|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:theatre
|
|
gptkbp:adapted_into
|
gptkb:radio_station
gptkb:film
|
|
gptkbp:author
|
gptkb:Vladimir_Nabokov
|
|
gptkbp:character_relationships
|
gptkb:TV_series
gptkb:military_operation
truth
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
influenced literature
influenced art
influenced film
influenced theater
|
|
gptkbp:filming_location
|
gptkb:Switzerland
|
|
gptkbp:first_performance
|
gptkb:1970
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Mystery of Oberwald
|
|
gptkbp:influence
|
postmodern literature
|
|
gptkbp:influenced
|
modern drama
|
|
gptkbp:influenced_by
|
surrealism
|
|
gptkbp:inspired_by
|
Nabokov's experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
nonlinear
fragmented
metafictional
|
|
gptkbp:notable_character
|
the Man
the Stranger
the Woman
|
|
gptkbp:official_language
|
gptkb:Author
|
|
gptkbp:published_by
|
gptkb:1970
gptkb:Harcourt_Brace_Jovanovich
|
|
gptkbp:related_to
|
Nabokov's works
|
|
gptkbp:setting
|
Oberwald
|
|
gptkbp:style
|
absurdist
|
|
gptkbp:symbolism
|
the man
the mirror
the forest
the woman
the stranger
|
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:existentialism
gptkb:moral_ambiguity
love
|
|
gptkbp:theme
|
gptkb:mythological_figure
|
|
gptkbp:themes
|
the nature of reality
the role of fate
the search for meaning
the impact of the past
|
|
gptkbp:bfsParent
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:bfsLayer
|
4
|