Statements (184)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:short_story
gptkb:film |
| gptkbp:adaptation |
gptkb:film
film diverges from the original story |
| gptkbp:anderton's_conflict |
betrayal by the system
|
| gptkbp:anderton's_journey |
quest for truth
|
| gptkbp:anderton's_partner |
Dr. Hineman
|
| gptkbp:anderton's_vision |
to change the future.
|
| gptkbp:anderton's_wife |
Lisa Anderton
|
| gptkbp:author |
gptkb:Philip_K._Dick
|
| gptkbp:awards |
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:Saturn_Award_for_Best_Science_Fiction_Film gptkb:Academy_Award_for_Best_Visual_Effects |
| gptkbp:based_on |
gptkb:short_story
|
| gptkbp:based_on_work |
The Minority Report (short story)
|
| gptkbp:box_office |
successful
358 million USD |
| gptkbp:budget |
102 million USD
|
| gptkbp:character |
gptkb:Agatha
gptkb:Dr._Iris_Hineman gptkb:Lamar_Burgess Precrime officer John Anderton's wife |
| gptkbp:character_development |
gptkb:Anderton's_transformation
|
| gptkbp:cinematography_by |
gptkb:Janusz_Kamiński
|
| gptkbp:climax |
Anderton's confrontation with the system
|
| gptkbp:conflict |
moral implications of preemptive justice
moral implications of predicting crime |
| gptkbp:consequences |
debate on ethics of preemptive action
|
| gptkbp:critical_reception |
Positive reviews
widely acclaimed well-received |
| gptkbp:cultural_impact |
Philosophical discussions
Cinematic techniques inspired discussions on morality inspired discussions on ethics inspired discussions on technology inspired discussions on the nature of reality inspired discussions on the nature of society inspired discussions on the nature of consciousness Technological predictions inspired discussions on justice inspired discussions on fate inspired discussions on law enforcement inspired discussions on privacy inspired discussions on human rights inspired discussions on surveillance inspired discussions on the nature of humanity inspired discussions on accountability inspired discussions on choice inspired discussions on the nature of freedom inspired discussions on the nature of identity inspired discussions on the nature of justice inspired discussions on the nature of morality inspired discussions on the nature of ethics inspired discussions on the nature of power discussions on surveillance and privacy inspired discussions on technology's role in society inspired discussions on predictive analytics inspired discussions on the ethics of AI inspired discussions on the future of policing inspired discussions on the implications of AI inspired discussions on the nature of choice inspired discussions on the nature of control inspired discussions on the nature of determinism inspired discussions on the nature of free will inspired discussions on the nature of law inspired discussions on the nature of prediction inspired discussions on the nature of surveillance inspired discussions on the nature of technology |
| gptkbp:cultural_references |
inspired discussions on AI and ethics
|
| gptkbp:directed_by |
gptkb:Steven_Spielberg
|
| gptkbp:director |
gptkb:Steven_Spielberg
|
| gptkbp:edited_by |
gptkb:Michael_Kahn
|
| gptkbp:explores |
ethical dilemmas
|
| gptkbp:features |
gptkb:Precogs
Precrime unit precogs Future crime prediction Precrime police unit |
| gptkbp:film's_critical_acclaim |
nominated for Academy Awards
|
| gptkbp:film's_main_actress |
gptkb:Samantha_Morton
|
| gptkbp:film's_themes |
technology and ethics
|
| gptkbp:filming_location |
gptkb:California
gptkb:Los_Angeles gptkb:San_Francisco gptkb:Washington_D._C. |
| gptkbp:first_published |
Fantasy and Science Fiction magazine
|
| gptkbp:genre |
gptkb:Thriller
gptkb:science_fiction gptkb:thriller science fiction thriller |
| gptkbp:has_character |
gptkb:Agatha
gptkb:John_Anderton gptkb:Wally gptkb:Chief_John_Anderton gptkb:Danny_Witwer gptkb:Dr._Iris_Hineman gptkb:Lamar_Burgess Anne Lively Precrime Captain Precrime Officer |
| gptkbp:has_publications |
Fantastic Universe
|
| gptkbp:has_sequel |
gptkb:Minority_Report:_The_Game
gptkb:Minority_Report:_The_Graphic_Novel gptkb:Minority_Report:_The_Novelization gptkb:Minority_Report:_The_Prequel gptkb:Minority_Report:_The_Series |
| gptkbp:home_media_release |
gptkb:DVD
gptkb:Blu-ray |
| https://www.w3.org/2000/01/rdf-schema#label |
The Minority Report
|
| gptkbp:influenced |
gptkb:television_series
gptkb:Video_games cyberpunk genre Other films inspired various works in literature and film |
| gptkbp:influenced_by |
gptkb:Gattaca
gptkb:Philip_K._Dick gptkb:Blade_Runner gptkb:A._I._Artificial_Intelligence gptkb:determinism |
| gptkbp:influences |
cyberpunk genre
|
| gptkbp:inspiration |
gptkb:thought_experiments
precognition |
| gptkbp:is_explored_in |
nature of reality
|
| gptkbp:is_influenced_by |
concept of predictive policing
|
| gptkbp:john_anderton's_goal |
prove his innocence
|
| gptkbp:language |
English
|
| gptkbp:length |
gptkb:short_story
|
| gptkbp:literary_significance |
explores themes of justice and morality
|
| gptkbp:main_actor |
gptkb:Tom_Cruise
|
| gptkbp:main_theme |
free will
free will vs determinism |
| gptkbp:moral |
is it right to punish someone for a crime they have not yet committed?
|
| gptkbp:music_by |
gptkb:John_Williams
|
| gptkbp:narrative_style |
first-person
non-linear storytelling first-person perspective |
| gptkbp:nominated_for |
gptkb:Academy_Awards
|
| gptkbp:notable_feature |
gptkb:the_three_precogs
|
| gptkbp:notable_quote |
' The future is not set.'
|
| gptkbp:plot_element |
gptkb:murder_mystery
psychic abilities time travel |
| gptkbp:plot_twist |
false accusations
Anderton's realization of the truth |
| gptkbp:precogs |
psychic beings
|
| gptkbp:premiered_on |
gptkb:Cannes_Film_Festival
|
| gptkbp:premise |
pre-crime police unit
|
| gptkbp:produced_by |
gptkb:20th_Century_Fox
gptkb:Amblin_Entertainment |
| gptkbp:protagonist |
gptkb:John_Anderton
|
| gptkbp:published_in |
gptkb:1956
|
| gptkbp:release_date |
June 21, 2002
|
| gptkbp:release_year |
gptkb:2002
|
| gptkbp:released_in |
gptkb:2002
|
| gptkbp:resolution |
Anderton's acceptance of fate
|
| gptkbp:runtime |
145 minutes
|
| gptkbp:screenplay_by |
gptkb:Scott_Frank
gptkb:Jon_Cohen |
| gptkbp:sequel |
gptkb:None
|
| gptkbp:set_in |
gptkb:Washington_D._C.
|
| gptkbp:setting |
future society
|
| gptkbp:social_structure |
Precrime Division
|
| gptkbp:starring |
gptkb:Tom_Cruise
gptkb:Colin_Farrell gptkb:Samantha_Morton gptkb:Max_von_Sydow |
| gptkbp:symbolism |
the eye
|
| gptkbp:themes |
gptkb:Justice
gptkb:determinism Free will Surveillance Determinism free will |
| gptkbp:won_award |
gptkb:Saturn_Awards
gptkb:Academy_Awards gptkb:BAFTA_Awards gptkb:Hugo_Awards gptkb:Golden_Globe_Award |
| gptkbp:written_by |
gptkb:Philip_K._Dick
|
| gptkbp:year |
2054
|
| gptkbp:bfsParent |
gptkb:Philip_K._Dick
|
| gptkbp:bfsLayer |
3
|