gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:The_New_Barbarians
|
gptkbp:box_office
|
gptkb:unknown
|
gptkbp:budget
|
gptkb:unknown
|
gptkbp:cinematography
|
Aldo Tontodonati
|
gptkbp:contains
|
violence
dystopian themes
sci-fi elements
|
gptkbp:country
|
gptkb:Italy
|
gptkbp:directed_by
|
gptkb:Enzo_G._Castellari
|
gptkbp:distributor
|
gptkb:Medusa_Distribuzione
|
gptkbp:edited_by
|
Amedeo Salfa
|
gptkbp:features
|
survival themes
action sequences
car chases
futuristic weapons
|
gptkbp:follows
|
survivors in a post-apocalyptic world
|
gptkbp:genre
|
post-apocalyptic
|
gptkbp:has_sequel
|
gptkb:The_New_Barbarians
|
gptkbp:has_theme
|
gptkb:musical
gptkb:Transformation
gptkb:TV_series
gptkb:political_movement
gptkb:betrayal
gptkb:loss
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:revenge
gptkb:Community_Center
gptkb:Saint
gptkb:archaeological_site
gptkb:military_conflict
gptkb:power_struggles
gptkb:resource_scarcity
freedom
hope
courage
cynicism
suffering
chaos
grief
redemption
fear
rebirth
human nature
survival of the fittest
survival instincts
the human condition
social order
anarchy
desperation
despair
environmental collapse
societal collapse
survival tactics
technology's role
violence as a means
|
https://www.w3.org/2000/01/rdf-schema#label
|
The New Barbarians II
|
gptkbp:influenced_artists
|
Italian exploitation films
|
gptkbp:influenced_by
|
gptkb:Mad_Max
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
gptkbp:is_worshipped_by
|
gptkb:theorem
|
gptkbp:language
|
gptkb:Italian
|
gptkbp:music_by
|
gptkb:Nico_Fidenco
|
gptkbp:produced_by
|
gptkb:Dario_Argento
|
gptkbp:released
|
gptkb:DJ
|
gptkbp:released_in
|
gptkb:1983
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Enzo_G._Castellari
|
gptkbp:set_in
|
dystopian future
|
gptkbp:starring
|
gptkb:Michael_Sopkiw
gptkb:Fred_Williamson
Giancarlo Prete
|