The Mountain of the Cannibal God
GPTKB entity
Statements (129)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:audience |
Critically analyzed for its themes.
Cult classic status achieved. |
| gptkbp:box_office |
$1 million
$500,000. Distributed internationally. |
| gptkbp:censorship |
Heavily censored in some regions.
|
| gptkbp:character_arc |
Character arcs focus on survival.
|
| gptkbp:character_development |
Focuses on survival and morality.
|
| gptkbp:characters |
Dr. Edward Foster.
Professor Mark Gregory. Susan Stevenson. The Cannibal Tribe. |
| gptkbp:cinematography |
gptkb:Giuseppe_Ruzzolini
Cinematography praised for its visuals. |
| gptkbp:cinematography_by |
Cinematic style noted for its tension.
|
| gptkbp:controversy |
Banned in several countries due to graphic content.
|
| gptkbp:country |
gptkb:Italy
|
| gptkbp:critical_reception |
Mixed reviews from critics.
|
| gptkbp:criticism |
Critics noted its shock value.
|
| gptkbp:cult_status |
Gained a cult following over the years.
|
| gptkbp:cultural_impact |
Influenced later horror films.
|
| gptkbp:director |
gptkb:Sergio_Martino
|
| gptkbp:distributor |
gptkb:Cinematografica_Associati
|
| gptkbp:editing |
Amedeo Salfa
|
| gptkbp:film |
Produced by Cinematografica Associati.
Set in the jungles of New Guinea. |
| gptkbp:film_awards |
Nominated for several genre awards.
|
| gptkbp:film_censorship_history |
Censorship history varies by region.
|
| gptkbp:film_cinematic_elements |
Cinematic elements contribute to its impact.
|
| gptkbp:film_cinematic_elements_analysis |
Analysis of cinematic elements.
|
| gptkbp:film_cinematic_elements_exploration |
Exploration of cinematic elements.
|
| gptkbp:film_cinematic_impact |
Impact on the horror genre significant.
|
| gptkbp:film_cinematic_impact_analysis |
Analysis of its impact on the genre.
|
| gptkbp:film_cinematic_impact_exploration |
Exploration of its impact on the genre.
|
| gptkbp:film_cinematic_legacy_analysis |
Analysis of its legacy.
|
| gptkbp:film_cinematic_legacy_exploration |
Exploration of its legacy.
|
| gptkbp:film_cinematic_narrative |
Narrative structure noted for its tension.
|
| gptkbp:film_cinematic_narrative_analysis |
Analysis of narrative structure.
|
| gptkbp:film_cinematic_narrative_exploration |
Exploration of narrative structure.
|
| gptkbp:film_cinematic_themes |
Themes of survival and morality explored.
|
| gptkbp:film_cinematic_themes_analysis |
Analysis of themes explored.
|
| gptkbp:film_cinematic_themes_exploration |
Exploration of themes in the film.
|
| gptkbp:film_controversy |
Controversial for its graphic violence.
|
| gptkbp:film_cultural_analysis |
Cultural analysis of its themes.
|
| gptkbp:film_editing |
Editing noted for pacing.
|
| gptkbp:film_festival |
Screened at various horror film festivals.
Midnight screenings popular. |
| gptkbp:film_legacy_status |
Legacy status as a cult classic.
|
| gptkbp:film_series |
Part of the cannibal genre.
|
| gptkbp:film_technique |
Referenced in popular culture.
Influenced filmmakers in the genre. Utilizes various cinematic techniques. Analysis of cinematic techniques used. Cinematographic style noted for realism. Cultural impact on horror films. Cultural significance in horror cinema. Impact on horror genre noted. Influenced the found footage genre. Significant in horror film history. |
| gptkbp:film_viewer_analysis |
Viewer analysis often critical.
|
| gptkbp:film_viewer_demographics |
Appeals to horror film enthusiasts.
|
| gptkbp:film_viewer_engagement |
Engages viewers through suspense.
|
| gptkbp:film_viewer_engagement_analysis |
Analysis of viewer engagement.
|
| gptkbp:film_viewer_engagement_exploration |
Exploration of viewer engagement.
|
| gptkbp:film_viewer_engagement_strategies |
Engagement strategies noted for effectiveness.
|
| gptkbp:film_viewer_engagement_strategies_analysis |
Analysis of engagement strategies.
|
| gptkbp:film_viewer_engagement_strategies_exploration |
Exploration of engagement strategies.
|
| gptkbp:film_viewer_expectations |
Viewer expectations often subverted.
|
| gptkbp:film_viewer_expectations_analysis |
Analysis of viewer expectations.
|
| gptkbp:film_viewer_expectations_exploration |
Exploration of viewer expectations.
|
| gptkbp:film_viewer_experience |
Viewer experience often intense.
|
| gptkbp:film_viewer_experience_analysis |
Analysis of viewer experience.
|
| gptkbp:film_viewer_experience_exploration |
Exploration of viewer experience.
|
| gptkbp:film_viewer_interpretation |
Viewer interpretation varies widely.
|
| gptkbp:film_viewer_interpretation_analysis |
Analysis of interpretation diversity.
|
| gptkbp:film_viewer_interpretation_diversity |
Diversity in viewer interpretation noted.
|
| gptkbp:film_viewer_interpretation_exploration |
Exploration of interpretation diversity.
|
| gptkbp:film_viewer_perception |
Viewer perception shaped by its content.
|
| gptkbp:film_viewer_perception_analysis |
Analysis of viewer perception.
|
| gptkbp:film_viewer_perception_exploration |
Exploration of viewer perception.
|
| gptkbp:film_viewer_reception |
Viewer reception varied widely.
|
| gptkbp:film_viewer_response |
Viewer response often polarized.
|
| gptkbp:film_viewer_response_analysis |
Analysis of viewer response.
|
| gptkbp:film_viewer_response_exploration |
Exploration of viewer response.
|
| gptkbp:filming_location |
gptkb:New_Guinea
|
| gptkbp:filmography |
Analyzed for its social commentary.
|
| gptkbp:genre |
gptkb:horror
Notable for its sound design. Part of the cannibal horror genre. |
| gptkbp:has_cameo |
Cameos by genre actors.
|
| gptkbp:home_media_release |
Released on DVD.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Mountain of the Cannibal God
|
| gptkbp:influenced_by |
Jungle adventure films.
|
| gptkbp:influences |
Italian cannibal films.
|
| gptkbp:inspiration |
Cannibalism in indigenous cultures
|
| gptkbp:is_portrayed_as |
Features a cannibal tribe.
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
Considered a classic in the genre.
Cinematic legacy in horror genre. Historical context of cannibalism. Legacy as a controversial film. |
| gptkbp:merchandise |
Merchandise produced for fans.
|
| gptkbp:music_by |
gptkb:Franco_Micalizzi
|
| gptkbp:narrative |
Narrative focuses on survival.
|
| gptkbp:notable_film |
Ursula Andress's role was controversial.
|
| gptkbp:notable_scene |
Scenes depicting cannibal rituals.
|
| gptkbp:parody |
Parodied in various media.
|
| gptkbp:plot |
A group of people search for a missing person in the jungles of New Guinea.
|
| gptkbp:production_company |
Cinematografica Associati.
|
| gptkbp:release_date |
August 1978
|
| gptkbp:release_year |
gptkb:1978
|
| gptkbp:remake |
Remake announced.
The Last Cannibal World. |
| gptkbp:restoration |
Restored for Blu-ray release.
|
| gptkbp:runtime |
101 minutes
|
| gptkbp:screenplay |
Screenplay written by Sergio Martino.
|
| gptkbp:screenplay_by |
gptkb:Sergio_Martino
|
| gptkbp:soundtrack |
Released on vinyl.
|
| gptkbp:special_effects |
gptkb:Giorgio_Ferroni
|
| gptkbp:starring |
gptkb:Claudio_Cassinelli
gptkb:Ursula_Andress Stelio Candelli |
| gptkbp:symbolism |
Symbolism of the jungle as a character.
|
| gptkbp:themes |
Explores themes of morality.
Explores themes of civilization vs savagery. Survival, exploitation, and civilization. |
| gptkbp:bfsParent |
gptkb:Ursula_Andress
|
| gptkbp:bfsLayer |
5
|