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gptkbp:instance_of
|
gptkb:painting
|
|
gptkbp:bfsLayer
|
7
|
|
gptkbp:bfsParent
|
gptkb:José_Velázquez
|
|
gptkbp:art_movement
|
gptkb:award
|
|
gptkbp:artist
|
gptkb:Francesco_Hayez
|
|
gptkbp:associated_with
|
gptkb:Francesco_Hayez
|
|
gptkbp:collection
|
gptkb:Brera_Art_Gallery
gptkb:Pinacoteca_di_Brera
|
|
gptkbp:collects
|
elegance
|
|
gptkbp:color
|
rich colors
|
|
gptkbp:created
|
gptkb:Italy
|
|
gptkbp:cultural_significance
|
depicts aristocratic life
|
|
gptkbp:depicted_in
|
gptkb:Brera_Art_Gallery
|
|
gptkbp:depicts
|
a male figure
|
|
gptkbp:dimensions
|
200 cm × 120 cm
|
|
gptkbp:exhibited_at
|
gptkb:Paris_Salon
gptkb:art_gallery
|
|
gptkbp:exhibition
|
gptkb:Exposition_Universelle_1855
|
|
gptkbp:features
|
ornate clothing
|
|
gptkbp:focus_area
|
the figure of the courtier
|
|
gptkbp:historical_context
|
19th century Italy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Portrait of a Courtier
|
|
gptkbp:influence
|
gptkb:Italian_art
|
|
gptkbp:influenced
|
subsequent portrait artists
|
|
gptkbp:influenced_by
|
gptkb:painting
|
|
gptkbp:inspired_by
|
Renaissance portraiture
|
|
gptkbp:is_a
|
gptkb:archaeological_site
|
|
gptkbp:is_associated_with
|
Francesco Hayez's legacy
|
|
gptkbp:is_considered
|
a masterpiece
an iconic work
|
|
gptkbp:is_considered_as
|
a significant contribution to art
|
|
gptkbp:is_evaluated_by
|
its detail
|
|
gptkbp:is_influenced_by
|
classical themes
|
|
gptkbp:is_part_of
|
gptkb:Brera_collection
|
|
gptkbp:is_recognized_by
|
historically significant
|
|
gptkbp:is_reflected_in
|
cultural values
|
|
gptkbp:is_symbolic_of
|
aristocratic values
|
|
gptkbp:location
|
gptkb:Pinacoteca_di_Brera
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:notable_feature
|
elegant attire
facial expression
|
|
gptkbp:notable_for
|
its composition
|
|
gptkbp:part_of
|
Italian art history
|
|
gptkbp:represents
|
social status
|
|
gptkbp:style
|
gptkb:award
|
|
gptkbp:subject
|
gptkb:planet
|
|
gptkbp:symbolism
|
nobility and power
|
|
gptkbp:technique
|
realism
glazing
|
|
gptkbp:year_created
|
c. 1850
|