Statements (73)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:A_Rage_in_Harlem
gptkb:Chester_Himes |
| gptkbp:based_on |
novel by Chester Himes
|
| gptkbp:box_office |
$1 million
|
| gptkbp:cinematography |
gptkb:church
gptkb:historical_event gptkb:Joseph_F._Biroc gptkb:book gptkb:artwork black and white social issues cultural significance plot twists social commentary symbolism emotional depth film studies moral dilemmas cinematic techniques narrative complexity critical analysis character arcs visual storytelling character motivations emotional resonance thematic exploration detective genre cultural commentary plot development audience reception urban setting thematic depth climactic moments dramatic tension police procedural elements character relationships character studies gritty realism character-driven narrative dialogue-driven scenes suspenseful moments atmospheric lighting visual motifs character conflicts stylistic choices noir style |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:directed_by |
gptkb:Rudolph_Maté
|
| gptkbp:distributor |
gptkb:Columbia_Pictures
|
| gptkbp:edited_by |
gptkb:George_Boemler
|
| gptkbp:features |
gptkb:Detective
|
| gptkbp:follows |
two detectives
|
| gptkbp:genre |
gptkb:Police_Department
|
| gptkbp:has_song |
gptkb:orchestra
|
| gptkbp:has_theme |
gptkb:betrayal
gptkb:Community_Center crime and justice redemption racial tensions |
| https://www.w3.org/2000/01/rdf-schema#label |
The Real Cool Killers
|
| gptkbp:language |
English
|
| gptkbp:music_by |
gptkb:David_Raksin
|
| gptkbp:produced_by |
gptkb:Rudolph_Maté
|
| gptkbp:release_date |
1965-06-01
|
| gptkbp:released_in |
gptkb:1965
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenplay_by |
gptkb:Robert_Culp
|
| gptkbp:set_in |
gptkb:Harlem
|
| gptkbp:starring |
gptkb:Keenan_Wynn
gptkb:Joan_Collins gptkb:Robert_Culp |