Statements (198)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:painting
gptkb:radio_station gptkb:short_story gptkb:play |
gptkbp:adaptation |
gptkb:radio_station
gptkb:theater gptkb:television gptkb:film gptkb:stage_play |
gptkbp:adaptations |
gptkb:film_adaptations
gptkb:theatrical_performances |
gptkbp:author |
gptkb:SABMiller
|
gptkbp:character |
gptkb:the_hunters
gptkb:Mrs._Sappleton the protagonist the local community the townsfolk the narrator the antagonist the friend the stranger the neighbor the visitor the family members the housekeeper the visitors the audience's perspective the acquaintances the relative the family dog |
gptkbp:character_development |
Mr. Nuttel's anxiety
Vera's cunning nature Vera's manipulation |
gptkbp:character_motivation |
Mr. Nuttel's need for rest
Vera's desire for amusement |
gptkbp:character_relationships |
Vera and Mr. Nuttel
Vera and her aunt |
gptkbp:characterized_by |
Mr. Nuttel as gullible
Vera as a manipulative figure Vera as a trickster |
gptkbp:climax |
Mr. Nuttel's reaction to Vera's story
Mr. Nuttel's realization |
gptkbp:color_palette |
vivid colors
|
gptkbp:conflict |
psychological
man vs. man |
gptkbp:country |
gptkb:United_States
|
gptkbp:created_by |
gptkb:Henri_Matisse
|
gptkbp:creator |
gptkb:S._J._Perelman
|
gptkbp:critical_analysis |
examined for its social commentary
|
gptkbp:critical_reception |
well-received
widely studied in literature courses |
gptkbp:cultural_aspect |
Edwardian society
|
gptkbp:cultural_impact |
analyzed in psychology of deception
inspired discussions on deception |
gptkbp:cultural_significance |
a staple in literary studies.
|
gptkbp:depicted_in |
art books
|
gptkbp:depicts |
view from a window
|
gptkbp:dimensions |
38.1 cm × 46.4 cm
|
gptkbp:ended |
ambiguous
|
gptkbp:exhibited_at |
gptkb:Salon_d'_Automne
|
gptkbp:exhibits |
vibrant colors
|
gptkbp:features |
gptkb:landscape_architecture
a blue sky a vase of flowers a green landscape a white tablecloth open window frame |
gptkbp:first_aired |
1947
|
gptkbp:first_published |
gptkb:1914
|
gptkbp:format |
gptkb:anthology
|
gptkbp:genre |
gptkb:Fiction
gptkb:comedy gptkb:short_story |
gptkbp:has_influenced |
modern art
contemporary artists |
gptkbp:historical_context |
reflects societal views of the time
|
https://www.w3.org/2000/01/rdf-schema#label |
The Open Window
|
gptkbp:influence |
inspired other works of fiction
modern short stories inspired discussions on narrative reliability |
gptkbp:influence_on |
subsequent literature
theatre productions |
gptkbp:influenced_by |
gptkb:Impressionism
|
gptkbp:inspiration |
Saki's experiences
|
gptkbp:inspired |
future art movements
|
gptkbp:is_a_subject_of |
scholarly articles
numerous studies |
gptkbp:is_analyzed_in |
gptkb:art_critics
color theory art history courses its historical context |
gptkbp:is_associated_with |
Matisse's early career
|
gptkbp:is_celebrated_for |
its artistic innovation
innovative composition |
gptkbp:is_celebrated_in |
art exhibitions
art festivals |
gptkbp:is_cited_in |
art critiques
art literature |
gptkbp:is_considered |
a masterpiece
masterpiece |
gptkbp:is_considered_by |
gptkb:art_historians
|
gptkbp:is_considered_to_be |
a landmark painting
a pivotal work a defining work of Fauvism |
gptkbp:is_discussed_in |
art classes
art experts art forums |
gptkbp:is_displayed_in |
art museums
permanent collection |
gptkbp:is_examined_in |
critics
art reviews art theory |
gptkbp:is_explored_in |
art documentaries
|
gptkbp:is_featured_in |
exhibitions
art magazines |
gptkbp:is_influential_in |
art education
|
gptkbp:is_notable_for |
use of color
|
gptkbp:is_noted_for |
its emotional impact
its unique perspective |
gptkbp:is_part_of |
gptkb:Fauvist_movement
art collections art movements permanent collection art history curriculum art history discussions Matisse's legacy Fauvist exhibitions Matisse's oeuvre Matisse's early works |
gptkbp:is_recognized_as |
a cultural artifact
iconic work a significant artwork |
gptkbp:is_recognized_by |
gptkb:art_critics
|
gptkbp:is_recognized_for |
its boldness
|
gptkbp:is_referenced_in |
gptkb:popular_culture
art literature |
gptkbp:is_reflected_in |
Matisse's philosophy
|
gptkbp:is_represented_in |
art history
|
gptkbp:is_sought_after_by |
gptkb:collectors
|
gptkbp:is_valued_for |
artistic expression
|
gptkbp:language |
English
|
gptkbp:language_spoken |
sharp and revealing
|
gptkbp:length |
short story format
|
gptkbp:literary_devices |
gptkb:dialogue
suspense foreshadowing |
gptkbp:literary_movement |
gptkb:modernism
Edwardian literature |
gptkbp:location |
gptkb:Museum_of_Modern_Art
|
gptkbp:main_character |
gptkb:Mr._Nuttel
gptkb:Vera |
gptkbp:medium |
gptkb:oil_on_canvas
|
gptkbp:mood |
tense
suspenseful |
gptkbp:motif |
nature
windows |
gptkbp:narrative_style |
irony
unreliable narrator twist ending use of humor |
gptkbp:network |
gptkb:CBS
|
gptkbp:number_of_episodes |
gptkb:unknown
|
gptkbp:plot |
a visitor's encounter with a deceptive girl
|
gptkbp:plot_twist |
the revelation of Vera's lie
the truth about the hunters |
gptkbp:published_in |
gptkb:The_Strand_Magazine
gptkb:1914 gptkb:The_Westminster_Gazette |
gptkbp:reader_demographic |
provokes thought on trust
varied interpretations of Vera's character |
gptkbp:represents |
gptkb:freedom_of_expression
|
gptkbp:resolution |
Mr. Nuttel leaves in fear
Mr. Nuttel's departure |
gptkbp:setting |
early 20th century England
a country house |
gptkbp:setting_time |
early 20th century
|
gptkbp:significance |
important work in modern art
|
gptkbp:sound |
playful
|
gptkbp:status |
ended
|
gptkbp:style |
gptkb:Fauvism
satirical concise and witty |
gptkbp:symbolism |
the open window
the open window as opportunity the story as a commentary on social norms |
gptkbp:theme |
gptkb:social_class
gptkb:deception truth vs. illusion |
gptkbp:viewpoint |
third-person limited
|
gptkbp:writings |
explores themes of truth and fiction
|
gptkbp:written_by |
gptkb:SABMiller
|
gptkbp:year_created |
1905
|
gptkbp:bfsParent |
gptkb:Matisse
gptkb:Fauvism gptkb:Henri_Matisse gptkb:Robert_Motherwell gptkb:Bonnard |
gptkbp:bfsLayer |
4
|