|
gptkbp:instance_of
|
gptkb:The_Simpsons
gptkb:novel
|
|
gptkbp:adaptations
|
gptkb:television_series
gptkb:film
gptkb:stage_play
|
|
gptkbp:adapted_into
|
gptkb:Disney
gptkb:graphic_novel
gptkb:audiobook
|
|
gptkbp:air_date
|
September 28, 1996
|
|
gptkbp:airing_order
|
162
|
|
gptkbp:animation_style
|
Traditional animation
|
|
gptkbp:author
|
gptkb:Mark_Twain
|
|
gptkbp:available_in
|
public domain
|
|
gptkbp:character_arc
|
Seymour Skinner's identity crisis
|
|
gptkbp:character_development
|
gptkb:Tom_Canty
gptkb:Prince_Edward
Principal Skinner's backstory
|
|
gptkbp:character_motivation
|
Desire for acceptance
|
|
gptkbp:character_relationships
|
Skinner vs. Chalmers
|
|
gptkbp:conflict
|
class struggle
Identity theft
identity crisis
|
|
gptkbp:critical_reception
|
mixed reviews
Controversial episode
|
|
gptkbp:cultural_impact
|
inspired other works
Discussion on identity
|
|
gptkbp:cultural_references
|
gptkb:Mark_Twain
|
|
gptkbp:design
|
8 F02
|
|
gptkbp:directed_by
|
gptkb:Peter_Hastings
|
|
gptkbp:episode_number
|
162
|
|
gptkbp:explores_themes
|
gptkb:social_class
|
|
gptkbp:fan_reception
|
Divided opinions
|
|
gptkbp:features_character
|
gptkb:Lisa_Simpson
gptkb:Homer_Simpson
gptkb:Marge_Simpson
gptkb:Principal_Skinner
gptkb:Bart_Simpson
gptkb:Seymour_Skinner
|
|
gptkbp:focus
|
gptkb:Principal_Skinner
|
|
gptkbp:followed_by
|
gptkb:The_Mysterious_Stranger
gptkb:The_Secret_War_of_Lisa_Simpson
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
gptkbp:has_reception
|
Mixed reviews
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Principal and the Pauper
|
|
gptkbp:influence_on
|
gptkb:children's_literature
American literature
|
|
gptkbp:influenced
|
gptkb:literature
gptkb:popular_culture
|
|
gptkbp:influenced_by
|
gptkb:The_Prince_and_the_Pauper
|
|
gptkbp:inspiration
|
The Prince and the Pauper by Mark Twain
Twain's novel
|
|
gptkbp:isbn
|
978-0-14-243717-9
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
Dark humor
|
|
gptkbp:literary_devices
|
gptkb:satire
gptkb:humor
irony
|
|
gptkbp:main_character
|
gptkb:Tom_Canty
gptkb:Prince_Edward
|
|
gptkbp:moral
|
importance of empathy
understanding others
|
|
gptkbp:motif
|
gptkb:royalty
poverty
|
|
gptkbp:narrative_style
|
Satirical
third-person
|
|
gptkbp:notable_guest_stars
|
gptkb:Yeardley_Smith
gptkb:Tress_Mac_Neille
gptkb:Harry_Shearer
gptkb:Dan_Castellaneta
gptkb:Nancy_Cartwright
|
|
gptkbp:notable_quote
|
“ The law is a ass.”
“ I am a prince, and I will be a prince.”
“ It is a great thing to be a king.”
" I am not Seymour Skinner!"
|
|
gptkbp:number_of_episodes
|
22 minutes
|
|
gptkbp:original_network
|
gptkb:Fox
|
|
gptkbp:page_count
|
224
|
|
gptkbp:plot
|
adventures of Prince Edward
adventures of Tom Canty
switching identities
|
|
gptkbp:plot_summary
|
Principal Skinner's true identity is revealed.
|
|
gptkbp:plot_twist
|
Skinner is not who he claims to be.
|
|
gptkbp:preceded_by
|
gptkb:The_Springfield_Files
|
|
gptkbp:premiere_episode
|
gptkb:comedy
2
|
|
gptkbp:production_company
|
gptkb:Gracie_Films
|
|
gptkbp:published
|
gptkb:1896
|
|
gptkbp:publisher
|
gptkb:Charles_L._Webster_and_Company
|
|
gptkbp:resolution
|
Skinner's return to Springfield
|
|
gptkbp:season
|
8
|
|
gptkbp:series
|
gptkb:The_Simpsons
|
|
gptkbp:setting
|
gptkb:Springfield_Elementary_School
gptkb:England
|
|
gptkbp:symbolism
|
the crown
the rags
|
|
gptkbp:theme
|
gptkb:Deception
gptkb:social_class
gptkb:identity
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:viewership
|
8.4 million
|
|
gptkbp:voice_actor
|
gptkb:Yeardley_Smith
gptkb:Pamela_Hayden
gptkb:Tress_Mac_Neille
gptkb:Harry_Shearer
gptkb:Dan_Castellaneta
gptkb:Nancy_Cartwright
gptkb:Hank_Azaria
gptkb:Julie_Kavner
|
|
gptkbp:written_by
|
gptkb:Ken_Keeler
|
|
gptkbp:year
|
16th century
|
|
gptkbp:bfsParent
|
gptkb:The_Simpsons
|
|
gptkbp:bfsLayer
|
4
|