|
gptkbp:instance_of
|
gptkb:television_series
gptkb:novel
gptkb:franchise
gptkb:music_production
|
|
gptkbp:active_years
|
2010-present
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:Amazon_Prime_Video
gptkb:graphic_novel
gptkb:television_adaptation
gptkb:audio_drama
streaming series
|
|
gptkbp:adapted_into
|
gptkb:television_series
|
|
gptkbp:associated_with
|
gptkb:music_industry
|
|
gptkbp:author
|
gptkb:William_Gibson
|
|
gptkbp:available_in
|
audiobook format
ebook format
hardcover format
paperback format
|
|
gptkbp:awards
|
gptkb:Locus_Award
gptkb:Philip_K._Dick_Award
gptkb:Philip_K._Dick_Award_nomination
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:broadcast_network
|
gptkb:Amazon_Prime_Video
|
|
gptkbp:character
|
gptkb:Bobby
gptkb:The_Boss
gptkb:The_Friend
gptkb:The_Old_Man
gptkb:The_Peripheral
gptkb:The_Doctor
gptkb:The_Mentor
gptkb:Regina
gptkb:Wilf_Netherton
gptkb:Lowry
gptkb:Gibson
gptkb:The_Protagonist
gptkb:Ash
gptkb:The_Hacker
gptkb:Eddie
gptkb:The_Colonel
gptkb:Eliot
gptkb:Nora
gptkb:Asha'man
The Ripper
The Rival
The Love Interest
The Antagonist
The Agent
The Man in the Suit
Ainsley
Conner
Netherton
Burton Fisher
Detective Charlie
Bobby Fisher
Asha's father
Flynne's brother
Flynne's mother
Bobby Chombo
Netherton's assistant
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:David_Franco
|
|
gptkbp:collaborated_with
|
various artists
|
|
gptkbp:costume_design
|
gptkb:Michele_Clapton
|
|
gptkbp:created_by
|
gptkb:Scott_B._Smith
gptkb:William_Gibson
|
|
gptkbp:critical_reception
|
Positive reviews
positive
generally positive
|
|
gptkbp:design
|
gptkb:Michael_Carlin
|
|
gptkbp:director
|
gptkb:Kerry_Barden
|
|
gptkbp:distributor
|
gptkb:Amazon_Prime_Video
|
|
gptkbp:editor
|
Kirk Morri
|
|
gptkbp:explores
|
gptkb:virtual_reality
social issues
human relationships
ethical dilemmas
time travel
themes of technology
themes of identity
themes of reality
|
|
gptkbp:fan_base
|
Growing community
|
|
gptkbp:features
|
gptkb:virtual_reality
time travel
|
|
gptkbp:filming_end
|
gptkb:2022
|
|
gptkbp:filming_location
|
gptkb:New_Orleans
|
|
gptkbp:first_released
|
gptkb:2014
|
|
gptkbp:followed_by
|
gptkb:government_agency
|
|
gptkbp:follows
|
gptkb:Flynne_Fisher
multiple characters
Burton Fisher
Ainsley Lowbeer
|
|
gptkbp:genre
|
gptkb:electronic
gptkb:science_fiction
|
|
gptkbp:has_adaptation
|
gptkb:graphic_novel
gptkb:video_game
The Peripheral (TV series)
|
|
gptkbp:has_awards
|
gptkb:Hugo_Award
gptkb:Locus_Award
gptkb:Philip_K._Dick_Award
Locus Award nomination
British Science Fiction Association Award nomination
|
|
gptkbp:has_character
|
gptkb:Leonard
gptkb:Flynne_Fisher
gptkb:Eliot
Conner
Burton Fisher
Ainsley Lowbeer
|
|
gptkbp:has_conflict_with
|
individual vs. society
personal vs. political
human vs. machine
|
|
gptkbp:has_cultural_impact
|
inspired discussions on AI
inspired discussions on future societies
inspired discussions on virtual reality
inspired discussions on ethics of technology
inspired discussions on surveillance capitalism
|
|
gptkbp:has_location
|
gptkb:The_Dome
gptkb:The_Archive
gptkb:The_Bridge
gptkb:The_Field
gptkb:The_Space
gptkb:The_Lab
gptkb:The_Chamber
gptkb:The_Network
gptkb:The_Hub
gptkb:The_Farm
gptkb:The_City
gptkb:The_Vault
gptkb:The_Sprawl
gptkb:The_Grid
gptkb:The_Sphere
gptkb:The_Terminal
gptkb:The_Area
gptkb:The_Zone
gptkb:The_Core
gptkb:The_Nexus
The District
The Underground
The Realm
The Domain
Near-future America
The Territory
The Sector
The Region
The Interface
The Outskirts
The Research Center
Future London
|
|
gptkbp:has_reception
|
critically acclaimed
positive reviews
|
|
gptkbp:has_sequel
|
gptkb:government_agency
gptkb:The_Peripheral:_The_Complete_Collection
|
|
gptkbp:has_themes
|
gptkb:identity
gptkb:technology
class struggle
surveillance
corporate power
class disparity
reality perception
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Peripheral
|
|
gptkbp:includes
|
gptkb:cybernetic_enhancements
conspiracy elements
|
|
gptkbp:influenced
|
gptkb:video_games
gptkb:films
gptkb:television_shows
|
|
gptkbp:influenced_by
|
gptkb:David_Foster_Wallace
gptkb:Cormac_Mc_Carthy
gptkb:Don_De_Lillo
gptkb:Bruce_Sterling
gptkb:William_S._Burroughs
gptkb:Philip_K._Dick
gptkb:Harlan_Ellison
gptkb:Thomas_Pynchon
gptkb:Neal_Stephenson
gptkb:J._G._Ballard
postmodern literature
cyberpunk genre
speculative fiction
real-world technology
William Gibson's previous works
|
|
gptkbp:influences
|
Dystopian fiction
Speculative fiction
ambient music
Cyberpunk genre
cyberpunk genre
|
|
gptkbp:isbn
|
978-0-399-16625-4
978-0-399-16299-0
|
|
gptkbp:label
|
independent
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Wilf_Netherton
gptkb:Asha_Ransom
gptkb:Flynne_Fisher
Asha Riss
Burton Fisher
|
|
gptkbp:makeup_artist
|
Nickole Leigh
|
|
gptkbp:merchandise
|
Available online
|
|
gptkbp:motif
|
gptkb:biotechnology
gptkb:virtual_reality
gptkb:Artificial_Intelligence
gptkb:existentialism
gptkb:human_rights
gptkb:moral_ambiguity
gptkb:politics
gptkb:drones
gptkb:memory
gptkb:crime
social commentary
social stratification
alternate realities
capitalism
cybernetics
surveillance
power dynamics
family dynamics
identity crisis
transhumanism
technology's impact
human connection
future technology
dystopia
escape
environmental collapse
digital consciousness
technological dystopia
|
|
gptkbp:music_composer
|
gptkb:Ramin_Djawadi
|
|
gptkbp:narrative
|
third-person
dual timelines
|
|
gptkbp:narrative_style
|
third-person
third-person perspective
dual narrative
|
|
gptkbp:notable_works
|
Various EPs
|
|
gptkbp:number_of_episodes
|
8
Approximately 60 minutes
|
|
gptkbp:number_of_seasons
|
gptkb:1
|
|
gptkbp:origin
|
gptkb:United_States
|
|
gptkbp:page_count
|
416
|
|
gptkbp:part_of
|
gptkb:The_Sprawl_Trilogy
|
|
gptkbp:plot
|
gptkb:virtual_reality
gptkb:political_intrigue
gptkb:mystery
gptkb:thriller
gptkb:murder_mystery
suspense
dual timelines
|
|
gptkbp:premiere
|
gptkb:New_York_Comic_Con
|
|
gptkbp:premiere_location
|
gptkb:Los_Angeles
|
|
gptkbp:premiered_on
|
gptkb:Amazon_Prime_Video
|
|
gptkbp:production_company
|
gptkb:Amazon_Studios
|
|
gptkbp:production_years
|
gptkb:2021
|
|
gptkbp:published
|
gptkb:2014
|
|
gptkbp:published_in
|
gptkb:2014
|
|
gptkbp:publisher
|
Putnam
|
|
gptkbp:related_to
|
gptkb:Neuromancer
gptkb:Pattern_Recognition
|
|
gptkbp:release_date
|
September 2022
October 21, 2022
|
|
gptkbp:release_year
|
gptkb:2022
|
|
gptkbp:season1_release
|
October 2022
|
|
gptkbp:season2_announcement
|
Confirmed
|
|
gptkbp:set_in
|
near future
near-future America
|
|
gptkbp:setting
|
multiple timelines
urban environments
dystopian future
rural America
post-apocalyptic world
Near-future America
near-future America
|
|
gptkbp:social_media_presence
|
Active on Twitter and Instagram
|
|
gptkbp:sound_design
|
Johnnie Burn
|
|
gptkbp:status
|
Renewed for season 2
|
|
gptkbp:target_audience
|
Adults
|
|
gptkbp:television_series_platform
|
gptkb:Amazon_Prime_Video
|
|
gptkbp:theme
|
gptkb:Time_travel
gptkb:identity
Surveillance
Reality and perception
technology and society
class disparity
Technology and its impact
Socioeconomic disparity
|
|
gptkbp:themes
|
gptkb:identity
gptkb:technology
class struggle
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:viewership
|
Highly rated
|
|
gptkbp:viewing_platform
|
gptkb:streaming_service
|
|
gptkbp:visual_effects
|
gptkb:Framestore
|
|
gptkbp:website
|
www.theperipheral.com
|
|
gptkbp:written_by
|
gptkb:William_Gibson
|
|
gptkbp:bfsParent
|
gptkb:Westworld
gptkb:The_Stepford_Wives
gptkb:Amazon_Prime_Video
gptkb:HBO
gptkb:Galaxy_Science_Fiction
gptkb:Neuromancer
gptkb:William_Gibson
|
|
gptkbp:bfsLayer
|
4
|