gptkbp:instance_of
|
gptkb:anthology
gptkb:film
|
gptkbp:adaptation
|
gptkb:CEO
|
gptkbp:author
|
gptkb:John_Connolly
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gptkbp:based_on
|
gptkb:anthology
The Burial
Short story by Thomas Ligotti
|
gptkbp:box_office
|
$1.2 million
$1.5 million
|
gptkbp:budget
|
$4 million
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gptkbp:character
|
gptkb:John_James
gptkb:The_New_Daughter
Louisa James
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gptkbp:character_arc
|
David's journey
David's struggle with acceptance
|
gptkbp:character_development
|
David's transformation
|
gptkbp:character_relationships
|
internal and external
father-daughter
David's denial
father and daughter relationship
father's protective instincts
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gptkbp:cinematography
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gptkb:Joaquín_García
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gptkbp:climax
|
confrontation with the daughter
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gptkbp:collection
|
gptkb:Nocturnes
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gptkbp:composer
|
gptkb:John_Frizzell
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gptkbp:conflict
|
supernatural events
open-ended
|
gptkbp:country
|
gptkb:United_States
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gptkbp:critical_reception
|
generally positive
mixed reviews
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gptkbp:cultural_impact
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cult following
influenced horror literature
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gptkbp:cultural_significance
|
reflects societal fears
|
gptkbp:director
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Luiso Berdejo
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gptkbp:distributor
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gptkb:Anchor_Bay_Entertainment
|
gptkbp:editor
|
gptkb:David_A._Whittaker
|
gptkbp:film_festival
|
gptkb:Fright_Fest_Film_Festival
gptkb:Horror_Hound_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_City_Horror_Film_Festival
gptkb:Screamfest_Horror_Film_Festival
|
gptkbp:filming_location
|
gptkb:South_Carolina
|
gptkbp:filmography
|
gptkb:CEO
|
gptkbp:genre
|
gptkb:film
Horror
speculative fiction
|
gptkbp:has_gameplay_element
|
the house
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gptkbp:home_media_release
|
gptkb:2010
|
https://www.w3.org/2000/01/rdf-schema#label
|
The New Daughter
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gptkbp:illustrator
|
gptkb:CEO
|
gptkbp:influenced_artists
|
gptkb:Shirley_Jackson
modern horror writers
|
gptkbp:influenced_by
|
gptkb:Stephen_King
|
gptkbp:influences
|
gptkb:Stephen_King
gptkb:H._P._Lovecraft
|
gptkbp:inspiration
|
gptkb:The_King_in_Yellow
The New Daughter (short story)
|
gptkbp:is_characterized_by
|
complex characters
|
gptkbp:is_motivated_by
|
David's love for his daughter
|
gptkbp:is_symbolic_of
|
the daughter as a threat
|
gptkbp:language
|
English
|
gptkbp:literary_devices
|
foreshadowing
|
gptkbp:main_character
|
gptkb:David
a father
|
gptkbp:mood
|
tense
ominous
|
gptkbp:motif
|
isolation
parental anxiety
|
gptkbp:music_by
|
gptkb:John_Frizzell
|
gptkbp:narrative_style
|
third-person
linear
imagery
isolated environment
family and fear
|
gptkbp:narrative_theme
|
gptkb:Transformation
loss of innocence
|
gptkbp:page_count
|
gptkb:32
|
gptkbp:plot
|
gradual escalation
A father and his daughter move to a rural home, where strange occurrences unfold.
|
gptkbp:plot_twist
|
the daughter's true nature
|
gptkbp:portrayed_by
|
David's viewpoint
|
gptkbp:premiere
|
gptkb:2009_Toronto_International_Film_Festival
gptkb:Screamfest_Film_Festival
|
gptkbp:production_company
|
Cine Tel Films
|
gptkbp:published_by
|
gptkb:2006
gptkb:Hodder_&_Stoughton
|
gptkbp:publishes
|
gptkb:CEO
|
gptkbp:rating
|
gptkb:R
|
gptkbp:reader_demographic
|
evokes fear
|
gptkbp:related_to
|
The Black House
|
gptkbp:release_date
|
gptkb:2009
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
theatrical
|
gptkbp:release_year
|
gptkb:2009
|
gptkbp:resolution
|
ambiguous ending
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplay_by
|
Luiso Berdejo
|
gptkbp:setting
|
rural America
modern day
|
gptkbp:soundtrack
|
gptkb:musical
|
gptkbp:starring
|
gptkb:Samantha_Mathis
gptkb:Kevin_Costner
gptkb:Ivana_Baquero
|
gptkbp:symbolism
|
the daughter as a changeling
the daughter as a warning
|
gptkbp:target_audience
|
adults
|
gptkbp:thematic_element
|
family dynamics
|
gptkbp:theme
|
parental fear
|
gptkbp:themes
|
gptkb:TV_series
isolation
supernatural elements
family dynamics
fear of the unknown
|
gptkbp:viewpoint
|
limited
|
gptkbp:visual_effects
|
gptkb:CGI
practical effects
|
gptkbp:writer
|
gptkb:John_Connolly
|
gptkbp:wrote
|
explores psychological horror
|
gptkbp:bfsParent
|
gptkb:Gregory_Poirier
gptkb:Annabeth_Gish
gptkb:Kevin_Costner
|
gptkbp:bfsLayer
|
4
|