gptkbp:instanceOf
|
film
|
gptkbp:awards
|
gptkb:Nika_Award
|
gptkbp:basedOn
|
gptkb:The_Prisoner_of_the_Caucasus
|
gptkbp:boxOffice
|
$1 million
|
gptkbp:character
|
gptkb:Russian_soldier
gptkb:Chechen_rebel
military commander
antagonist
local villagers
female character
|
gptkbp:cinematographyBy
|
gptkb:Raimund_G._G._K._von_Gagern
|
gptkbp:country
|
gptkb:Russia
|
gptkbp:criticalReception
|
positive
|
gptkbp:culturalImpact
|
influenced filmmakers
discussed in film studies
analyzed for themes
reference in literature
|
gptkbp:director
|
gptkb:Sergei_Bodrov
|
gptkbp:distributor
|
Art_Pictures_Studio
|
gptkbp:editor
|
gptkb:Andrei_D._Zheleznyakov
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
gptkbp:filmingLocation
|
gptkb:Caucasus
|
gptkbp:genre
|
drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Prisoner of the Mountains
|
gptkbp:influences
|
gptkb:Russian_literature
Chechen_culture
|
gptkbp:inspiration
|
historical conflicts
real events
|
gptkbp:language
|
Russian
|
gptkbp:mainCharacter
|
gptkb:Khadzhi-Murat
Vanya
|
gptkbp:narrativeStyle
|
non-linear
|
gptkbp:plot
|
personal transformation
cultural conflict
hostage situation
|
gptkbp:premiere
|
1996 Cannes Film Festival
|
gptkbp:productionCompany
|
gptkb:Sovkino
|
gptkbp:releaseDate
|
September 1996
|
gptkbp:releaseYear
|
1996
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplayBy
|
gptkb:Sergei_Bodrov
|
gptkbp:setting
|
gptkb:Caucasus_Mountains
|
gptkbp:soundtrack
|
gptkb:Igor_Stravinsky
original score
|
gptkbp:symbolism
|
freedom
identity
captivity
|
gptkbp:theme
|
war
|