|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:associated_with
|
abstract expressionism
|
|
gptkbp:characterized_by
|
vibrant colors
large-scale canvases
gestural brushwork
|
|
gptkbp:criticism
|
gptkb:Harold_Rosenberg
gptkb:Clement_Greenberg
gptkb:Dore_Ashton
gptkb:Robert_Rosenblum
gptkb:Michael_Fried
|
|
gptkbp:cultural_impact
|
influenced literature
influenced film
influenced music
influenced theater
influenced performance art
|
|
gptkbp:declined_in
|
1970s
|
|
gptkbp:exhibited_at
|
gptkb:Whitney_Museum_of_American_Art
gptkb:Museum_of_Modern_Art
|
|
gptkbp:influenced
|
gptkb:contemporary_art
|
|
gptkbp:influenced_by
|
gptkb:European_modernism
|
|
gptkbp:key_concept
|
spontaneity
individual expression
action painting
color field painting
non-representational art
art as a process
|
|
gptkbp:legacy
|
inspired new generations of artists
established New York as an art capital
foundation for postmodern art
promoted the idea of the artist as a public figure
shifted focus from Europe to America
|
|
gptkbp:notable_artists
|
gptkb:Barnett_Newman
gptkb:Jasper_Johns
gptkb:Frank_Stella
gptkb:Robert_Rauschenberg
gptkb:Clyfford_Still
|
|
gptkbp:notable_exhibitions
|
gptkb:The_New_York_School:_1940-1960
The New York School: A Cultural History
|
|
gptkbp:originated_in
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
1950s
|
|
gptkbp:related_to
|
gptkb:Minimalism
gptkb:Pop_Art
|
|
gptkbp:bfsParent
|
gptkb:The_Solomon_R._Guggenheim_Museum
|
|
gptkbp:bfsLayer
|
4
|