|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:television_adaptation
gptkb:film
gptkb:stage_play
adapted into a stage play
Adapted into a stage play
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
controversial themes
thought-provoking
|
|
gptkbp:author
|
gptkb:Walter_Van_Tilburg_Clark
|
|
gptkbp:awards
|
Academy Award nomination for Best Cinematography
Nominated for Academy Award for Best Supporting Actor
|
|
gptkbp:based_on
|
The Ox-Bow Incident (novel)
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Henry_Fonda
gptkb:Anthony_Quinn
gptkb:Dana_Andrews
gptkb:Jane_Darwell
|
|
gptkbp:censorship
|
Faced some censorship issues upon release
|
|
gptkbp:character
|
gptkb:Art_Croft
gptkb:The_Stranger
gptkb:Dewey
gptkb:Judge
gptkb:Dewey_D._'_Duke'_Mc_Crea
gptkb:Judge_Tobias
The Sheriff
the townspeople
Gil Carter
Mr. Mc Gaffey
Mrs. Mc Gaffey
The Ranchers
the lynched man
David Mc Ivor
Mr. Mc Ivor
|
|
gptkbp:character_arc
|
redemption themes
tragic outcomes
|
|
gptkbp:character_development
|
moral dilemmas
complex characters
|
|
gptkbp:cinematography
|
gptkb:Gregg_Toland
|
|
gptkbp:color
|
Black and white
Black-and-white
|
|
gptkbp:conflict
|
gptkb:Holocaust
vigilante justice
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
discusses themes of justice
discusses themes of morality
discusses themes of society
|
|
gptkbp:critical_reception
|
Highly acclaimed
positive
well-received
|
|
gptkbp:criticism
|
gptkb:Pauline_Kael
gptkb:Leonard_Maltin
gptkb:Roger_Ebert
Praised by film critics
|
|
gptkbp:cultural_impact
|
discussions on morality
discussions on ethics
discussed in film studies
discussions on justice
discussions on law enforcement
discussions on law
Considered a classic Western film
|
|
gptkbp:cultural_significance
|
reflection of societal issues
exploration of human nature
explores moral dilemmas
Explores themes of justice and morality.
Examines themes of justice and morality in society.
|
|
gptkbp:director
|
gptkb:William_A._Wellman
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:editing
|
gptkb:Robert_Parrish
gptkb:William_A._Wellman_Jr.
|
|
gptkbp:film
|
gptkb:Henry_Fonda
gptkb:Anthony_Quinn
gptkb:Dana_Andrews
gptkb:William_Eythe
gptkb:Frank_Conroy
gptkb:Fay_Bainter
gptkb:Jane_Darwell
gptkb:John_Mc_Intire
|
|
gptkbp:film_awards
|
gptkb:Academy_Award_nomination
|
|
gptkbp:film_editing
|
The Ox-Bow Incident (1943)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
Screened at various film festivals
|
|
gptkbp:film_technique
|
black-and-white
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:first_performance
|
1936
|
|
gptkbp:genre
|
Western
Western fiction
|
|
gptkbp:has_adaptation
|
The Ox-Bow Incident (1950)
|
|
gptkbp:historical_context
|
gptkb:Great_Depression
gptkb:World_War_II
American frontier life
Reflects societal issues of the 1940s
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
Released on DVD
Released on DVD and Blu-ray
Released on Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ox-Bow Incident
|
|
gptkbp:influence
|
gptkb:American_cinema
American literature
literary adaptations
later Westerns
|
|
gptkbp:influenced
|
social justice movements
later Western films
Later Western films
television Westerns
|
|
gptkbp:influenced_artists
|
literature on justice
films about mob justice
plays on morality
|
|
gptkbp:influenced_by
|
gptkb:Film_noir
naturalism
realism
|
|
gptkbp:influences
|
American literature
Western genre
Social justice themes
Later Western films
|
|
gptkbp:inspiration
|
real-life lynching
real-life lynching incidents
Real-life lynching incidents
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:isbn
|
978-0-14-303998-3
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
philosophical discussions
naturalistic dialogue
|
|
gptkbp:legacy
|
Studied in film schools
|
|
gptkbp:literary_significance
|
examines societal norms
explores human nature
questions morality
|
|
gptkbp:main_character
|
gptkb:Art_Croft
gptkb:David_Braxton
Gil Carter
|
|
gptkbp:moral
|
guilt vs innocence
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:justice
gptkb:loyalty
gptkb:survival
gptkb:honor
gptkb:friendship
gptkb:sacrifice
gptkb:community
isolation
redemption
violence
fear
law and order
truth
the individual
the future
fear of the unknown
desperation
the law
guilt
the American West
the past
the collective
the frontier
|
|
gptkbp:music
|
gptkb:David_Raksin
gptkb:Alfred_Newman
|
|
gptkbp:narrative
|
third-person
flashback
|
|
gptkbp:narrative_style
|
third-person
flashbacks
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_characters
|
gptkb:Art_Croft
gptkb:Judge_Tyler
Gil Carter
David Mc Ivor
Mr. Mc Ivor
|
|
gptkbp:notable_production
|
gptkb:Broadway
regional theater productions
|
|
gptkbp:notable_quote
|
' Justice is not always fair.'
' This is a matter of life and death.'
' We are not a mob, we are a community.'
' We are not a mob. We are a jury.'
' We have to do something.'
' You can't hang a man without a trial.'
|
|
gptkbp:original_language
|
English
|
|
gptkbp:page_count
|
320
|
|
gptkbp:performance
|
revived multiple times
|
|
gptkbp:performance_style
|
realistic
dramatic
|
|
gptkbp:plot
|
A group of ranchers form a lynch mob to hunt down cattle rustlers.
A group of men form a lynch mob to hunt down three men accused of cattle rustling.
|
|
gptkbp:premiere
|
1943
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:protagonist
|
gptkb:Art_Croft
Gil Carter
|
|
gptkbp:published
|
gptkb:1940
|
|
gptkbp:published_in
|
book form
|
|
gptkbp:published_year
|
gptkb:1940
|
|
gptkbp:publisher
|
gptkb:Random_House
|
|
gptkbp:reader_demographic
|
controversial
timeless
thought-provoking
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
1943
1950
November 1943
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
1943
|
|
gptkbp:remake
|
gptkb:None
gptkb:The_Ox-Bow_Incident_(1950_TV_film)
gptkb:The_Ox-Bow_Incident_(1952_TV_film)
|
|
gptkbp:remastered
|
Remastered for modern audiences
|
|
gptkbp:runtime
|
75 minutes
|
|
gptkbp:screenings
|
gptkb:Film_festivals
|
|
gptkbp:screenplay
|
gptkb:Walter_Van_Tilburg_Clark
|
|
gptkbp:set_in
|
gptkb:Nevada
|
|
gptkbp:setting
|
gptkb:Nevada
gptkb:American_West
|
|
gptkbp:soundtrack
|
Released as a soundtrack album
|
|
gptkbp:starring
|
gptkb:Henry_Fonda
gptkb:Dana_Andrews
gptkb:Mary_Beth_Hughes
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
gptkb:justice
gptkb:Holocaust
vigilantism
the noose
the ox-bow
|
|
gptkbp:themes
|
gptkb:justice
gptkb:Justice
Morality
Moral ambiguity
morality
Community dynamics
vigilantism
fear of the unknown
mob mentality
Mob mentality
justice vs injustice
the consequences of mob rule
Mob justice
|
|
gptkbp:written_by
|
gptkb:Walter_Van_Tilburg_Clark
|
|
gptkbp:bfsParent
|
gptkb:Henry_Fonda
gptkb:William_Wellman
|
|
gptkbp:bfsLayer
|
4
|