|
gptkbp:instance_of
|
gptkb:album
gptkb:novel
gptkb:song
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:stage_adaptation
gptkb:film
|
|
gptkbp:aims_to
|
Empower individuals
|
|
gptkbp:aims_to_improve
|
Brand loyalty
|
|
gptkbp:album
|
gptkb:The_Power_of_One_Soundtrack
|
|
gptkbp:artist
|
gptkb:Donna_Summer
|
|
gptkbp:associated_with
|
The Power of One (film)
|
|
gptkbp:author
|
gptkb:Bryce_Courtenay
|
|
gptkbp:awards
|
Nominated for 1 Academy Award
Best Novel Award
|
|
gptkbp:based_on
|
novel by Bryce Courtenay
|
|
gptkbp:box_office
|
$2.5 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:campaigns
|
gptkb:Visa
|
|
gptkbp:character
|
gptkb:Geel_Piet
gptkb:The_Girl
gptkb:The_Judge
gptkb:Doc
gptkb:The_Boy
gptkb:The_General
gptkb:Mister
gptkb:The_Colonel
PK
Mma
|
|
gptkbp:character_development
|
Peekay's growth
relationship with Doc
relationship with Geel Piet
|
|
gptkbp:chart_position
|
#1 on Billboard Hot 100
|
|
gptkbp:cinematography_by
|
gptkb:John_A._Alonzo
|
|
gptkbp:collaborated_with
|
gptkb:Non-profit_organizations
Various influencers
|
|
gptkbp:conflict
|
gptkb:cultural_identity
social injustice
personal struggle
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced writers
inspired readers
discussed in schools
|
|
gptkbp:directed_by
|
gptkb:John_G._Avildsen
|
|
gptkbp:director
|
gptkb:John_G._Avildsen
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Scott_Conrad
|
|
gptkbp:encourages
|
gptkb:Community_support
|
|
gptkbp:exhibited_at
|
Public relations campaigns
|
|
gptkbp:features
|
gptkb:boxing
Diverse stories
|
|
gptkbp:film
|
gptkb:Josh_Hutcherson
gptkb:Morgan_Freeman
|
|
gptkbp:focuses_on
|
gptkb:Unity
|
|
gptkbp:follows
|
The Power of One (novel)
|
|
gptkbp:genre
|
gptkb:Pop
gptkb:drama
gptkb:historical_fiction
|
|
gptkbp:highlights
|
Global connections
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Power of One
|
|
gptkbp:includes
|
gptkb:video
|
|
gptkbp:influences
|
gptkb:boxing
gptkb:Apartheid
South African culture
sports films
historical films
biographical films
drama films
coming-of-age films
films about racism
|
|
gptkbp:inspiration
|
gptkb:historical_figures
real-life events
|
|
gptkbp:is_aligned_with
|
Visa's values
|
|
gptkbp:is_analyzed_in
|
Consumer behavior
Market trends
Marketing analysts
|
|
gptkbp:is_associated_with
|
gptkb:financial_services
|
|
gptkbp:is_connected_to
|
Social impact
Diversity initiatives
|
|
gptkbp:is_discussed_in
|
Marketing conferences
|
|
gptkbp:is_documented_in
|
gptkb:Annual_reports
Case studies
Marketing reports
|
|
gptkbp:is_evaluated_by
|
Sales performance
Return on investment
Audience feedback
Brand perception surveys
Consumer engagement metrics
|
|
gptkbp:is_influenced_by
|
Cultural trends
|
|
gptkbp:is_inspired_by
|
Real-life experiences
|
|
gptkbp:is_integrated_with
|
Corporate strategy
Other marketing initiatives
|
|
gptkbp:is_linked_to
|
Corporate social responsibility
Brand positioning
Customer engagement strategies
|
|
gptkbp:is_part_of
|
Visa's advertising portfolio
Visa's brand identity
Visa's global outreach.
Visa's marketing strategy
|
|
gptkbp:is_promoted_by
|
Brand ambassadors
Social influencers
|
|
gptkbp:is_promoted_through
|
Content marketing
Digital platforms
Email marketing
Influencer marketing
Television ads
|
|
gptkbp:is_recognized_for
|
Innovative marketing
|
|
gptkbp:is_reflected_in
|
Brand messaging
Corporate communications
|
|
gptkbp:is_supported_by
|
gptkb:Partnerships
Sponsorships
Advertising agencies
Research studies
Community initiatives
Customer testimonials
|
|
gptkbp:is_targeted_at
|
Global audience
|
|
gptkbp:is_utilized_for
|
Market research
|
|
gptkbp:is_utilized_in
|
Brand awareness campaigns
|
|
gptkbp:isbn
|
978-0-14-027201-0
|
|
gptkbp:label
|
gptkb:Epic_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:launched_in
|
gptkb:2021
|
|
gptkbp:legacy
|
considered a classic
popular among young adults
translated into multiple languages
|
|
gptkbp:length
|
4:00
45:00
|
|
gptkbp:main_character
|
gptkb:Peekay
|
|
gptkbp:motif
|
gptkb:friendship
courage
overcoming adversity
|
|
gptkbp:music_by
|
gptkb:James_Horner
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_track
|
gptkb:I_Will_Go_With_You_(Con_Te_Partirò)
gptkb:In_Another_Place_and_Time
gptkb:Love_Is_the_Answer
gptkb:Breakaway
gptkb:The_Woman_in_Me
State of Independence
I Don’t Wanna Get Hurt
The Power of One (title track)
This Time I Know It's for Real
When Love Cries
|
|
gptkbp:page_count
|
544
|
|
gptkbp:performed_by
|
gptkb:Various_Artists
|
|
gptkbp:produced_by
|
gptkb:John_G._Avildsen
Various Producers
|
|
gptkbp:producer
|
gptkb:David_Foster
|
|
gptkbp:promotes
|
Inclusion
|
|
gptkbp:published_in
|
gptkb:1989
|
|
gptkbp:publisher
|
gptkb:Penguin_Books
|
|
gptkbp:release_year
|
gptkb:1991
gptkb:1992
|
|
gptkbp:released_in
|
gptkb:1992
|
|
gptkbp:reported_by
|
Media coverage
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Mark_Kamen
|
|
gptkbp:set_in
|
gptkb:South_Africa
|
|
gptkbp:setting
|
gptkb:South_Africa
|
|
gptkbp:starring
|
gptkb:Stephen_Dorff
gptkb:Armin_Mueller-Stahl
gptkb:Morgan_Freeman
|
|
gptkbp:symbolism
|
gptkb:boxing
the power of one
the train
|
|
gptkbp:targets
|
Millennials
|
|
gptkbp:theme
|
gptkb:friendship
gptkb:identity
perseverance
|
|
gptkbp:themes
|
gptkb:apartheid
gptkb:friendship
courage
perseverance
|
|
gptkbp:track_count
|
gptkb:10
|
|
gptkbp:utilizes
|
Social media
|
|
gptkbp:written_by
|
Various Songwriters
|
|
gptkbp:bfsParent
|
gptkb:Daniel_Craig
gptkb:Visa
gptkb:Jane_Goodall
gptkb:Hans_Zimmer
|
|
gptkbp:bfsLayer
|
4
|