The New York School of Painters
GPTKB entity
Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:bfsLayer |
6
|
| gptkbp:bfsParent |
gptkb:The_New_York_School_of_Cultural_Criticism
|
| gptkbp:associated_with |
gptkb:political_organization
|
| gptkbp:exhibited_at |
gptkb:Whitney_Museum_of_American_Art
gptkb:Museum_of_Modern_Art |
| gptkbp:exhibition |
gptkb:The_New_American_Painting
9th Street Show |
| gptkbp:historical_period |
1940s to 1960s
|
| https://www.w3.org/2000/01/rdf-schema#label |
The New York School of Painters
|
| gptkbp:influenced |
gptkb:soundtrack
|
| gptkbp:influenced_by |
gptkb:sports_team
gptkb:Monarch |
| gptkbp:is_characterized_by |
abstract forms
emphasis on spontaneity large canvases |
| gptkbp:key |
gptkb:Cultural_exchange
gptkb:Arts_Council gptkb:organization Freedom of expression Non-representational art Emotional intensity Interdisciplinary approaches Dynamic compositions Artistic movements Artistic innovation Individual expression Artistic freedom Influence on later movements Cultural commentary Art as an experience Artistic experimentation Exploration of the subconscious Use of color Artistic legacy Artistic collaboration Exploration of identity Critique of consumerism Spontaneity in creation Gestural brushwork Artistic critique Art as a political statement Influence of technology Role of the artist Influence of jazz music Rejection of traditional techniques Influence of European modernism Role of galleries Scale and size |
| gptkbp:notable_artists |
gptkb:Barnett_Newman
gptkb:Jackson_Pollock gptkb:Mark_Rothko gptkb:Willem_de_Kooning gptkb:Franz_Kline |
| gptkbp:origin |
gptkb:Borough
|
| gptkbp:related_to |
gptkb:Action_Painting
gptkb:Color_Field_Painting |