|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Rodney_Dangerfield
|
|
gptkbp:art_style
|
symbolic imagery
rich color palette
vivid cinematography
|
|
gptkbp:awards
|
Best Director at San Sebastián
|
|
gptkbp:based_on
|
a true story
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
the audience
the filmmaker
the projectionist
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Joaquín_de_Almeida
|
|
gptkbp:country
|
gptkb:Spain
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
explored the evolution of cinema
highlighted the role of projectionists
inspired discussions on film preservation
|
|
gptkbp:directed_by
|
Carmen M. P. de la Torre
|
|
gptkbp:distributor
|
gptkb:XYZ_Films
|
|
gptkbp:edited_by
|
Carmen M. P. de la Torre
|
|
gptkbp:features
|
historical references
|
|
gptkbp:filming_location
|
gptkb:Madrid
gptkb:Barcelona
gptkb:Valencia
|
|
gptkbp:follows
|
a film projectionist's life
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Projectionist
|
|
gptkbp:influences
|
gptkb:Italian_neorealism
Spanish cinema
documentary filmmaking
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:merchandise
|
gptkb:DJ
gptkb:soundtrack
film posters
behind-the-scenes book
|
|
gptkbp:music_by
|
gptkb:Jorge_Drexler
|
|
gptkbp:narrative_style
|
multiple perspectives
non-linear storytelling
|
|
gptkbp:premiere
|
gptkb:San_Sebastián_International_Film_Festival
|
|
gptkbp:produced_by
|
Carmen M. P. de la Torre
|
|
gptkbp:production_company
|
Cine Arte
Cineastas
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
film festivals
special screenings
community screenings
|
|
gptkbp:screenplay_by
|
Carmen M. P. de la Torre
|
|
gptkbp:set_in
|
the 1970s
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Jorge_Perugorría
gptkb:Ana_de_Armas
gptkb:Joaquín_de_Almeida
|
|
gptkbp:themes
|
gptkb:artwork
gptkb:organization
nostalgia
|