|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
Academy Award nomination for Best Costume Design
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$4 million
|
|
gptkbp:character
|
gptkb:Roslyn_Taber
gptkb:Gaylord_Langland
gptkb:Thelma
gptkb:Cecil
Perce
|
|
gptkbp:cinematography
|
gptkb:Russell_Metty
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
considered a classic
|
|
gptkbp:directed_by
|
gptkb:John_Huston
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:edited_by
|
gptkb:Sam_O'_Steen
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:Reno,_Nevada
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Misfits (film)
|
|
gptkbp:influenced
|
film studies
subsequent films about misfits
|
|
gptkbp:influenced_by
|
gptkb:American_Westerns
|
|
gptkbp:inspiration
|
Arthur Miller's divorce from Marilyn Monroe
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential in American cinema.
|
|
gptkbp:music_by
|
gptkb:Alex_North
|
|
gptkbp:notable_appearance
|
final confrontation
Roslyn's speech about horses
wild horse capture
|
|
gptkbp:notable_for
|
Marilyn Monroe's final film
|
|
gptkbp:plot
|
A divorcée and a group of misfits try to capture wild horses.
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:produced_by
|
gptkb:Frank_Taylor
|
|
gptkbp:production_company
|
gptkb:Seven_Arts_Productions
|
|
gptkbp:release_date
|
1961-02-01
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released
|
1961-02-01
|
|
gptkbp:runtime
|
124 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Arthur_Miller
|
|
gptkbp:set_in
|
gptkb:Nevada
|
|
gptkbp:starring
|
gptkb:Clark_Gable
gptkb:Montgomery_Clift
gptkb:Marilyn_Monroe
|
|
gptkbp:themes
|
gptkb:TV_series
freedom
loneliness
disillusionment
|
|
gptkbp:written_by
|
gptkb:Arthur_Miller
|
|
gptkbp:bfsParent
|
gptkb:The_Misfits
|
|
gptkbp:bfsLayer
|
4
|