a realist novel
|
|
gptkbp:is_critical_for
|
depicts romantic ideals
explores ambition
examines social hierarchy
|
|
gptkbp:is_divided_into
|
two parts
|
|
gptkbp:is_influential_in
|
gptkb:literary_work
|
|
gptkbp:is_known_for
|
psychological depth
|
|
gptkbp:is_motivated_by
|
ambition
a driving force
|
|
gptkbp:is_recognized_for
|
its character development
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:is_studied_in
|
literary courses
|
|
gptkbp:isbn
|
978-2-07-036822-0
978-014044-007-4
|
|
gptkbp:language
|
gptkb:French
branching paths
|
|
gptkbp:legacy
|
cult following
|
|
gptkbp:librettist
|
gptkb:Jacques_Roubaud
|
|
gptkbp:lighting
|
Jean Kalman
|
|
gptkbp:literary_devices
|
symbolism
irony
foreshadowing
|
|
gptkbp:lyricist
|
gptkb:Gérard_Presgurvic
gptkb:French
|
|
gptkbp:main_character
|
gptkb:Julien_Sorel
|
|
gptkbp:men's_doubles_champion
|
a complex character
|
|
gptkbp:merchandise
|
gptkb:stock_market_index
|
|
gptkbp:moral
|
gptkb:Julien_Sorel
|
|
gptkbp:motif
|
gptkb:philosopher
gptkb:historical_event
gptkb:betrayal
love
romantic relationships
class struggle
hypocrisy
love and betrayal
ambition
ambition and betrayal
ambition and desire
|
|
gptkbp:multiplayer
|
gptkb:battle
|
|
gptkbp:music_by
|
gptkb:Joseph_Kosma
|
|
gptkbp:narrated_by
|
third person
|
|
gptkbp:narrative_style
|
realism
first-person
immersive
third-person
linear
psychological realism
third-person narration
linear narrative
historically inspired
|
|
gptkbp:narrative_theme
|
ambition and social climbing
|
|
gptkbp:next_edition
|
1830
|
|
gptkbp:notable_appearance
|
Julien's downfall
Julien's confession
Mathilde's declaration
Julien's duel
Julien's love affair
Julien's rise to power
|
|
gptkbp:notable_character
|
gptkb:Madame_de_Rênal
gptkb:Monsieur_de_la_Mole
gptkb:Julien_Sorel
gptkb:Mathilde_de_la_Mole
|
|
gptkbp:notable_conductors
|
gptkb:Marek_Janowski
|
|
gptkbp:notable_event
|
gptkb:Festival_d'_Aix-en-Provence
|
|
gptkbp:notable_performance
|
gptkb:Ballet_de_l'_Opéra_de_Paris
gptkb:Opéra_de_Lyon
over 100
|
|
gptkbp:notable_performers
|
gptkb:Thomas_Hampson
gptkb:Natalie_Dessay
gptkb:Roberto_Alagna
gptkb:Nicolas_Le_Riche
|
|
gptkbp:notable_production
|
2010 revival
2006 revival
2005 production
2008 tour
2010 adaptation
1989 adaptation
2005 adaptation
2015 anniversary performance
2000 premiere production
|
|
gptkbp:notable_quote
|
" I am a man of the world."
" I am not a man of the people."
" The heart is a strange thing."
" All that is necessary for the triumph of evil is that good men do nothing."
" The heart is a great deceiver."
" The world is a stage, and I am but a player."
" I am not a man of the world."
" All that is needed is to be a little bit clever."
" The more I know, the more I love."
" All that is great in the world comes from the heart."
" All that is not given is lost."
" I am not a coward, I am a man of ambition."
|
|
gptkbp:notable_recordings
|
available on CD
|
|
gptkbp:notable_song
|
Je suis un homme
L'amour est un rêve
L'ombre de mon père
L'âme de la France
La vie est un combat
|
|
gptkbp:number_of_teams
|
impact story outcomes
morally ambiguous
|
|
gptkbp:official_language
|
gptkb:French
|
|
gptkbp:orchestration
|
orchestra and voices
|
|
gptkbp:page_count
|
400
approximately 400
|
|
gptkbp:performed_by
|
various theaters
|
|
gptkbp:platform
|
gptkb:PC
|
|
gptkbp:plot
|
Julien's rise and fall
Julien's ambitions
Julien's moral dilemmas
Julien's love affairs
A young man's ambition and love affairs
Julien's conflicts with society
|
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:2000
gptkb:2010
|
|
gptkbp:premiere_date
|
gptkb:1983
|
|
gptkbp:premiered_on
|
gptkb:2005
1832
|
|
gptkbp:produced_by
|
gptkb:Robert_Hossein
gptkb:Les_Films_du_Losange
|
|
gptkbp:production_company
|
gptkb:Ballet_de_l'_Opéra_de_Paris
gptkb:Les_Films_de_la_Pléiade
|
|
gptkbp:published_by
|
gptkb:Michel_Lévy_Frères
1830
|
|
gptkbp:published_year
|
1830
|
|
gptkbp:publisher
|
gptkb:Folio_Classics
gptkb:Ubisoft
gptkb:Michel_Lévy_Frères
|
|
gptkbp:puzzles
|
integrated into narrative
|
|
gptkbp:release_date
|
gptkb:2014
|
|
gptkbp:release_format
|
theatrical release
|
|
gptkbp:release_platform
|
gptkb:operating_system
|
|
gptkbp:release_region
|
Worldwide
|
|
gptkbp:release_year
|
gptkb:1954
gptkb:2014
|
|
gptkbp:released_in
|
gptkb:1997
|
|
gptkbp:remake
|
gptkb:The_Red_and_the_Black_(2004_film)
|
|
gptkbp:reunion
|
gptkb:2005
gptkb:Théâtre_des_Champs-Élysées
|
|
gptkbp:runtime
|
120 minutes
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean-Paul_Sartre
|
|
gptkbp:set_in
|
gptkb:Eugène_Berman
gptkb:Monarch
19th century France
the Restoration period
historical backdrop
|
|
gptkbp:setting
|
gptkb:19th_century
gptkb:Monarch
early 19th century
19th century France
historical France
|
|
gptkbp:significance
|
gptkb:novel
exploration of identity
critique of society
exploration of ambition
classic of French literature
character study of Julien Sorel
|
|
gptkbp:starring
|
gptkb:Jean-Louis_Barrault
gptkb:Danielle_Darrieux
gptkb:Gerard_Philipe
|
|
gptkbp:style
|
realism
tragic
dramatic
romantic
psychological depth
realistic portrayal
neoclassical ballet
lyrical and dramatic
|
|
gptkbp:symbolism
|
social mobility
red and black colors
the church
the military
the color red
the color black
color red
color black
|
|
gptkbp:target_audience
|
general public
adventure game fans
|
|
gptkbp:thematic_element
|
gptkb:class
love
class struggle
romance
love and betrayal
ambition
|
|
gptkbp:theme
|
gptkb:class
class struggle
romance
hypocrisy
ambition
social class and ambition
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:class
gptkb:historical_event
gptkb:betrayal
gptkb:moral_ambiguity
gptkb:military_conflict
love
class struggle
romance
hypocrisy
ambition
passion
social climbing
|
|
gptkbp:trailer
|
released prior to launch
|
|
gptkbp:translated_into
|
gptkb:Spanish
gptkb:C._K._Scott_Moncrieff
gptkb:Native_American_tribe
English
multiple languages
many languages
|
|
gptkbp:updates
|
received post-launch
|
|
gptkbp:user_interface
|
intuitive
|
|
gptkbp:user_reviews
|
generally favorable
The New York Times review
The Guardian review
Opera News review
Financial Times review
Le Monde review
|
|
gptkbp:viewpoint
|
third-person
|
|
gptkbp:voice_actor
|
featured
|
|
gptkbp:written_by
|
gptkb:Stendhal
|
|
gptkbp:wrote
|
explores class struggle
depicts romantic relationships
examines personal ambition
|
|
gptkbp:year
|
gptkb:Restoration_France
|