|
gptkbp:instance_of
|
gptkb:musical
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:television
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
|
gptkb:2000
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Margaret_Oliphant
|
|
gptkbp:awards
|
gptkb:Best_Visual_Effects
gptkb:Best_Art_Direction
Best Costume Design
Best Musical Award
|
|
gptkbp:based_on
|
gptkb:The_Phantom_of_the_Opera
The Phantom Lover (novel)
|
|
gptkbp:box_office
|
$2.5 million
$1 million
|
|
gptkbp:cast
|
gptkb:Gigi_Leung
gptkb:Andy_Lau
gptkb:Eason_Chan
gptkb:Miriam_Yeung
|
|
gptkbp:character
|
gptkb:The_Phantom_Lover
gptkb:Yin
gptkb:supporting_character
the narrator
Cheng
the antagonist
the phantom
|
|
gptkbp:character_arc
|
Clara's transformation
|
|
gptkbp:character_development
|
Clara's journey
|
|
gptkbp:character_motivation
|
love and longing
fear of the unknown
search for meaning
|
|
gptkbp:character_relationships
|
Clara and the phantom
|
|
gptkbp:choreography
|
gptkb:Cheng_Siu-Wai
|
|
gptkbp:cinematography
|
Peter Pau
Jiang Jianzhong
|
|
gptkbp:conflict
|
internal conflict
tragic ending
|
|
gptkbp:country
|
gptkb:China
gptkb:Hong_Kong
|
|
gptkbp:created_by
|
gptkb:Joseph_Koo
|
|
gptkbp:critical_reception
|
Positive
mixed reviews
|
|
gptkbp:cultural_impact
|
Cult following
cult following
inspired adaptations
Referenced in literature
influenced filmmakers
Inspired stage adaptations
Influenced other films
popular in Hong Kong
influenced musical theatre in Asia
|
|
gptkbp:directed_by
|
gptkb:Lai_Siu-Ming
|
|
gptkbp:director
|
gptkb:Huang_Jianxin
gptkb:Yuen_Woo-Ping
gptkb:Ronny_Yu
|
|
gptkbp:distributor
|
gptkb:China_Film_Group_Corporation
gptkb:Pony_Canyon
|
|
gptkbp:editing
|
gptkb:Zhang_Yimou
gptkb:Yau_Chi-wai
|
|
gptkbp:ended
|
open-ended
|
|
gptkbp:film
|
gptkb:Leslie_Cheung
gptkb:Maggie_Cheung
gptkb:Takeshi_Kaneshiro
gptkb:Faye_Wong
|
|
gptkbp:film_awards
|
gptkb:Best_Actress
gptkb:Best_Cinematography
gptkb:Best_Director
gptkb:Best_Art_Direction
Best Costume Design
|
|
gptkbp:film_festival
|
gptkb:Hong_Kong_International_Film_Festival
gptkb:Cannes_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Hong_Kong
gptkb:Shanghai
|
|
gptkbp:genre
|
gptkb:fantasy
Gothic fiction
romance
romantic musical
|
|
gptkbp:home_media_release
|
gptkb:1996
gptkb:2005
gptkb:2010
gptkb:2015
gptkb:2020
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Phantom Lover
|
|
gptkbp:influence
|
Gothic romance
|
|
gptkbp:influence_on
|
romantic fiction
psychological thrillers
modern Gothic novels
|
|
gptkbp:influenced
|
later Gothic literature
|
|
gptkbp:influenced_by
|
gptkb:opera
gptkb:Romanticism
|
|
gptkbp:influences
|
gptkb:Chinese_mythology
gptkb:Ghost
Romantic literature
Ghost stories
romantic literature
|
|
gptkbp:inspiration
|
Oliphant's own experiences
|
|
gptkbp:language
|
gptkb:Mandarin
English
Cantonese
|
|
gptkbp:literary_devices
|
symbolism
imagery
foreshadowing
|
|
gptkbp:literary_movement
|
gptkb:Victorian_literature
|
|
gptkbp:main_character
|
gptkb:Clara
|
|
gptkbp:motif
|
gptkb:Ghost
gptkb:dreams
|
|
gptkbp:music_by
|
gptkb:James_Wong
|
|
gptkbp:music_composer
|
gptkb:James_Wong
|
|
gptkbp:narrative
|
linear
|
|
gptkbp:narrative_style
|
gptkb:dialogue
gptkb:allegory
first-person
stream of consciousness
flashback
|
|
gptkbp:notable_production
|
1993 Original Production
2005 Revival
2010 Anniversary Concert
2015 Remake
2020 Live Performance
|
|
gptkbp:notable_song
|
The Phantom Lover Theme
|
|
gptkbp:performed_at
|
gptkb:Hong_Kong_Cultural_Centre
|
|
gptkbp:plot
|
gptkb:romantic_comedy
A love story between a ghost and a living woman.
|
|
gptkbp:plot_twist
|
Clara's realization
revelation of the phantom's identity
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:1993
|
|
gptkbp:produced_by
|
gptkb:Hong_Kong_Repertory_Theatre
|
|
gptkbp:production_company
|
gptkb:Pony_Canyon
gptkb:Uniden_Investments
|
|
gptkbp:published_in
|
1878
|
|
gptkbp:publisher
|
gptkb:Blackwood's_Magazine
|
|
gptkbp:release_date
|
May 1995
|
|
gptkbp:release_format
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:release_year
|
gptkb:1995
|
|
gptkbp:remake
|
gptkb:The_Phantom_Lover_(2020)
The Phantom Lover (musical)
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay
|
gptkb:Yau_Nai-hoi
|
|
gptkbp:screenplay_by
|
gptkb:Huang_Jianxin
|
|
gptkbp:setting
|
gptkb:Hong_Kong
gptkb:Scotland
gptkb:Shanghai
|
|
gptkbp:setting_time
|
gptkb:Victorian_era
|
|
gptkbp:soundtrack
|
gptkb:Original_score
The Phantom Lover Soundtrack
|
|
gptkbp:starring
|
gptkb:Leslie_Cheung
gptkb:Maggie_Cheung
gptkb:Tony_Leung_Chiu-Wai
|
|
gptkbp:symbol
|
the mirror
the house
the letter
|
|
gptkbp:symbolism
|
the phantom
|
|
gptkbp:theme
|
gptkb:loss
gptkb:identity
gptkb:memory
Love and loss
love
supernatural
desire
|
|
gptkbp:themes
|
gptkb:identity
gptkb:tragedy
love
|
|
gptkbp:trivia
|
The film's themes resonate with traditional Chinese values.
The film features elaborate set designs.
The film was a box office success in Hong Kong.
Maggie Cheung's character is based on a real person.
Leslie Cheung's last film appearance before his death.
|
|
gptkbp:viewpoint
|
subjective
|
|
gptkbp:bfsParent
|
gptkb:Leslie_Cheung
|
|
gptkbp:bfsLayer
|
5
|