Statements (191)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:anthology
gptkb:painting gptkb:radio_station gptkb:play |
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Ninjutsu
|
| gptkbp:adaptation |
gptkb:television_series
gptkb:theatre gptkb:radio_station gptkb:film |
| gptkbp:art_movement |
gptkb:modernism
Edwardian literature |
| gptkbp:author |
gptkb:Ninjutsu
|
| gptkbp:character |
gptkb:the_hunters
gptkb:Mrs._Sappleton the protagonist the local community the townsfolk the narrator the antagonist the friend the stranger the neighbor the visitor the family members the housekeeper the visitors the audience's perspective the acquaintances the relative the family dog |
| gptkbp:character_development |
Mr. Nuttel's anxiety
Vera's cunning nature Vera's manipulation |
| gptkbp:character_relationships |
Vera and Mr. Nuttel
Vera and her aunt |
| gptkbp:climax |
Mr. Nuttel's reaction to Vera's story
Mr. Nuttel's realization |
| gptkbp:color |
vivid colors
|
| gptkbp:conflict |
psychological
man vs. man |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:created_by |
gptkb:Henri_Matisse
|
| gptkbp:creator |
gptkb:S._J._Perelman
|
| gptkbp:critical_reception |
well-received
widely studied in literature courses |
| gptkbp:cultural_impact |
Edwardian society
analyzed in psychology of deception inspired discussions on deception |
| gptkbp:cultural_significance |
a staple in literary studies.
|
| gptkbp:depicted_in |
art museums
permanent collection art books |
| gptkbp:depicts |
view from a window
|
| gptkbp:dimensions |
38.1 cm × 46.4 cm
|
| gptkbp:ends_at |
ambiguous
|
| gptkbp:examines |
critics
art reviews art theory |
| gptkbp:exhibited_at |
gptkb:Salon_d'_Automne
|
| gptkbp:exhibits |
vibrant colors
|
| gptkbp:features |
gptkb:architect
a blue sky a vase of flowers a green landscape a white tablecloth open window frame |
| gptkbp:first_aired |
1947
|
| gptkbp:first_published |
gptkb:1914
|
| gptkbp:format |
gptkb:anthology
|
| gptkbp:genre |
gptkb:musical
gptkb:anthology gptkb:Author |
| gptkbp:has_influence_on |
modern art
contemporary artists |
| gptkbp:historical_context |
reflects societal views of the time
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Open Window
|
| gptkbp:influence |
subsequent literature
theatre productions inspired other works of fiction modern short stories inspired discussions on narrative reliability |
| gptkbp:influenced_by |
gptkb:painting
|
| gptkbp:inspiration |
Saki's experiences
|
| gptkbp:inspired |
future art movements
|
| gptkbp:is_analyzed_in |
gptkb:literary_work
color theory art history courses its historical context |
| gptkbp:is_associated_with |
Matisse's early career
|
| gptkbp:is_celebrated_in |
art exhibitions
art festivals its artistic innovation innovative composition |
| gptkbp:is_characterized_by |
Mr. Nuttel as gullible
Vera as a manipulative figure Vera as a trickster |
| gptkbp:is_cited_in |
art critiques
art literature |
| gptkbp:is_considered |
a masterpiece
masterpiece a landmark painting a pivotal work a defining work of Fauvism |
| gptkbp:is_considered_as |
gptkb:art_historians
|
| gptkbp:is_critical_for |
examined for its social commentary
|
| gptkbp:is_discussed_in |
art classes
art experts art forums |
| gptkbp:is_explored_in |
art documentaries
|
| gptkbp:is_featured_in |
exhibitions
art magazines |
| gptkbp:is_influential_in |
art education
|
| gptkbp:is_motivated_by |
Mr. Nuttel's need for rest
Vera's desire for amusement |
| gptkbp:is_noted_for |
its emotional impact
its unique perspective |
| gptkbp:is_part_of |
gptkb:Fauvist_movement
art collections art movements permanent collection art history curriculum art history discussions Matisse's legacy Fauvist exhibitions Matisse's oeuvre Matisse's early works |
| gptkbp:is_recognized_by |
gptkb:literary_work
a cultural artifact iconic work a significant artwork |
| gptkbp:is_recognized_for |
its boldness
|
| gptkbp:is_referenced_in |
gptkb:organization
art literature |
| gptkbp:is_reflected_in |
Matisse's philosophy
|
| gptkbp:is_represented_in |
art history
|
| gptkbp:is_sought_after_by |
gptkb:collection
|
| gptkbp:is_valued_for |
gptkb:artwork
|
| gptkbp:language |
English
sharp and revealing |
| gptkbp:length |
short story format
|
| gptkbp:literary_devices |
gptkb:language
suspense foreshadowing |
| gptkbp:location |
gptkb:Museum_of_Modern_Art
|
| gptkbp:main_character |
gptkb:Mr._Nuttel
gptkb:Vera |
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:mood |
tense
suspenseful |
| gptkbp:motif |
nature
windows |
| gptkbp:narrative_style |
irony
unreliable narrator twist ending use of humor |
| gptkbp:network |
gptkb:CBS
|
| gptkbp:notable_for |
use of color
|
| gptkbp:number_of_episodes |
gptkb:unknown
|
| gptkbp:plot |
a visitor's encounter with a deceptive girl
|
| gptkbp:plot_twist |
the revelation of Vera's lie
the truth about the hunters |
| gptkbp:published_by |
gptkb:The_Strand_Magazine
gptkb:1914 gptkb:The_Westminster_Gazette |
| gptkbp:reader_demographic |
provokes thought on trust
varied interpretations of Vera's character |
| gptkbp:represents |
gptkb:freedom_of_expression
|
| gptkbp:resolution |
Mr. Nuttel leaves in fear
Mr. Nuttel's departure |
| gptkbp:setting |
early 20th century
early 20th century England a country house |
| gptkbp:significance |
important work in modern art
|
| gptkbp:sound |
playful
|
| gptkbp:status |
ended
|
| gptkbp:style |
gptkb:Fauvism
satirical concise and witty |
| gptkbp:subject |
scholarly articles
numerous studies |
| gptkbp:symbolism |
the open window
the open window as opportunity the story as a commentary on social norms |
| gptkbp:theme |
gptkb:class
gptkb:military_operation truth vs. illusion |
| gptkbp:viewpoint |
third-person limited
|
| gptkbp:written_by |
gptkb:Ninjutsu
|
| gptkbp:wrote |
explores themes of truth and fiction
|
| gptkbp:year_created |
1905
|