|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
The Night of the Iguana (play)
|
|
gptkbp:adaptations
|
television adaptations
stage adaptations
radio adaptations
|
|
gptkbp:adapted_for_radio
|
yes
|
|
gptkbp:adapted_into
|
gptkb:film
into various formats
|
|
gptkbp:adapted_into_stage_production
|
yes
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:0
gptkb:Academy_Award_nomination
|
|
gptkbp:based_on
|
The Night of the Iguana (play)
play by Tennessee Williams
A play by Tennessee Williams
Play by Tennessee Williams
|
|
gptkbp:box_office
|
$1.5 million
$1 million
|
|
gptkbp:character
|
gptkb:Maxine_Faulk
gptkb:Hannah_Jelkes
gptkb:Miss_Fellowes
gptkb:Charlotte
gptkb:Rev._T._Lawrence_Shannon
Nonno
|
|
gptkbp:character_arc
|
conflict resolution
redemption
self-discovery
|
|
gptkbp:character_development
|
gptkb:moral_ambiguity
gptkb:complex
complex characters
|
|
gptkbp:cinematography
|
gptkb:Gabriel_Figueroa
gptkb:James_Wong_Howe
|
|
gptkbp:cinematography_by
|
gptkb:Gabriel_Figueroa
Naturalistic
Vivid colors
Symbolic use of light
Dramatic shadows
Intimate framing
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
acclaimed
positive
generally positive
mixed reviews
widely acclaimed
|
|
gptkbp:criticism
|
praised performances
praised cinematography
praised direction
praised music score
praised screenplay
|
|
gptkbp:cultural_impact
|
gptkb:significant
performed worldwide
inspired adaptations
studied in literature courses
influenced playwrights
adapted into various languages
influenced later films
inspired scholarly analysis
influenced later works of drama
|
|
gptkbp:cultural_significance
|
exploration of human condition
explores human condition
explores themes of isolation and connection.
|
|
gptkbp:depicts
|
a search for meaning
the clash of cultures
a crisis of faith
|
|
gptkbp:directed_by
|
gptkb:John_Huston
|
|
gptkbp:director
|
gptkb:John_Huston
gptkb:Tennessee_Williams
|
|
gptkbp:distributor
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:edited_by
|
gptkb:Rita_Roland
|
|
gptkbp:editing
|
gptkb:Rita_Roland
gptkb:Robert_L._Simpson
|
|
gptkbp:explores
|
faith
human relationships
moral dilemmas
personal struggles
sexuality
despair
|
|
gptkbp:famous_quote
|
“ The only thing that matters is the truth.”
|
|
gptkbp:features
|
gptkb:Cyril_Delevanti
gptkb:Grayson_Hall
gptkb:Richard_Burton
gptkb:Isolation
gptkb:Ava_Gardner
gptkb:Deborah_Kerr
gptkb:Religious_conflict
symbolism
Themes of existentialism
poetic dialogue
a boarding house
a group of travelers
Sexual tension
|
|
gptkbp:features_character
|
gptkb:Tennessee_Williams
|
|
gptkbp:film_editing
|
gptkb:1964
gptkb:1970
gptkb:1976
gptkb:1987
yes
The Night of the Iguana (film)
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
notable
|
|
gptkbp:film_technique
|
gptkb:The_Graduate
gptkb:American_theater
gptkb:The_Last_Picture_Show
expressionism
realism
natural lighting
symbolic imagery
long takes
inspired filmmakers
close-ups
|
|
gptkbp:filming_location
|
gptkb:Puerto_Vallarta
|
|
gptkbp:focus
|
gptkb:Maxine_Faulk
gptkb:Hannah_Jelkes
gptkb:the_Reverend_T._Lawrence_Shannon
Nonno
the tourists
|
|
gptkbp:follows
|
a group of characters
A group of travelers
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_adaptation
|
musical version
|
|
gptkbp:has_been_restored
|
gptkb:multiple_times
|
|
gptkbp:has_character
|
gptkb:Maxine_Faulk
gptkb:Hannah_Jelkes
gptkb:Rev._T._Lawrence_Shannon
Nonno
Charlotte Goodall
|
|
gptkbp:has_performed_at
|
internationally
|
|
gptkbp:has_setting
|
A rundown hotel
A stormy night
A tropical landscape
|
|
gptkbp:has_theme
|
Human vulnerability
The impact of the past on the present
Search for redemption
Conflict between personal desires and societal expectations
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Night of the Iguana
|
|
gptkbp:influenced
|
gptkb:American_theater
gptkb:literature
gptkb:theatrical_performances
gptkb:theater_productions
artistic expression
later playwrights
modern drama
film adaptations of plays
Later adaptations of Tennessee Williams' works
|
|
gptkbp:influenced_artists
|
yes
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:modernism
gptkb:American_theater
gptkb:Gothic_literature
personal experiences of Tennessee Williams
Tennessee Williams' life experiences
the Mexican culture
Williams' experiences in Mexico
the natural landscape of Mexico
|
|
gptkbp:influences
|
gptkb:Gothic_literature
Tennessee Williams' life
|
|
gptkbp:inspiration
|
Tennessee Williams' experiences in Mexico
Tennessee Williams' experiences
Williams' experiences in Mexico
Williams' observations of human behavior
|
|
gptkbp:inspired
|
gptkb:various_adaptations
various stage productions
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:involves
|
a love triangle
a struggle for power
a quest for identity
|
|
gptkbp:is_considered
|
a classic of American theater
|
|
gptkbp:is_notable_for
|
its emotional depth
its character development
its exploration of existential themes
|
|
gptkbp:is_set_in
|
1950s
a storm
a tropical locale
|
|
gptkbp:is_studied_in
|
in theater courses
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
poetic
|
|
gptkbp:legacy
|
cult following
considered a classic
classic American cinema
|
|
gptkbp:location
|
gptkb:Puerto_Vallarta
Tropical resort
|
|
gptkbp:music
|
gptkb:Alex_North
|
|
gptkbp:music_by
|
gptkb:Alex_North
|
|
gptkbp:music_composer
|
gptkb:Alex_North
|
|
gptkbp:nominated_for
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Golden_Globe_Award_for_Best_Actor_–_Motion_Picture_Drama
gptkb:Golden_Globe_Award_for_Best_Supporting_Actress
|
|
gptkbp:notable_actor
|
gptkb:Richard_Burton
gptkb:Ava_Gardner
gptkb:Deborah_Kerr
|
|
gptkbp:notable_awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Drama_Critics'_Circle_Award
gptkb:Cannes_Film_Festival_award
gptkb:Academy_Award_nomination
Golden Globe nomination
Tony Award nominations
BAFTA nomination
|
|
gptkbp:notable_characters
|
gptkb:Maxine_Faulk
gptkb:Hannah_Jelkes
gptkb:Miss_Fellowes
gptkb:Miss_Judith_Fellowes
gptkb:Reverend_T._Lawrence_Shannon
The Iguana
|
|
gptkbp:notable_production
|
2015 revival
2000 revival
1961 Broadway production
2019 revival
1976 revival
|
|
gptkbp:notable_quote
|
" I am not a man of God."
" Life is a struggle against the inevitable."
" The only thing that matters is the truth."
" The world is full of people who are lost."
" We are all in the same boat."
“ The only thing that matters is the truth.”
“ We are all in the same boat.”
“ The world is full of people who are not what they seem.”
“ I’m not a priest anymore.”
“ We’re all just trying to survive.”
" I am a man of faith."
" The iguana is a symbol of freedom."
“ You can’t be a good person if you don’t know what a good person is.”
“ I’m not a man, I’m a human being.”
|
|
gptkbp:notable_scene
|
the final confrontation
the storm scene
the character interactions
the arrival of the tourists
the discussion of faith
the monologue by Shannon
|
|
gptkbp:notable_themes
|
gptkb:existentialism
gptkb:conflict
faith
isolation
redemption
sexuality
human connection
despair
the search for meaning
sexual tension
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance_style
|
expressionism
realism
symbolism
|
|
gptkbp:performed_at
|
gptkb:Biltmore_Theatre
gptkb:Broadway
|
|
gptkbp:performed_by
|
yes
various theater companies
|
|
gptkbp:performed_in
|
gptkb:theater
in theaters worldwide
|
|
gptkbp:plot
|
A defrocked priest leads a group of travelers in a rundown hotel.
|
|
gptkbp:premiere
|
gptkb:1961
|
|
gptkbp:premiered_on
|
gptkb:1961
1961-12-28
|
|
gptkbp:produced_by
|
gptkb:John_Huston
gptkb:Broadway
|
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
gptkb:Huston_Productions
|
|
gptkbp:published_by
|
gptkb:New_Directions_Publishing
|
|
gptkbp:published_in
|
gptkb:The_New_York_Times
|
|
gptkbp:release_date
|
gptkb:December
gptkb:1964
December 1964
December 2011
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1964
gptkb:2011
|
|
gptkbp:released
|
gptkb:1964
|
|
gptkbp:released_in
|
gptkb:1964
|
|
gptkbp:remake
|
gptkb:The_Night_of_the_Iguana_(2015)
gptkb:The_Night_of_the_Iguana_(2019)
|
|
gptkbp:runtime
|
120 minutes
118 minutes
|
|
gptkbp:screenplay
|
gptkb:Tennessee_Williams
|
|
gptkbp:screenplay_by
|
gptkb:Tennessee_Williams
|
|
gptkbp:set_in
|
gptkb:Mexico
|
|
gptkbp:setting
|
gptkb:Mexico
gptkb:Puerto_Vallarta,_Mexico
|
|
gptkbp:starring
|
gptkb:Richard_Burton
gptkb:Sue_Lyon
gptkb:Ava_Gardner
gptkb:Deborah_Kerr
|
|
gptkbp:style
|
gptkb:Southern_Gothic
symbolic
lyrical
poetic
|
|
gptkbp:symbolism
|
gptkb:water
gptkb:religion
rain
tension
tropical setting
iguana
|
|
gptkbp:theme
|
gptkb:existentialism
conflict between faith and doubt
|
|
gptkbp:themes
|
gptkb:existentialism
gptkb:conflict
loneliness
faith
redemption
sexuality
despair
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:viewing_format
|
streaming services
theatrical release
|
|
gptkbp:won
|
gptkb:Academy_Award_for_Best_Supporting_Actress
|
|
gptkbp:won_award
|
gptkb:1
|
|
gptkbp:written_by
|
gptkb:Tennessee_Williams
|
|
gptkbp:bfsParent
|
gptkb:Jessica_Lange
|
|
gptkbp:bfsLayer
|
3
|