Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:awards |
Best Short Film
|
| gptkbp:basedOn |
The_Overcoat_(short_story)
|
| gptkbp:characterDevelopment |
Focuses on the protagonist's struggles
|
| gptkbp:cinematographyBy |
László Kovács
|
| gptkbp:colors |
Black and white
|
| gptkbp:criticalReception |
Positive reviews
|
| gptkbp:culturalImpact |
Adaptations in various media
|
| gptkbp:directedBy |
János Kóbor
|
| gptkbp:distributor |
gptkb:Hungarian_National_Film_Company
|
| gptkbp:editedBy |
János Kóbor
|
| gptkbp:features |
gptkb:László_Bánhidi
János Kóbor Miklós Gábor Mária Sulyok Gyula Szőreky |
| gptkbp:filmingLocation |
Budapest
|
| gptkbp:follows |
The_Overcoat_(short_story)
|
| gptkbp:genre |
drama
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Overcoat (film)
|
| gptkbp:influenced |
Subsequent_adaptations_of_Gogol's_works
|
| gptkbp:influencedBy |
gptkb:Russian_literature
Film noir Modernism Postmodernism Social commentary Social realism Surrealism Existentialism Tragicomedy Dramatic irony Absurdism Cinematic techniques Psychological drama Character study Gogol's_works |
| gptkbp:language |
Hungarian
|
| gptkbp:musicBy |
László Bíró
|
| gptkbp:notableFor |
Its exploration of social issues
|
| gptkbp:plot |
A lowly clerk's life changes after he acquires a new overcoat.
|
| gptkbp:premieredOn |
gptkb:Cannes_Film_Festival
|
| gptkbp:producedBy |
gptkb:Hungarian_National_Film_Company
|
| gptkbp:released |
gptkb:Hungary
|
| gptkbp:releaseYear |
1952
|
| gptkbp:runtime |
80 minutes
|
| gptkbp:screenplayBy |
János Kóbor
|
| gptkbp:setIn |
19th century Russia
|
| gptkbp:soundtrack |
Mono
|
| gptkbp:theme |
Identity
Social class Redemption Despair Alienation |
| gptkbp:viewingPlatform |
Theatrical
|