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gptkbp:instance_of
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gptkb:play
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|
gptkbp:adaptation
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gptkb:musical
gptkb:radio_station
gptkb:graphic_novel
gptkb:video_game
gptkb:audiobook
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gptkbp:author
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gptkb:T._H._White
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gptkbp:based_on
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gptkb:Arthurian_legend
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gptkbp:critical_reception
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mixed reviews
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gptkbp:cultural_impact
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inspired literature
inspired films
inspired stage adaptations
inspired television series
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gptkbp:first_performance
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1937
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gptkbp:genre
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gptkb:fantasy
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https://www.w3.org/2000/01/rdf-schema#label
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The Play of King Arthur
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gptkbp:influenced
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subsequent Arthurian works
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gptkbp:influenced_by
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gptkb:The_Once_and_Future_King
gptkb:Tennyson's_Idylls_of_the_King
gptkb:Malory's_Le_Morte_d'_Arthur
Camelot musical
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gptkbp:language
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English
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gptkbp:notable_character
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gptkb:Lancelot
gptkb:Guinevere
gptkb:King_Arthur
gptkb:Merlin
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gptkbp:notable_production
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1947 revival
2000 adaptation
1980 adaptation
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gptkbp:notable_quote
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' Chivalry is not dead.'
' Love is the greatest adventure.'
' The round table is a symbol of equality.'
' The sword in the stone'.
' To be a king is to be a servant.'
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gptkbp:notable_themes
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gptkb:heroism
gptkb:loyalty
gptkb:destiny
gptkb:fate
gptkb:friendship
gptkb:sacrifice
the nature of power
the role of women in society
the quest for identity
betrayal of trust
the conflict between love and duty
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gptkbp:premiere_location
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gptkb:London
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gptkbp:production_company
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gptkb:The_Old_Vic
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gptkbp:setting
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gptkb:Camelot
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gptkbp:theme
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gptkb:betrayal
gptkb:honor
gptkb:chivalry
love
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gptkbp:bfsParent
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gptkb:Robert_Louis_Stevenson
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gptkbp:bfsLayer
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5
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