|
gptkbp:instance_of
|
gptkb:song
gptkb:play
gptkb:film
|
|
gptkbp:action
|
two acts
|
|
gptkbp:adaptation
|
adapted into a film
|
|
gptkbp:album
|
gptkb:Lust_for_Life
gptkb:Through_the_Looking_Glass
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:award
|
Best Director nomination at Cannes
|
|
gptkbp:based_on
|
the novel by Zofia Posmysz
|
|
gptkbp:box_office
|
$1.5 million
$119 million
|
|
gptkbp:budget
|
$30 million
$2 million
|
|
gptkbp:character
|
gptkb:Marta
gptkb:The_Stranger
gptkb:The_Woman
gptkb:The_Guard
gptkb:Joanna
gptkb:Michael_Mac_Cauley
gptkb:The_Passenger
gptkb:Lena
gptkb:Leonard_Locke
Tadeusz
Detective John
Gwen Mac Cauley
|
|
gptkbp:chart_performance
|
gptkb:UK_Singles_Chart
US Alternative Songs Chart
|
|
gptkbp:cinematography
|
gptkb:Luciano_Tovoli
|
|
gptkbp:cinematography_by
|
gptkb:Florian_Ballhaus
gptkb:Luciano_Tovoli
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:composed_by
|
gptkb:Iggy_Pop
|
|
gptkbp:composer
|
gptkb:Mieczysław_Weinberg
|
|
gptkbp:country
|
gptkb:France
gptkb:Italy
gptkb:West_Germany
|
|
gptkbp:cover_version
|
gptkb:Iggy_Pop
|
|
gptkbp:critical_reception
|
Mixed reviews
positive
mixed reviews
acclaimed by critics
|
|
gptkbp:cultural_impact
|
covered by various artists
Cult film status
performed internationally
|
|
gptkbp:directed_by
|
gptkb:Michelangelo_Antonioni
gptkb:Jaume_Collet-Serra
|
|
gptkbp:director
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Lionsgate
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:edited_by
|
gptkb:Maryann_Brandon
Franco Arcalli
|
|
gptkbp:featured_in
|
gptkb:TV_shows
gptkb:Trainspotting
movies
|
|
gptkbp:film_editing
|
Francois Bonnot
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Algeria
gptkb:Canada
gptkb:France
gptkb:New_York
gptkb:Spain
|
|
gptkbp:genre
|
gptkb:rock
gptkb:action
gptkb:opera
gptkb:drama
gptkb:thriller
post-punk
|
|
gptkbp:has_prequel
|
gptkb:None
|
|
gptkbp:has_song
|
gptkb:Iggy_Pop
|
|
gptkbp:home_media_release
|
gptkb:2001
gptkb:2011
gptkb:2015
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Passenger
|
|
gptkbp:influenced_by
|
gptkb:David_Bowie
gptkb:Lou_Reed
gptkb:The_Commuter_(2015_film)
gptkb:Kraftwerk
synth-pop
new wave
art pop
gothic rock
|
|
gptkbp:influences
|
gptkb:punk_rock
Existentialism
Holocaust experiences
art rock
|
|
gptkbp:inspiration
|
Based on a novel by Jean-Paul Sartre.
Zofia Posmysz's experiences
|
|
gptkbp:inspired
|
other musicians
|
|
gptkbp:inspired_by
|
gptkb:The_Commuter_(2015_film)
|
|
gptkbp:label
|
gptkb:RCA_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:length
|
4:12
4:39
|
|
gptkbp:libretto
|
gptkb:Zofia_Posmysz
|
|
gptkbp:live_performance
|
yes
|
|
gptkbp:music
|
gptkb:Ennio_Morricone
|
|
gptkbp:music_by
|
gptkb:Giovanni_Fusco
gptkb:John_Ottman
|
|
gptkbp:music_style
|
contemporary classical
experimental rock
|
|
gptkbp:music_video
|
yes
|
|
gptkbp:music_video_director
|
gptkb:Graham_Smith
|
|
gptkbp:narrative_style
|
Non-linear
|
|
gptkbp:notable_production
|
2019 production at the Royal Opera House
2010 premiere at the Bregenz Festival
2013 production at the Polish National Opera
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:human_rights
gptkb:loss
freedom
hope
compassion
courage
redemption
fear
moral dilemmas
surveillance
the consequences of choices
identity crisis
guilt
the role of fate
the impact of war
the impact of trauma
survival instinct
the fragility of life
the search for belonging
the search for truth
the resilience of the human spirit
the nature of evil
the power of memory
the complexity of human relationships
the quest for meaning
the struggle for justice
the importance of storytelling
|
|
gptkbp:original_language
|
gptkb:Russian
|
|
gptkbp:performance
|
gptkb:opera
|
|
gptkbp:performed_by
|
gptkb:Siouxsie_and_the_Banshees
gptkb:Iggy_Pop
|
|
gptkbp:performed_in
|
gptkb:Coachella_Festival
gptkb:Glastonbury_Festival
gptkb:Reading_Festival
|
|
gptkbp:plot
|
A businessman is caught up in a criminal conspiracy during his daily commute.
A journalist assumes the identity of a dead man.
|
|
gptkbp:premiere_location
|
gptkb:Bregenz,_Austria
|
|
gptkbp:premiered_on
|
gptkb:2010
|
|
gptkbp:produced_by
|
gptkb:Lionsgate
|
|
gptkbp:producer
|
gptkb:David_Bowie
gptkb:Mike_Hedges
|
|
gptkbp:production_company
|
gptkb:Thunder_Road_Pictures
gptkb:Studio_Canal
gptkb:Bazelevs_Production
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:record_label
|
gptkb:Polydor_Records
|
|
gptkbp:recording_location
|
gptkb:London
|
|
gptkbp:release_date
|
gptkb:1987
April 1975
January 12, 2018
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:release_year
|
gptkb:1975
|
|
gptkbp:released_as_single
|
yes
|
|
gptkbp:released_in
|
gptkb:1977
gptkb:1987
gptkb:2018
|
|
gptkbp:remake
|
gptkb:The_Passenger_(2015)
|
|
gptkbp:remastered
|
yes
|
|
gptkbp:remix
|
yes
|
|
gptkbp:runtime
|
105 minutes
122 minutes
|
|
gptkbp:screenplay
|
gptkb:Michelangelo_Antonioni
gptkb:Mark_Peploe
|
|
gptkbp:screenplay_by
|
gptkb:Mark_Peploe
gptkb:Philip_de_Blasi
Byron Willinger
|
|
gptkbp:sequel
|
gptkb:None
|
|
gptkbp:setting
|
gptkb:Africa
gptkb:Europe
gptkb:World_War_II
|
|
gptkbp:songwriters
|
gptkb:Rick_D._Sykes
gptkb:Iggy_Pop
|
|
gptkbp:soundtrack
|
Original score by Ennio Morricone.
|
|
gptkbp:starring
|
gptkb:Jack_Nicholson
gptkb:Vera_Farmiga
gptkb:Patrick_Wilson
gptkb:Liam_Neeson
gptkb:Maria_Schneider
|
|
gptkbp:streaming_platforms
|
yes
|
|
gptkbp:theme
|
alienation
urban life
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:survival
gptkb:identity
gptkb:memory
Existential crisis
|
|
gptkbp:writer
|
gptkb:Iggy_Pop
|
|
gptkbp:written_by
|
gptkb:Mieczysław_Weinberg
|
|
gptkbp:bfsParent
|
gptkb:The_Lady_Vanishes
gptkb:Cormac_Mc_Carthy
gptkb:Jack_Nicholson
gptkb:Iggy_Pop
|
|
gptkbp:bfsLayer
|
4
|