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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:artistic_vision
|
vivid imagery
|
|
gptkbp:audience
|
interactive elements
|
|
gptkbp:character_arc
|
gptkb:transformation
|
|
gptkbp:character_development
|
minimalist
|
|
gptkbp:character_motivation
|
search for meaning
|
|
gptkbp:character_relationships
|
internal conflict
interpersonal dynamics
complex and layered
|
|
gptkbp:character_type
|
archetypal characters
|
|
gptkbp:conflict
|
man vs. self
societal conflict
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_identity
|
gptkb:cultural_identity
|
|
gptkbp:cultural_significance
|
explores themes of isolation
|
|
gptkbp:director
|
gptkb:Tadashi_Suzuki
|
|
gptkbp:explores_freedom
|
freedom vs. confinement
|
|
gptkbp:explores_hope
|
hope and despair
|
|
gptkbp:explores_mortality
|
life and death themes
|
|
gptkbp:explores_society
|
societal issues
|
|
gptkbp:explores_tradition
|
cultural traditions
|
|
gptkbp:first_performance
|
gptkb:Toga_Theatre
|
|
gptkbp:focus
|
the human condition
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_relationship_with
|
human relationships
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Other Shore
|
|
gptkbp:influenced_by
|
gptkb:Buddhism
gptkb:Japanese_folklore
gptkb:Japanese_Noh_theatre
gptkb:post-war_Japanese_theatre
gptkb:Bertolt_Brecht
existential philosophy
modernist theatre
Western theatre traditions
|
|
gptkbp:inspired_by
|
personal experiences of the playwright
|
|
gptkbp:instruments
|
gptkb:sound_design
|
|
gptkbp:is_symbolic_of
|
journey as life
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:notable_awards
|
multiple theatre awards
|
|
gptkbp:notable_performances
|
renowned actors
|
|
gptkbp:notable_production
|
Suzuki Company of Toga
|
|
gptkbp:notable_quote
|
memorable lines
|
|
gptkbp:performance
|
approximately 90 minutes
|
|
gptkbp:performed_by
|
professional theatre companies
|
|
gptkbp:performed_in
|
multiple languages
various international festivals
theatres worldwide
|
|
gptkbp:premiered_on
|
gptkb:1986
|
|
gptkbp:reviews
|
critically acclaimed reviews
|
|
gptkbp:setting
|
a barren landscape
|
|
gptkbp:style
|
physical theatre
|
|
gptkbp:symbolism
|
symbolic characters
water and shore
|
|
gptkbp:themes
|
gptkb:existentialism
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:uses_chorus
|
to convey themes
|
|
gptkbp:uses_contrast
|
light and dark themes
|
|
gptkbp:uses_dialogue
|
poetic dialogue
|
|
gptkbp:uses_minimalism
|
gptkb:Set
|
|
gptkbp:uses_physicality
|
in performance
|
|
gptkbp:uses_silence
|
dramatic silence
|
|
gptkbp:written_by
|
gptkb:Tadashi_Suzuki
|
|
gptkbp:bfsParent
|
gptkb:Amir_El_Saffar
gptkb:Gao_Xingjian
gptkb:Aly_&_Fila
gptkb:Cover
gptkb:Aly_&_Fila_-It's_All_About_the_Melody
|
|
gptkbp:bfsLayer
|
5
|