Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:analyzes |
the relationship between humans and machines
|
| gptkbp:associatedWith |
digital culture
|
| gptkbp:characterizedBy |
blending of digital and physical worlds
|
| gptkbp:emphasizes |
the aesthetics of technology
|
| gptkbp:explores |
the impact of technology on perception
|
| gptkbp:hasExhibition |
galleries
museums art fairs |
| gptkbp:hasInfluenceOn |
contemporary art
graphic design interactive media |
| https://www.w3.org/2000/01/rdf-schema#label |
The New Aesthetic movement
|
| gptkbp:includes |
architecture
design visual art |
| gptkbp:influencedBy |
postmodernism
|
| gptkbp:isConsidered |
a critique of modernity
a reflection of contemporary life a response to digital saturation |
| gptkbp:isDocumentedIn |
books
online platforms academic papers scholarly articles exhibition catalogs various exhibitions |
| gptkbp:isEngagedIn |
art criticism
cultural studies media studies |
| gptkbp:isExploredIn |
interviews
documentaries panel discussions |
| gptkbp:isInfluencedBy |
social networks
the internet mobile technology |
| gptkbp:isPromotedBy |
social media
online communities art blogs |
| gptkbp:isRelatedTo |
data visualization
cybernetics surveillance culture |
| gptkbp:isValuedFor |
its accessibility
its elitism its relationship with consumerism |
| gptkbp:notableFigures |
gptkb:Ben_Grosser
gptkb:James_Bridle gptkb:Tabor_Robak |
| gptkbp:originatedIn |
21st century
|
| gptkbp:utilizes |
3D rendering
glitch art internet imagery |