Statements (105)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:short_story
gptkb:film |
| gptkbp:adaptations |
gptkb:film_adaptations
gptkb:theatrical_performances |
| gptkbp:adapted_into |
graphic novels
radio plays |
| gptkbp:art_style |
Rich color palette.
|
| gptkbp:audience |
Cult following.
|
| gptkbp:author |
gptkb:Julio_Cortázar
|
| gptkbp:award |
Best Director at Cannes
|
| gptkbp:based_on |
short story by Julio Cortázar
|
| gptkbp:box_office |
$1 million
|
| gptkbp:character |
The protagonist is a modern man.
The protagonist is a native Aztec. |
| gptkbp:character_arc |
Exploration of identity.
|
| gptkbp:character_development |
Protagonist undergoes transformation.
protagonist's duality |
| gptkbp:cinematography |
gptkb:Vittorio_Storaro
|
| gptkbp:color |
gptkb:Color
|
| gptkbp:conflict |
modern life vs ancient rituals
|
| gptkbp:country |
gptkb:Italy
|
| gptkbp:critical_reception |
Mixed reviews
widely acclaimed |
| gptkbp:cultural_impact |
inspired art
referenced in popular culture influenced writers studied in literature courses analyzed for its themes featured in literary criticism inspired discussions on reality Influenced later films on dual realities. |
| gptkbp:cultural_significance |
Explores indigenous culture.
|
| gptkbp:director |
gptkb:Bernardo_Bertolucci
|
| gptkbp:edited_by |
Franco Arcalli
|
| gptkbp:editing |
Rhythmic editing.
|
| gptkbp:film_festival |
gptkb:Cannes_Film_Festival
|
| gptkbp:film_score |
Highly praised.
|
| gptkbp:film_technique |
Use of flashbacks.
Symbolic imagery. Dream sequences. |
| gptkbp:genre |
gptkb:drama
magical realism |
| https://www.w3.org/2000/01/rdf-schema#label |
The Night Face Up
|
| gptkbp:included |
anthologies
|
| gptkbp:influenced |
contemporary literature
|
| gptkbp:influenced_by |
Italian neorealism.
Existential philosophy. Postmodern literature. Psychological horror. Magical realism. Literary surrealism. Surrealist cinema. |
| gptkbp:influences |
gptkb:existentialism
gptkb:Surrealism surrealism |
| gptkbp:inspiration |
Cortázar's short story ' La noche boca arriba'.
|
| gptkbp:language |
gptkb:Italian
gptkb:Spanish |
| gptkbp:language_spoken |
Minimalistic.
|
| gptkbp:legacy |
Considered a classic.
|
| gptkbp:literary_devices |
imagery
irony foreshadowing |
| gptkbp:motif |
gptkb:dreams
gptkb:surgery gptkb:time |
| gptkbp:music_by |
gptkb:Ennio_Morricone
|
| gptkbp:narrative |
stream of consciousness
third-person |
| gptkbp:narrative_style |
non-linear
Non-linear storytelling. |
| gptkbp:notable_scene |
The final confrontation.
The dream sequences. The Aztec rituals. The awakening. The hospital scenes. |
| gptkbp:plot |
A man experiences a dreamlike journey between two worlds.
|
| gptkbp:produced_by |
gptkb:Rai_Cinema
|
| gptkbp:protagonist |
an unnamed man
|
| gptkbp:published_in |
1947
|
| gptkbp:release_date |
1973-05-20
|
| gptkbp:release_year |
gptkb:1973
|
| gptkbp:remake |
None.
|
| gptkbp:runtime |
105 minutes
|
| gptkbp:screenplay_by |
gptkb:Bernardo_Bertolucci
|
| gptkbp:setting |
gptkb:Aztec_Empire
modern day Modern day and Aztec times. |
| gptkbp:starring |
gptkb:Giancarlo_Giannini
gptkb:Dominique_Sanda |
| gptkbp:symbolism |
the hospital
Dreams as a reflection of reality. the motorcycle the Aztec sacrifice |
| gptkbp:themes |
gptkb:identity
gptkb:sacrifice Reality vs. illusion Existentialism. dream vs reality |
| gptkbp:title |
gptkb:La_noche_boca_arriba
|
| gptkbp:translated_into |
gptkb:French
gptkb:German English |
| gptkbp:bfsParent |
gptkb:Ray_Bradbury
|
| gptkbp:bfsLayer |
3
|