The Picture of Dorian Gray (theatre adaptation)
GPTKB entity
Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
theatre adaptation
|
| gptkbp:adaptation |
stage play
|
| gptkbp:basedOn |
The Picture of Dorian Gray
|
| gptkbp:character |
gptkb:Basil_Hallward
gptkb:Alan_Campbell gptkb:Dorian_Gray gptkb:Lord_Henry_Wotton gptkb:The_Duchess_of_Monmouth gptkb:James_Vane The portrait Sibyl Vane Mrs._Vane |
| gptkbp:famousQuote |
The only way to get rid of a temptation is to yield to it.
The only thing worse than being talked about is not being talked about. I am not a model of anything. To define is to limit. Experience is merely the name men gave to their mistakes. |
| gptkbp:genre |
drama
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Picture of Dorian Gray (theatre adaptation)
|
| gptkbp:influencedBy |
gptkb:Oscar_Wilde
|
| gptkbp:language |
English
|
| gptkbp:notableFeature |
beauty
identity morality corruption aestheticism |
| gptkbp:premieredOn |
2004
|
| gptkbp:producedBy |
Various theatre companies
|
| gptkbp:setIn |
gptkb:Victorian_London
|
| gptkbp:thematicElement |
the consequences of choices
the role of fate the fear of aging the search for meaning the quest for immortality the duality of human nature the search for identity the nature of beauty the role of the artist the nature of evil the influence of mentors the nature of desire the impact of art on life the impact of society on the individual the consequences of vanity the relationship between art and morality the pursuit of pleasure the consequences of hedonism the conflict between morality and desire the idea of the double |
| gptkbp:wrote |
gptkb:Terry_Johnson
|