Properties (43)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
none
|
| gptkbp:artMovement |
explores themes of nostalgia
reflects on the passage of time examines the role of the artist |
| gptkbp:author |
gptkb:Willa_Cather
|
| gptkbp:characterDevelopment |
gptkb:Tom_St._Peter
gptkb:Godfrey_St._Peter gptkb:Louise_St._Peter |
| gptkbp:conflict |
internal conflict
external conflict |
| gptkbp:criticalReception |
generally positive
|
| gptkbp:culturalImpact |
studied in literature courses
adapted into various discussions influenced_American_literature |
| gptkbp:followedBy |
Death Comes for the Archbishop
|
| gptkbp:genre |
fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Professor's House
|
| gptkbp:influencedBy |
gptkb:Henry_James
|
| gptkbp:influences |
modernist literature
|
| gptkbp:ISBN |
978-1-5011-1234-5
|
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
gptkb:Godfrey_St._Peter
|
| gptkbp:motif |
family
architecture art |
| gptkbp:narrativeStyle |
third-person
|
| gptkbp:notableQuote |
"The past is never dead. It's not even past."
"There is no place like home." "We are all of us more human than otherwise." |
| gptkbp:pageCount |
304
|
| gptkbp:precededBy |
A Lost Lady
|
| gptkbp:publishedBy |
1925
|
| gptkbp:publisher |
gptkb:Alfred_A._Knopf
|
| gptkbp:setting |
gptkb:New_Mexico
early 20th century |
| gptkbp:style |
realism
|
| gptkbp:symbolism |
the house
the past the_American_West |
| gptkbp:theme |
isolation
memory change |