|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Robert_A._Heinlein
|
|
gptkbp:adaptation
|
gptkb:1994
gptkb:film
mixed reviews
|
|
gptkbp:author
|
gptkb:Robert_A._Heinlein
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Puppet Masters (novel)
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$10 million
$3 million
|
|
gptkbp:cast
|
gptkb:Stuart_Gordon
|
|
gptkbp:character
|
gptkb:government_agency
gptkb:military_officer
gptkb:The_Alien
gptkb:Dr._Hargrove
The Puppet Master
Mary Nivens
Sam Nivens
|
|
gptkbp:character_arc
|
Sam's growth and realization
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
internal and external conflicts
Sam C. Callahan and Mary
|
|
gptkbp:cinematography
|
gptkb:David_G._Smith
|
|
gptkbp:conflict
|
humans vs aliens
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:Richard_Powers
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
inspired other works
Influenced other sci-fi films.
|
|
gptkbp:director
|
gptkb:Troy_Cook
|
|
gptkbp:distributor
|
gptkb:New_Line_Cinema
|
|
gptkbp:edited_by
|
Michael J. Duthie
|
|
gptkbp:filming_location
|
gptkb:New_Mexico
|
|
gptkbp:filmography
|
90 minutes
|
|
gptkbp:genre
|
gptkb:Author
gptkb:Thriller
science fiction horror
|
|
gptkbp:historical_context
|
post-World War II America
|
|
gptkbp:home_media_release
|
1995 VHS
2000 DVD
2010 Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Puppet Masters
|
|
gptkbp:influence
|
invasion literature
|
|
gptkbp:influenced
|
gptkb:video_game
|
|
gptkbp:influenced_artists
|
gptkb:Author
gptkb:John_Scalzi
|
|
gptkbp:influences
|
gptkb:The_Thing
gptkb:Invasion_of_the_Body_Snatchers
|
|
gptkbp:is_evaluated_by
|
positive
|
|
gptkbp:is_motivated_by
|
gptkb:survival
|
|
gptkbp:isbn
|
978-0441783588
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Sam_C._Callahan
|
|
gptkbp:motif
|
control and autonomy
|
|
gptkbp:music_by
|
gptkb:David_Arnold
|
|
gptkbp:narrative_style
|
first-person
suspense
limited omniscient
|
|
gptkbp:notable_quote
|
' The only thing we have to fear is fear itself.'
|
|
gptkbp:page_count
|
320
|
|
gptkbp:philosophy
|
what it means to be human.
|
|
gptkbp:plot
|
Aliens take control of human bodies.
|
|
gptkbp:plot_summary
|
A story about alien parasites that control human hosts.
|
|
gptkbp:plot_twist
|
reveal of the true nature of the aliens
|
|
gptkbp:premiere
|
gptkb:1994_Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:New_Line_Cinema
|
|
gptkbp:published_by
|
1951
|
|
gptkbp:publisher
|
gptkb:Putnam's_Sons
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
cult following
|
|
gptkbp:release_date
|
1951-01-01
October 1994
|
|
gptkbp:release_year
|
gptkb:1994
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Troy_Cook
|
|
gptkbp:sequel
|
The Puppet Masters II (unofficial)
|
|
gptkbp:series
|
gptkb:none
|
|
gptkbp:setting
|
gptkb:physicist
future
|
|
gptkbp:soundtrack
|
The Puppet Masters Soundtrack
|
|
gptkbp:starring
|
gptkb:Julie_Warner
Sutherland
Eric Thal
|
|
gptkbp:symbolism
|
puppetry and control
|
|
gptkbp:target_audience
|
young adults and adults
|
|
gptkbp:thematic_element
|
identity and self
|
|
gptkbp:theme
|
alien invasion
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Survival
gptkb:military_base
gptkb:Paranoia
Humanity vs. Alien
|
|
gptkbp:visual_effects
|
gptkb:K._N._B._EFX_Group
|