Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Alfred_Hitchcock
|
| gptkbp:based_on |
a story by Alfred Hitchcock.
|
| gptkbp:character |
The antagonist is a rival suitor.
The female lead is a strong-willed woman. The protagonist is a man in love. |
| gptkbp:cinematography |
John H. H. Smith.
|
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:critical_reception |
not well received at the time.
|
| gptkbp:cultural_impact |
considered a significant work in Hitchcock's early career.
|
| gptkbp:directed_by |
gptkb:Alfred_Hitchcock
|
| gptkbp:distributor |
Pathé Exchange.
|
| gptkbp:edited_by |
Alfred Hitchcock.
|
| gptkbp:filming_location |
England.
|
| gptkbp:filmography |
uses symbolism.
uses innovative camera angles. features dramatic lighting. employs visual storytelling. incorporates suspenseful editing. |
| gptkbp:genre |
gptkb:Actor
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Mountain Eagle (1927)
|
| gptkbp:influenced_by |
German Expressionism.
the works of Alfred Hitchcock. the works of Buster Keaton. the works of Carl Theodor Dreyer. the works of Charlie Chaplin. the works of D. W. Griffith. the works of F. W. Murnau. the works of Fritz Lang. the works of Jean Renoir. the works of Orson Welles. the works of Sergei Eisenstein. |
| gptkbp:inspiration |
Hitchcock's later works.
|
| gptkbp:language |
silent
|
| gptkbp:legacy |
regarded as a lost classic.
|
| gptkbp:music_by |
gptkb:E._M._Forster
|
| gptkbp:notable_for |
being Alfred Hitchcock's second film.
|
| gptkbp:plot |
A story of love and betrayal set in the mountains.
|
| gptkbp:production_company |
gptkb:British_International_Pictures
|
| gptkbp:release_date |
gptkb:1927
|
| gptkbp:release_format |
silent film.
|
| gptkbp:runtime |
unknown.
|
| gptkbp:screenplay_by |
Alfred Hitchcock.
|
| gptkbp:setting |
mountainous region.
|
| gptkbp:starring |
gptkb:Edward_Rigby
gptkb:Nita_Naldi gptkb:Malcolm_Keen |
| gptkbp:status |
lost film
|
| gptkbp:theme |
love and betrayal.
|