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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
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gptkb:film
|
|
gptkbp:adaptation_year
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gptkb:1999
|
|
gptkbp:author
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gptkb:William_Boyd
|
|
gptkbp:awards
|
gptkb:Whitbread_Book_Awards
|
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gptkbp:character
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gptkb:Catherine
gptkb:Martha
gptkb:Duncan
gptkb:Maggie
Mr. Todd
|
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gptkbp:character_development
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gptkb:complex
|
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gptkbp:cover_artist
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gptkb:David_Hughes
|
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gptkbp:critical_analysis
|
analyzes character arcs
discusses narrative structure
examines postmodernism
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced contemporary literature
adapted into stage plays
studied in literary courses
|
|
gptkbp:film_editing
|
gptkb:The_New_Confessions_(film)
|
|
gptkbp:followed_by
|
gptkb:Any_Human_Heart
gptkb:The_Blue_Afternoon
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The New Confessions
|
|
gptkbp:influences
|
gptkb:James_Joyce
gptkb:Virginia_Woolf
|
|
gptkbp:inspiration
|
gptkb:historical_figures
personal experiences
autobiographical elements
|
|
gptkbp:isbn
|
978-0-14-024066-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
John James Todd
|
|
gptkbp:motif
|
gptkb:historical_events
artistic expression
travel
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
involves multiple timelines
examines the nature of storytelling
explores the life of a filmmaker
|
|
gptkbp:preceded_by
|
A Good Man in Africa
|
|
gptkbp:predecessor
|
A Good Man in Africa
|
|
gptkbp:published
|
gptkb:1987
|
|
gptkbp:publisher
|
gptkb:Hamish_Hamilton
|
|
gptkbp:setting
|
gptkb:America
gptkb:20th_century
gptkb:Africa
gptkb:Europe
|
|
gptkbp:style
|
satirical
|
|
gptkbp:theme
|
gptkb:art
gptkb:identity
gptkb:memory
|
|
gptkbp:themes
|
gptkb:art
gptkb:identity
gptkb:memory
|
|
gptkbp:bfsParent
|
gptkb:William_Boyd
|
|
gptkbp:bfsLayer
|
6
|