Statements (23)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:book
|
| gptkbp:author |
gptkb:Tom_Wolfe
|
| gptkbp:countryOfOrigin |
gptkb:United_States
|
| gptkbp:criticizedFor |
art critics
art theorists modern art establishment |
| gptkbp:dealsWith |
gptkb:art
art criticism American art scene |
| gptkbp:followedBy |
gptkb:Mauve_Gloves_&_Madmen,_Clutter_&_Vine
|
| gptkbp:genre |
non-fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Painted Word
|
| gptkbp:ISBN |
0-374-15846-2
|
| gptkbp:language |
English
|
| gptkbp:mediaType |
gptkb:print
|
| gptkbp:notableFor |
critique of contemporary art criticism
|
| gptkbp:pages |
143
|
| gptkbp:precededBy |
gptkb:The_Electric_Kool-Aid_Acid_Test
|
| gptkbp:publicationDate |
1975
|
| gptkbp:publisher |
gptkb:Farrar,_Straus_and_Giroux
|
| gptkbp:subject |
modern art
|
| gptkbp:bfsParent |
gptkb:Tom_Wolfe
|
| gptkbp:bfsLayer |
5
|