|
gptkbp:instance_of
|
gptkb:soundtrack
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Robert_Ludlum
gptkb:Rutger_Hauer
gptkb:Sam_Peckinpah
|
|
gptkbp:adaptation
|
gptkb:1983
gptkb:film
mixed reviews
The Osterman Weekend (film)
significant changes from the novel
|
|
gptkbp:associated_with
|
The Osterman Weekend (film)
|
|
gptkbp:author
|
gptkb:Robert_Ludlum
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:novel
The Osterman Weekend (novel)
The Osterman Weekend (novel) by Robert Ludlum
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
|
|
gptkbp:budget
|
$10 million
$6 million
|
|
gptkbp:cast
|
gptkb:Burt_Lancaster
gptkb:Hannah_Schygulla
gptkb:Craig_T._Nelson
gptkb:John_Hurt
gptkb:Rutger_Hauer
|
|
gptkbp:character
|
gptkb:David
gptkb:Lila
gptkb:John_Tanner
Richard Tremayne
Bobby Yonder
Martha Tanner
|
|
gptkbp:character_development
|
gptkb:launch_complex
complex characters
|
|
gptkbp:character_relationships
|
interpersonal dynamics
|
|
gptkbp:cinematography
|
gptkb:John_Coquillon
gptkb:Harry_Stradling_Jr.
|
|
gptkbp:climax
|
revelation of true identities
|
|
gptkbp:composed_of
|
gptkb:Lalo_Schifrin
|
|
gptkbp:conflict
|
espionage
government conspiracy
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
positive
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
Cult following
cult following
influenced spy genre
influenced later spy novels
influenced films in the genre
|
|
gptkbp:directed_by
|
gptkb:Sam_Peckinpah
|
|
gptkbp:director
|
gptkb:Sam_Peckinpah
|
|
gptkbp:distributor
|
gptkb:Orion_Pictures
gptkb:MGM/_UA_Entertainment_Company
|
|
gptkbp:edited_by
|
gptkb:Gordon_D._Brenner
|
|
gptkbp:editor
|
gptkb:Gordon_D._Brenner
|
|
gptkbp:features
|
gptkb:musical_composition
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:R
|
|
gptkbp:film_series
|
gptkb:none
|
|
gptkbp:filming_location
|
gptkb:Washington,_D._C.
gptkb:California
gptkb:Los_Angeles
gptkb:New_York
|
|
gptkbp:filmography
|
gptkb:Gordon_D._Brenner
gptkb:Gordon_L._Williams
gptkb:Rutger_Hauer
100 minutes
103 minutes
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Jerry_Fielding
gptkb:Thriller
gptkb:High_School
gptkb:Lalo_Schifrin
gptkb:film
action thriller
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:collection
gptkb:film
1983 VHS
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Osterman Weekend
|
|
gptkbp:influenced_by
|
gptkb:Ian_Fleming
gptkb:John_le_Carré
spy fiction
Cold War themes
Espionage films
|
|
gptkbp:influences
|
gptkb:political_organization
spy fiction
|
|
gptkbp:inspiration
|
Political thrillers
real-life espionage cases
Robert Ludlum's writing style
|
|
gptkbp:is_critical_for
|
examined for political themes
|
|
gptkbp:is_motivated_by
|
gptkb:loyalty
gptkb:revenge
gptkb:survival
|
|
gptkbp:isbn
|
978-0-345-39129-0
978-0553275092
|
|
gptkbp:label
|
gptkb:Varèse_Sarabande
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
40:00
|
|
gptkbp:main_character
|
gptkb:John_Tanner
|
|
gptkbp:motif
|
surveillance
|
|
gptkbp:music
|
gptkb:Lalo_Schifrin
|
|
gptkbp:music_by
|
gptkb:Lalo_Schifrin
|
|
gptkbp:narrative_style
|
third-person
omniscient narrator
|
|
gptkbp:notable_quote
|
" You can't trust anyone."
" It's all a game."
|
|
gptkbp:notable_tracks
|
Main Title
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
A man is drawn into a conspiracy involving his friends.
A man discovers his friends are involved in espionage.
A man discovers his friends are not who they seem.
A man is drawn into a web of conspiracy and espionage.
|
|
gptkbp:plot_twist
|
unexpected revelations
unexpected betrayals
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:United_Artists
gptkb:Orion_Pictures
gptkb:20th_Century_Fox
gptkb:MGM
|
|
gptkbp:published_by
|
gptkb:1972
|
|
gptkbp:published_year
|
gptkb:1972
|
|
gptkbp:publisher
|
gptkb:Random_House
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
adult readers
|
|
gptkbp:release_date
|
gptkb:1983
March 18, 1983
November 18, 1983
|
|
gptkbp:release_format
|
Theatrical
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1983
December 1983
|
|
gptkbp:released
|
gptkb:1983
|
|
gptkbp:released_in
|
gptkb:1983
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:resolution
|
confrontation and escape
|
|
gptkbp:role
|
gptkb:Detective
gptkb:superhero
friend
|
|
gptkbp:runtime
|
100 minutes
103 minutes
|
|
gptkbp:screenings
|
Premiere in New York City
|
|
gptkbp:screenplay_by
|
gptkb:Alan_Sharp
|
|
gptkbp:series
|
gptkb:none
standalone
|
|
gptkbp:setting
|
gptkb:Monarch
gptkb:United_States
Cold War era
|
|
gptkbp:significance
|
notable work of Robert Ludlum
|
|
gptkbp:soundtrack
|
The Osterman Weekend (soundtrack)
|
|
gptkbp:starring
|
gptkb:Burt_Lancaster
gptkb:Craig_T._Nelson
gptkb:John_Hurt
gptkb:Rutger_Hauer
|
|
gptkbp:style
|
fast-paced
|
|
gptkbp:symbolism
|
gptkb:Trust
trust and betrayal
|
|
gptkbp:target_audience
|
adults
|
|
gptkbp:theme
|
gptkb:betrayal
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:Community_Center
espionage
|
|
gptkbp:track_count
|
gptkb:12
|