Properties (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
gptkb:television_series
film opera 1840 (opera by Amilcare Ponchielli) 1976 (film adaptation) 1989 (TV miniseries) |
| gptkbp:artMovement |
allegory
irony foreshadowing |
| gptkbp:author |
Alessandro Manzoni
|
| gptkbp:criticalReception |
widely regarded as a masterpiece
|
| gptkbp:culturalImpact |
adapted into various media
studied in schools influenced_Italian_language |
| gptkbp:culturalSignificance |
reflects social issues of the time
explores moral dilemmas considered_a_national_novel_of_Italy |
| gptkbp:genre |
historical novel
|
| gptkbp:historicalFigures |
gptkb:Spanish_rule_in_Milan
gptkb:Cardinal_Borromeo the Thirty Years' War |
| https://www.w3.org/2000/01/rdf-schema#label |
The Promessi Sposi
|
| gptkbp:influences |
Italian_culture
Italian_literature |
| gptkbp:inspiration |
gptkb:Italian_unification
Realism Romanticism |
| gptkbp:mainCharacter |
gptkb:Don_Rodrigo
gptkb:Lucia_Mondella Renzo Tramaglino Fra Cristoforo |
| gptkbp:narrativeStyle |
historical realism
third-person narration |
| gptkbp:notableQuote |
“Il coraggio non è assenza di paura, ma la capacità di affrontarla.”
“Dove c’è amore, c’è vita.” “La speranza è l’ultima a morire.” |
| gptkbp:officialLanguage |
Italian
|
| gptkbp:releaseYear |
1827
|
| gptkbp:setting |
17th century Lombardy
|
| gptkbp:symbolism |
the river
the plague the wedding |
| gptkbp:theme |
love
social justice faith |
| gptkbp:translatedInto |
gptkb:Spanish
English French German Russian |