Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:art_movement |
gptkb:British_Romanticism
|
| gptkbp:associated_with |
imagination
|
| gptkbp:color |
vibrant colors
|
| gptkbp:created_by |
gptkb:William_Blake
|
| gptkbp:depicts |
a poet in a dream state
|
| gptkbp:dimensions |
76.2 cm × 61 cm
|
| gptkbp:exhibited_at |
gptkb:Tate_Gallery
|
| gptkbp:exhibition |
Tate Britain Exhibition 2000
|
| gptkbp:features |
gptkb:mythological_figure
landscape elements angelic figures |
| https://www.w3.org/2000/01/rdf-schema#label |
The Poet's Dream
|
| gptkbp:influenced |
later Romantic artists
|
| gptkbp:influenced_by |
gptkb:Neoclassicism
|
| gptkbp:influences |
gptkb:John_Milton
|
| gptkbp:inspired_by |
gptkb:Paradise_Lost
|
| gptkbp:is_analyzed_in |
art history studies
|
| gptkbp:is_considered |
a significant work in Blake's career
|
| gptkbp:is_noted_for |
its emotional depth
its cultural significance its spiritual themes its historical context its intricate details its use of light and shadow its artistic legacy its emotional resonance its philosophical implications its narrative complexity its dreamlike atmosphere its innovative composition its allegorical content its exploration of the subconscious its influence on modern art its visionary quality its connection to Blake's poetry its representation of the creative process |
| gptkbp:is_part_of |
British art history
William Blake's oeuvre |
| gptkbp:is_recognized_by |
a masterpiece of Romantic art
|
| gptkbp:is_referenced_in |
literary critiques
|
| gptkbp:location |
gptkb:Tate_Britain
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:notable_features |
mythological themes
|
| gptkbp:style |
gptkb:award
|
| gptkbp:subject |
gptkb:festival
|
| gptkbp:technique |
symbolism
|
| gptkbp:year_created |
gptkb:1785
|
| gptkbp:bfsParent |
gptkb:John_Greenleaf_Whittier
gptkb:Tomas_Venclova gptkb:R._S._Thomas |
| gptkbp:bfsLayer |
4
|