|
gptkbp:instance_of
|
gptkb:album
|
|
gptkbp:artist
|
gptkb:Billy_Joel
|
|
gptkbp:awards
|
Grammy nomination
|
|
gptkbp:certification
|
gptkb:Platinum
|
|
gptkbp:chart_position
|
#7 on Billboard 200
|
|
gptkbp:cover_art
|
Nylon Curtain Cover.jpg
|
|
gptkbp:critical_reception
|
generally positive
|
|
gptkbp:cultural_impact
|
reflected 1980s America
|
|
gptkbp:fan_favorite
|
gptkb:Goodnight_Saigon
gptkb:Allentown
Pressure
|
|
gptkbp:genre
|
gptkb:rock
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Nylon Curtain
|
|
gptkbp:influenced_artists
|
gptkb:John_Mayer
gptkb:Ben_Folds
gptkb:Sara_Bareilles
|
|
gptkbp:influenced_by
|
gptkb:Bob_Dylan
gptkb:Elton_John
gptkb:The_Beatles
|
|
gptkbp:influences
|
synth-pop
new wave
|
|
gptkbp:inspiration
|
gptkb:Vietnam_War
social issues
American politics
|
|
gptkbp:label
|
gptkb:Columbia_Records
|
|
gptkbp:legacy
|
considered a classic album
|
|
gptkbp:length
|
42:12
|
|
gptkbp:lyricist
|
gptkb:Billy_Joel
|
|
gptkbp:music_style
|
soft rock
|
|
gptkbp:music_video
|
gptkb:Goodnight_Saigon
gptkb:Allentown
Pressure
|
|
gptkbp:next_album
|
gptkb:The_Bridge
|
|
gptkbp:notable_collaborators
|
gptkb:Phil_Ramone
gptkb:David_Foster
|
|
gptkbp:notable_track
|
gptkb:Goodnight_Saigon
gptkb:Allentown
Pressure
|
|
gptkbp:number_of_tracks
|
varies
|
|
gptkbp:previous_album
|
gptkb:Glass_Houses
|
|
gptkbp:producer
|
gptkb:Billy_Joel
|
|
gptkbp:record_label
|
gptkb:Columbia_Records
|
|
gptkbp:recording_location
|
The Hit Factory, New York City
|
|
gptkbp:recording_year
|
gptkb:1982
|
|
gptkbp:release_date
|
1982-10-10
|
|
gptkbp:release_format
|
CD
digital
vinyl
|
|
gptkbp:release_type
|
gptkb:album
|
|
gptkbp:remastered
|
2020 edition
2011 edition
|
|
gptkbp:songwriters
|
gptkb:Billy_Joel
|
|
gptkbp:studio
|
gptkb:The_Hit_Factory
|
|
gptkbp:theme
|
American life in the 1980s
|
|
gptkbp:bfsParent
|
gptkb:Songs_in_the_Attic
gptkb:Billy_Joel:_The_Complete_Albums_Collection
gptkb:Greatest_Hits_Volume_I_&_II
|
|
gptkbp:bfsLayer
|
4
|