|
gptkbp:instance_of
|
gptkb:anthology
gptkb:Magic:_The_Gathering_set
gptkb:novel
gptkb:play
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Bette_Davis
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:art_movement
|
early 20th century
|
|
gptkbp:associated_with
|
gptkb:Theater_of_the_Absurd
|
|
gptkbp:author
|
gptkb:Edith_Wharton
|
|
gptkbp:available_formats
|
gptkb:printer
gptkb:book
ebook
|
|
gptkbp:character
|
gptkb:Julius
gptkb:Miss_Lavinia_Ralston
Delia's suitors
Mr. Ralston
|
|
gptkbp:character_development
|
Delia's choices
|
|
gptkbp:climax
|
Delia's realization
|
|
gptkbp:conflict
|
internal struggle
external pressures
personal vs societal expectations
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
influenced feminist literature
studied in literature courses
adapted into various media
|
|
gptkbp:cultural_significance
|
popular in Western countries
|
|
gptkbp:first_performance
|
1939
|
|
gptkbp:game_mechanics
|
matching pairs of cards
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
gptkb:Educational_Institution
|
|
gptkbp:goal
|
avoid being the player left with the Old Maid card
|
|
gptkbp:has_variants
|
Old Maid with special themes
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Old Maid
|
|
gptkbp:influence
|
feminist literature
|
|
gptkbp:influenced_by
|
American literature
|
|
gptkbp:influences
|
American literature
|
|
gptkbp:inspiration
|
Wharton's own experiences
societal observations
|
|
gptkbp:inspired_by
|
gptkb:anthology
|
|
gptkbp:isbn
|
978-1-5011-1234-5
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Charlotte_Lovell
Delia Ralston
|
|
gptkbp:message
|
the passage of time
the nature of happiness
the complexity of relationships
the cost of societal expectations
|
|
gptkbp:mood
|
gptkb:melancholic
nostalgic
reflective
|
|
gptkbp:motif
|
gptkb:award
gptkb:family
loneliness
|
|
gptkbp:narrative_style
|
third-person
irony
foreshadowing
psychological realism
character-driven
flashback
|
|
gptkbp:notable_cards
|
standard playing cards or special Old Maid cards
|
|
gptkbp:notable_character
|
Delia
Miss Lavinia
|
|
gptkbp:number_of_teams
|
2 or more
|
|
gptkbp:origin
|
gptkb:19th_century
|
|
gptkbp:page_count
|
256
|
|
gptkbp:performed_by
|
gptkb:musical
|
|
gptkbp:published_by
|
gptkb:The_New_Yorker
1924
1939
|
|
gptkbp:publisher
|
gptkb:D._Appleton_&_Company
|
|
gptkbp:related_works
|
gptkb:The_House_of_Mirth
gptkb:Summer
gptkb:The_Age_of_Innocence
|
|
gptkbp:resolution
|
acceptance of fate
|
|
gptkbp:setting
|
gptkb:Borough
early 20th century
early 1900s America
|
|
gptkbp:significance
|
examines societal norms
explores women's roles
depicts emotional struggles
|
|
gptkbp:similar_games
|
Go Fish
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
the house
the wedding ring
the old maid
the old maid archetype
|
|
gptkbp:theme
|
social conventions
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:award
gptkb:class
gptkb:Saint
love
regret
|
|
gptkbp:viewpoint
|
omniscient
|
|
gptkbp:written_by
|
gptkb:Zelda_Fitzgerald
|